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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1987
5/9/87
01 - Tuning
1:59
02 - Sugar Magnolia >
4:50
03 - Sugaree
11:12
04 - Funiculi Funicula
1:26
05 - Me And My Uncle >
3:08
06 - Mexicali Blues
5:57
07 - When Push Comes To Shove
5:36
08 - Tons Of Steel
6:49
09 - My Brother Esau
4:40
10 - Tennessee Jed
9:59
11 - Let It Grow
12:29
12 - Tuning
1:15
13 - Touch Of Grey >
6:10
14 - Looks Like Rain >
8:59
15 - He's Gone >
9:47
16 - Drums >
7:24
17 - Space >
8:24
18 - The Wheel >
4:32
19 - The Other One >
5:06
20 - Wharf Rat >
9:21
21 - Around And Around >
4:01
22 - Sunshine Daydream
4:23
23 - Encore Break
3:13
24 - Iko Iko
7:58
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:28:38
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 2, 2023
SHNID:
gd1987-05-09.165064.UltraMatrix.sbd.cm.miller.t-flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This is 163534 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:28:38
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 2, 2023
SHNID:
gd1987-05-09.163534.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Transferrer: Charlie Miller
2:19:14
SBD
Rating:
8.33 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-05-09.sbd.walker-scotton.miller.83749.sbeok.flac16
Source:
SBD -> Cassette Master (Maxell MX90/Sony D5)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Paul Scotton and Joani Walker for the tapes
Source 4 of 8
2:16:22
SBD
Rating:
8.00 / 12 ratings
SHNID:
gd87-05-09.sbd.cole.5059.sbeok.shnf
Source:
SBD (matrix)> PCM> Dat
Taper Notes:
View NotesSBD (matrix)> PCM> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no DAE); Conversion & Seed: Brian Cole
Taper: Chris Hecht
2:23:47
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-05-09.167185.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to John Corso, Tom, Alex Ford and Mark McCue for the Sennheiser 2002 source which supplies a 4:47 patch in "Drums" - "Funiculi Funicula" tuning before "Me & My Uncle" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Chris Hecht
2:23:49
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-05-09.167184.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to John Corso, Tom, Alex Ford and Mark McCue for the Sennheiser 2002 source which supplies a 4:47 patch in "Drums" - "Funiculi Funicula" tuning before "Me & My Uncle" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: John Corso and Tom
2:27:05
Rating:
6.00 / 2 ratings
Taper:
John Corso and Tom
Transferrer:
Alex Ford
SHNID:
gd1987-05-09.fob.senn2002.corso.ford.130885.sbeok.flac16
Source:
(FOB) Sennheiser 2002s(stealth) > Sony D5 > Master Cassettes > 1st Gen Cassettes; Transfer/Lineage: 1st Gen Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2 (editing/mastering)> Crystal Resampler/Apogee UV22HR> .wav @ 16/44.1> xAct> flac16(tags). Tapers: John Corso and Tom (last name long forgotten); Transferred, edited and mastered by Alex Ford; 1st Gen cassettes from the collection of Mark McCue
Taper Notes:
View NotesComments: - Ry Cooder followed by Bruce Hornsby & the Range opened - * Finiculi Finicula tuning before Me and My Uncle - During Tons of Steel, Brent sings "I can only hope my bass-player will cut me a little slack"!! Notes: - 1st Gen cassettes graciously provided by Mark McCue. - All editing and mastering with UAD-2 in 24/88.2
Taper: Russjcan
2:19:09
Rating:
5.33 / 3 ratings
Taper:
Russjcan
Transferrer:
Russjcan
SHNID:
gd1987-05-09.pzm.russjcan.92165.sbeok.flac16
Source:
Hat Mounted Realistic PZM's with Sony WMD6-C (Maxell MX 90, No NR) 20 feet away, left of center
Lineage:
Master Cassette > D6 > HD > Audacity(pan 20% right) > CDWave > TLH
Taper Notes:
View NotesThis is a stealth recording.There was no taping section at these shows and they were searching for tapers in front of the board. I didn't want to risk getting shut down early so I didn't tape the opening acts.