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June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k154
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64091
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.6k886
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k338
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h5.7k753
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k392
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k422
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k160
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k299
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87998
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k187
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k243
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k318
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k705
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k193
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k417
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k708
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87073
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k596
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.9k635
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k471
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k260
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.5k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k619
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11417
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32023
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1987
12/27/87
crowd (start set 1)
0:32
Touch Of Grey
6:28
Jack Straw
6:45
Peggy-O
6:07
Walkin' Blues
5:16
Ramble On Rose
7:42
Me & My Uncle >
3:07
Big River (tape flip)
6:20
It Must Have Been The Roses
5:53
Desolation Row >
9:45
Don't Ease Me In
3:55
Playing In The Band > (start set 2)
9:24
Uncle John's Band >
8:20
Estimated Prophet >
10:54
Eyes Of The World
8:49
Drums > (tape flip)
11:08
Space >
7:45
Dear Mr. Fantasy >
7:12
Stella Blue >
7:54
Throwing Stones >
9:49
Turn On Your Lovelight
5:16
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:36:57
SBD
Rating:
9.43 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-12-27.sbd.walker-scotton.miller.85592.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- Levels start off very low, but get fixed quickly -- Two different SBD Cassette Masters were used to make this seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Source 2 of 10
2:39:14
SBD
Rating:
9.27 / 11 ratings
SHNID:
gd87-12-27.sbd.miller.15082.sbeok.shnf
Source:
SBD -> Cm -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN via Charlie Miller
Taper Notes:
View NotesSBD -> Cm -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN via Charlie Miller
Transferrer: Joe Samaritano
2:39:40
SBD
Rating:
6.00 / 1 rating
Transferrer:
Joe Samaritano
SHNID:
gd1987-12-27.sbd.samaritano.17420.sbeok.shnf
Source:
Soundboard-> Cassette Master (Gans) played back on NAK CR-7A->Panasonic 3700 DAT
Lineage:
Fostex D5 DAT->ZA2->Soundforge->.wav->mKw->SHN
Taper: Joani Walker
2:37:22
Taper:
Joani Walker
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-12-27.163786.ultramatrix.walker.scotton.miller.clugston.flac2496
Source:
Joani Walker's Master Ultramatrix Soundboard Cassettes (TDK MA-XG90)
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker and Paul Scotton for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Mix/sound fluctuates for the first minute or so of "Touch Of Grey" - Multiple masters were used to make this complete - Pitch corrected Mastered by Scott Clugston February 2023
Taper: Joani Walker
2:37:22
Taper:
Joani Walker
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-12-27.163785.ultramatrix.walker.scotton.miller.clugston.flac1648
Source:
Joani Walker's Master Ultramatrix Soundboard Cassettes (TDK MA-XG90)
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker and Paul Scotton for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Mix/sound fluctuates for the first minute or so of "Touch Of Grey" - Multiple masters were used to make this complete - Pitch corrected Mastered by Scott Clugston February 2023
Taper: Tim Dalton
2:44:58
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-12-27.141883.fob.schoeps.dalton.miller.clugston.flac1644
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz, bGreen and Evan K for the shnid97960 Nakamichi 300 source which supplies a 0:16 patch in "Touch Of Grey" Mastered by Scott Clugston May 3, 2018
Taper: OldNeumanntapr
2:28:21
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1987-12-27.168487.ec7.ont.flac1644
Source:
OTS; Superscope EC-7 Cardioid Condensers (Near Coincident) >Sony TC-153SD [XLIIS]
Lineage:
