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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1987
7/26/87
01 Iko Iko
6:13
02 New Minglewood Blues
8:28
03 Tons Of Steel
5:31
04 West LA Fadeaway
8:21
05 When I Paint My Masterpiece
3:42
06 Mexicali Blues
4:51
07 Bird Song
8:40
08 Promised Land
4:24
09 Tuning
0:31
10 Shakedown Street
11:47
11 Looks Like Rain
8:26
12 Terrapin Station
11:41
13 Drums
8:44
14 Space
6:24
15 The Other One
6:41
16 Stella Blue
7:15
17 Throwing Stones
8:46
18 Not Fade Away
8:58
19 Mr Tambourine Man
5:04
20 Dead Man, Dead Man
6:20
21 Maggie's Farm
5:15
22 Simple Twist Of Fate
6:16
23 Watching The River Flow
4:32
24 It's All Over Now, Baby Blue
6:24
25 Chimes Of Freedom
7:10
26 Queen Jane Approximately
4:15
27 Stuck Inside Of Mobile With The Memphis Blues Again
7:29
28 Ballad Of A Thin Man
6:52
29 Rainy Day Women #12 And #35
5:19
30 Gotta Serve Somebody
6:03
31 All Along The Watchtower
6:29
32 Encore Break
3:58
33 Touch Of Grey
6:21
34 Knockin' On Heaven's Door
11:04
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:48:14
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1987-07-26.141897.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Set 3 with Bob Dylan -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
3:48:14
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-07-26.141759.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Set 3 with Bob Dylan
Transferrer: SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin
3:44:41
SBD
Transferrer:
SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1987-07-26.148616.mtx.tobin.flac16
Source:
SBD + AUD Matrix 3 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 23-DEC-2019 - Trader Little Helper - Tagged 23-DEC-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Flying-M
1:26:39
SBD
Transferrer:
Flying-M
SHNID:
gd1987-07-26.138248.sbd-aud.fying-M.flac1644
Source:
Set 3 Source: soundboard segment from a trade, no lineage is available; audience portion Source: 2 Sennheiser MKH404tu > Sony D6 w/ Dolby C;
Lineage:
Nakamichi CR3A w/ Dolby B > Audigy 4 pro @ 16-44 > NERO > EAC > WAVE > Adobe Audition (combine tracks and remove small gaps from SBE errors) iZotope RX4 advanced (fix dropouts, remove loud clapping, increase volume, reduced bass in places) > CD Wave > TLH (flac level 8)
Taper Notes:
View NotesApplause sections on the audience recording were shortened to remove the hurricane of noise between songs. The soundboard section came already edited during these segments. Soundboard source was from 3 trade CDR's sent to me many years ago. I did some work on it to clean up any defects including small dropouts and loud pops/tics. The Grateful Dead "alone" is now available on the "One From The Vault" series so the Dead's set is omitted here. Leaving this Bob Dylan set with the Grateful Dead backing him unreleased. The soundboard cuts off as "Ballad Of A Thin Man" started so I have spliced on my audience recording to complete the show. Not a super recording as my levels were a bit too high for a couple songs so there is some distortion and although not painful it is there. Phil really overpowered my levels and "Gotta Serve Somebody" got the worst of it. Although you see professional microphones as the source they were a bitch to use with the long cables in that aggressive crowd. Prefer to record with a microphone spread of 5-10 feet but that was not going to happen this time. Some friends tried to run a block to keep people from tangling themselves in those cables as they were pushing their way to the front. We were somewhat close (maybe 100-150 feet) and the crowd was so tight it was difficult to be trying to do anything much less be able to monitor levels. As soon as Bob came on the crowd became like a herd of Elephants running up our backs and it pushed us much closer to the stage. By the end of the show we were about 50 feet closer to the stage and I was worn out from holding both microphones and the tape deck. The microphones did get pulled out after "Ballad Of A Thin Man". Fixed that but missed the first 1 1/2 seconds of "Rainy Day Women 12 & 35" so a clip was patched in from a couple nights earlier in Oakland to create a simulated start. This is where the levels got bumped up somehow. By "All Along The Watchtower" my recording levels are back to being correct. For the encore Bob stands back and plays rhythm guitar during "Touch Of Grey" but returns to the microphone for "Knockin On Heavens Door". The applause between songs was just spliced out for the most part to remove all the shuffling and screaming sounds. A herculean effort was applied to the music to reduce the audience noises and it helped a lot as you will hear (or not hear actually). The last few seconds of "Knockiní On Heavenís Door" is without the clapping removed and gives you an idea how loud the crowd was. Anyhow I didn't get the results I hoped for on this recording but it still sounds pretty good and completes the show. And there is always the first disc which is a beautiful soundboard recording. Source: The soundboard segment was from a trade many years ago and no lineage information is available For historical reference only and not intended for resale or any commercial use. enjoy -M- (April 2017) A FLYING M PRODUCTION SUPPORT THE ARTISTS AND THE VENUES THAT HOST LIVE MUSIC.
Source 5 of 9
1:29:45
SBD
Rating:
7.60 / 5 ratings
Source:
Soundboard (audience starting with Ballad of a Thin Man)
Taper: Rich Gastwirt
2:53:01
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1987-07-26.139993.s2-s3.FOB.akg-c460-omni.gastwirt.miller.sirmick.flac1644
Source:
Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:44:42
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1987-07-26.148618.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 23-DEC-2019 - Trader Little Helper - Tagged 23-DEC-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: seaweed
3:40:36
Rating:
4.00 / 3 ratings
Transferrer:
seaweed
SHNID:
gd1987-07-26.aud.seaweed.124098.flac1644
Lineage:
XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. March 2013
Taper Notes:
View NotesIt appears the tapers were able to get only a single mic into the concert (it was a no-taping show), they're heard discussing that between songs. However, they did manage to capture a decent mix from the repeater array; with good bass, clear vocals, and without a lot of stadium echo or crowd noise. The tapers can also be heard mic-checking before Tons of Steel, Shakedown, and Looks Like Rain. Note: small FLAC file size is due to mono WAV data. Patches from ID-98214 were mixed down to mono and added as follows: - Iko 0:00 > 0:18 - Masterpiece 3:04 > 3:22 - Promised Land 0:00 > 0:06 - crowd after Promised Land 4:13 > 4:21 - Space 4:31 > 4:37 - Chimes of Freedom 5:28 > 5:33 - Touch of Grey 0:00 > 0:18 CDR Burning: Each set on a disc with Encores on end of Disc One.
Taper: Tazuo Yamaguchi and Jamie Poris
3:37:10
Rating:
8.36 / 13 ratings
Taper:
Tazuo Yamaguchi and Jamie Poris
Transferrer:
Russ Cansler
SHNID:
gd1987-07-26.nak700.yamaguchi-poris.russjcan.98214.flac16
Source:
Modified Nak 700's omni with Sony D5 FOB Spread 6 feet apart
Lineage:
Master>Nak CR-3A>dbx224>HD>Audacity>CDWave>TLH
Taper Notes:
View Notesencore placed at end of disk 1 source for encore nak 300's w/ d5 2nd gen numerous PHIL BOMBS during begining of Shakedown Street begining of Mr Tambourine Man cut