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Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h897128
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h52976
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h5.6k755
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.6k335
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.3k825
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.9k374
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.1k384
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k156
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.5k278
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h85295
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.9k228
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.2k164
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k171
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k223
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k288
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h4.9k564
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k186
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.7k355
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.7k1.6k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.4k611
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79364
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.5k566
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k631
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.6k441
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.1k241
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.7k1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.8k481
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h42051
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9215
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29221
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h432
7d1066
30d56034
2 shows
2 tapes
1987
Sources
Transferrer: Charlie Miller
2:18:48
SBD
Rating:
7.33 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-09-08.sbd.miller.106715.flac16
Source:
SBD -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Numerous flaws and drop-outs cleaned up
Source 2 of 15
2:19:28
SBD
Rating:
7.40 / 11 ratings
SHNID:
gd87-09-08.sbd.miller.20994.sbeok.shnf
Source:
SBD -> PCM -> Dat -> CD -> EAC -> SHN Converted To SHN by Charlie Miller
Taper Notes:
View NotesSBD -> PCM -> Dat -> CD -> EAC -> SHN Converted To SHN by Charlie Miller
Transferrer: Andrew Pitner
2:15:32
SBD
Transferrer:
Andrew Pitner
Taper Notes:
View Notes== * Cut at 2:12, about 5 seconds missing ** Small glitch at 0:01 *** Fades out during final verse If your burner is picky about 80 min discs, you can put d2t1 at the end of disc 1.
Taper: Doug Lamarre
2:16:17
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-09-08.176263.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jon Pasternak and Dave Mallick for the Nakamichi 300 source and Michael Hessberg for the Sennheiser ME-80 source, which combined, supply a 0:49 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston July 2024 Set One:
Taper: Doug Lamarre
2:16:17
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-09-08.176262.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jon Pasternak and Dave Mallick for the Nakamichi 300 source and Michael Hessberg for the Sennheiser ME-80 source, which combined, supply a 0:49 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston July 2024 Set One:
Taper: Michael Hessberg
2:20:27
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-08.151414.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to John Pasternak and Dave Mallick for the Nakamichi 300 source which supplies a 0:39 patch in "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Michael Hessberg
2:20:27
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-08.151413.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to John Pasternak and Dave Mallick for the Nakamichi 300 source which supplies a 0:39 patch in "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Tim Dalton
2:18:35
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-08.141882.ultramatrix.pcm.dalton.miller.clugston.flac1644
Source:
Ultramatrix PCM > PCM
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer and coordinating this effort - Other One space included in "The Other One"
Taper: Rango Keshavan
2:17:22
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1987-09-08.ecm220t.keshavan.miller.106822.flac16
Source:
Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16
Taper Notes:
View Notes-- Thanks to Rango Keshavan for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Morris
2:12:07
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1987-09-08.nak300.morris.crazyfingers.106592.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Jon Pasternak
2:14:15
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1987-09-08.nak300.pasternak.mallick.102183.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m)
Lineage:
Nak DR-2>Tascam CDRW2000>CD; CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Joe D'Amico
2:13:06
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1987-09-08.nak300.damico.89995.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Tony Suraci
2:15:04
Rating:
8.00 / 2 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1987-09-08.nakcm304.suraci.82309.sbeok.flac16
Source:
Nak CM304's>Sony D5M
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View NotesNotes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Andrew F
2:16:29
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1987-09-08.nak300.andrewf.74162.sbeok.flac16
Source:
AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC
Taper Notes:
View NotesThe tape-flip in Space has been patched with the AUD source from LMA, from track 0:52 thru 0:58. Soundforge was used for the patch and to make fades.
Transferrer: MC> Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D >Turtle Beach Montego II Digital I/O sound card >CD Waves > Cool Edit for putting waves together >CDWav >Shorten
2:14:11
Rating:
10.00 / 1 rating
Transferrer:
MC> Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D >Turtle Beach Montego II Digital I/O sound card >CD Waves > Cool Edit for putting waves together >CDWav >Shorten
SHNID:
gd87-09-08.sony.dnc.8597.sbeok.shnf
Source:
OTS > Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY
Taper Notes:
View NotesRecorded: Sec: 8, Row: E, Seat: 2 (Taper's Section) Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY Digitizing process: Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card > CD Waves > Cool Edit for putting waves together > CDWav for breaking up wav > ; via DNC vine