Cass Masters Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify By 5.7db, Index Tracks, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips], & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; This, and the following night, was the second time that I had recorded the Dead at the Oakland Coliseum Arena, the first time being December 17 1986. The first time I was at the Coliseum was another near disaster, similar to my Ventura Fairgrounds 1986 excursion. I had mechanical problems with my '67 VW bus, and I forgot and left the new pack of double A batteries back in the bus and had to buy a pair from another taper. My Superscope EC7s ran on AA batteries. In 1986 the tapers section was on risers between the soundboard area and the front of the balcony. When people stomped their feet the risers shook and the sea of microphone stands swayed back and forth. For this series of Coliseum shows the tapers section was in the actual balcony and we were farther from the stage and closer to the rafters. I think that Bill Graham wanted that space where the risers had been to stage his pre-show volleyball games. These particular masters of mine have never been digitized and I had to borrow a Denon cassette deck from a friend because my decks have all quit working. Tracking the show out in Audacity I am realizing that I had a bad habit of pausing the tape between some songs. I don't remember what my reasoning was for this but I ended up clipping the beginning of some songs and leaving a really disjointed-sounding recording in the process. I guess I was trying to avoid 'dead air' between songs but it didn't work out really well in the long run. There are some minor flaws, (set two starts abruptly), and the continuity is a little unsettling at times because of the pauses between some songs, but overall I think the sound quality is decent. The vocals sound really upfront and open, as compared to the Nakamichi CM 300 shotgun source. Not bad for a 22 year old who had only been recording live shows for a year and a half. I used the Superscope EC7 cardioid microphones from late 1986 to early 1989 when a friend started letting me borrow his Nakamichi CM 300s. The Superscope's, which were made by Marantz, had a more open sound, especially on the vocals, but they tended to be a bit boomy on the low end, especially at indoor venues. I never tried them in an x/y pattern. Maybe that would have been an improvement. I think the EC7s had similar sound to Sony ECM-22P's, but (I've heard) that the Sonys were a bit better. I think I liked the Kaiser Convention Center better for recording because it was a bit smaller than the Oakland Coliseum and didn't sound as reverberant. Because the encore was recorded at the end of the first set, I must have accidentally recorded over it years ago when I added filler to the tape. Another casualty of too much cannabis in my youth.
Transferrer: bltz
2:35:08
Transferrer:
bltz
SHNID:
gd1987-12-27.135198.bltz.flac24
Source:
Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MA 90 -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24
Taper Notes:
View NotesNotes: Touch - 1987 hotspot! Energy! Jack! Enthusiasm, good solos! Exclamation Points! But never more than one, we have standards, after all. Some nice warm keyboards in the always-lovable and fantastic Peggy-O, all mellow Cali-style, plus some extra special Garcia. Ramble On Rose: Jerry is really bellowing. Some amazing, NAY AMAZING DANGIT ARE YOU LISTENING guitar shred there, rumors of Garcia crying. Fast play on Big River, rhythmic clapping during Dear Mr. Fantasy along with a monster solo. Thank you. Just making sure you are paying attention. Playing -> UJB transition is... worth attention. Eyes is a quick, short version with some new Brent stuff, with some special drumming and a bunch of new-toy quadrophonic things going on here among other places in these shows (the recordings here are stereo, but you get hints of it, if you listen wearing good headphones.) Unique. Crowd is VERY EXCITED THROUGHOUT. things can get a bit clippy as I'd been recently wounded in the running-out-of-tape department, so I was riding the Pause button. Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MA 90 -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24. Only posting in 96/24 to keep the sound quality up, and because I have a big pile to get through... feel free to down sample it with r8brain (a free download,) if you need, but I officially object. (h/t weallen, bt.etree, for r8brain x-ref). Work done using Bose Quiet-Comfort 20 Headphones with NC on, which seems to add some separation and dimension to the show. Recorded, tracked and seeded by bltz
Taper: Ted Gidley
2:36:10
Rating:
8.00 / 1 rating
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1987-12-27.nak300.gidley.120466.flac2448
Source:
OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012
Taper Notes:
View NotesNote: Patch from ID-97960 Drums 8:32 > 8:57.
Taper: Greg Holtz
2:32:55
Rating:
9.33 / 3 ratings
Taper:
Greg Holtz
Transferrer:
Brian Green and Evan K.
SHNID:
gd1987-12-27.nak300.holtz.lmpp.97960.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Sony D-5 cassette recorder > MAC
Lineage:
MAC > nakamichi DR-1 > 24/96 Wave > wavelab 5 > uad plugs > r8brain Pro > ozone mbit > 16/44.1 wave > cd wave > TLH ( lvl 8 ) > Tag And Rename