Bands
Featured
Bands
Grateful Dead
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1987
Sources
Transferrer: Kevin Tobin
2:11:18
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142042.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-MAY-2018 - Trader Little Helper - Tagged 25-MAY-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:11:15
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142041.mtx.tobin.flac2496
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (96/24) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-MAY-2018 - Trader Little Helper - Tagged 25-MAY-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
2:15:31
SBD
Transferrer:
Charlie Miller
SHNID:
gd1987-03-24.140920.UltraMatrix.sbd.cm.miller.flac1644
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:15:31
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-03-24.140805.sbd.miller.flac2496
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:15:31
SBD
Rating:
9.60 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-03-24.sbd.milller.94349.sbeok.flac16
Source:
Set 1: SBD -> Master Cassette -> Cassette Set 2: SBD -> Master Cassette -> Dat (44.1k)
Lineage:
Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.1 -> FLAC Set 2: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC
Taper Notes:
View NotesPatch Notes: (FOB) Schoeps CMC4/MK4 -> PCM -> Dat -> CD supplies: Space (5:37-5:47) Notes: -- Thanks to Steve Marcus for the Set 1 cassette
Source 6 of 20
1:16:32
SBD
Rating:
8.80 / 12 ratings
SHNID:
gd87-03-24.set2-sbd.miller.25581.sbeok.shnf
Source:
Set 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
Taper Notes:
View NotesSet 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
Taper: Michael Hessberg
2:11:49
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-03-24.163462.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Mike Rice (RIP) for the Nakamichi 104 source which supplies some crowd and the beginning of "Let It Grow", as well as a 0:43 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Michael Hessberg
2:11:49
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-03-24.163461.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Mike Rice (RIP) for the Nakamichi 104 source which supplies some crowd and the beginning of "Let It Grow", as well as a 0:43 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2020
Taper: Steve Hill
2:11:18
Taper:
Steve Hill
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142040.pp-aud.hill.tobin.flac1644
Source:
<i>Patched & Pitch Corrected Audience</i> (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience (44/16)
Taper: Steve Hill
2:11:15
Taper:
Steve Hill
Transferrer:
Kevin Tobin
SHNID:
gd1987-03-24.142039.pp-aud.hill.tobin.flac2496
Source:
<i>Patched & Pitch Corrected Audience</i> (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience (44/16)
Taper: DATBRAD
2:12:27
Taper:
DATBRAD
Transferrer:
Mark Lynn and DATBRAD
SHNID:
gd1987-03-24.135992.datbrad.flac16
Source:
OTS 2 Nakamichi CM100s w/cP4 shotguns(PAS)>Sony TCD5M (Maxell MX90s);
Lineage:
Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6)
Taper: chasingwilma
1:11:57
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1987-03-24.135546.set2.chasingwilma.flac24
Source:
Set 2 source: neuman kmr 184 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Steve Hill
2:10:47
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1987-03-24.Senn441.Hill.Keo.131807.Flac2496
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses present between songs for the first set and again at the start of Space.All and All another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1987 Tour!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!
Taper: Steve Hill
2:10:46
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1987-03-24.Senn441.Hill.Keo.131806.Flac1644
Source:
Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Thanks out to Steve for recording and sharing his source for this show!Some tape pauses present between songs for the first set and again at the start of Space.All and All another excellent share from the Hill collection of masters and the Grateful Dead's Spring 1987 Tour!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!
Transferrer: scarletdog
2:15:33
Rating:
8.00 / 1 rating
Transferrer:
scarletdog
SHNID:
gd1987-03-24.senn441fob.scarletdog.126241.flac16
Source:
2 Sennhesier 441s and Sony TC-D5m Cassette Master; FOB;
Lineage:
Playback Maxell XL-IIS cassette masters on Sony TC-D5m to Marantz PMD-670
Taper Notes:
View Notes* Ah, yes - the excitment of fob taping - some bad level adjustments in the first couple minutes of Jack Straw ** I obviously wasn't the first deck in line and someone in front of me didn't know how to hold their record button down - two cuts in the beginning of Let It Grow.
Taper: Greg Holtz & Mike Rice
2:10:23
Rating:
6.00 / 1 rating
Taper:
Greg Holtz & Mike Rice
Transferrer:
Jamie Waddell
SHNID:
gd1987-03-24.nak.holtz.gems.91254.sbeok.flac16
Source:
Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder - located just at the right front lip of the soundboard.
Lineage:
master cassette> tascam112mkII>presonus firestudio>firewire>Wavelab 6.0
Taper: Joe D'Amico
2:09:39
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1987-03-24.nak300.damico.89110.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Bill Koucky
2:07:28
Taper:
Bill Koucky
Transferrer:
Chris Ladner
SHNID:
gd1987-03-24.senn.koucky.gmb.77915.sbeok.flac16
Source:
Sennheiser ME88 shotguns > Sony D6 > TDKMA90s
Lineage:
MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res CD dither settings) > CDWAV 1.9 (tracking and encoding) > FLAC (level 8 encoding)
Source 19 of 20
2:14:41
Rating:
8.60 / 10 ratings
SHNID:
gd87-03-24.schoeps.weber-small.gardner.10354.sbeok.shnf
Source:
FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT
Taper Notes:
View NotesFOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT; via Sean Weber-Small, Bill Gardner; Shntool fix by Darrin Sacks
Transferrer: Stephen B. Porter; Seeded to etree by Peter Braverman
2:09:41
Transferrer:
Stephen B. Porter; Seeded to etree by Peter Braverman
SHNID:
gd1987-03-24.nak300.braverman.10077.shnf
Source:
AUD (Nakamichi 300/Sony D-5)
Lineage:
Nakamichi BX-300 > CD > SHN
Taper Notes:
View NotesKnown issues: Crossfades placed between songs in the first set where some of the crowd noise is missing. There is a fade right at the beginning of Let It Grow. It's unclear if any music is missing. Tape flip at 3:24 of drums; only a few seconds missing. Tape flip between drums and space. Thanks to Stephen B. Porter, wherever he is these days, for the excellent recording. Seeded by Peter Braverman ([email protected]), June 2002.