Bands
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Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1987
Sources
Transferrer: Charlie Miller
2:18:48
SBD
Rating:
7.33 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-09-08.sbd.miller.106715.flac16
Source:
SBD -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Numerous flaws and drop-outs cleaned up
Source 2 of 15
2:19:28
SBD
Rating:
7.40 / 11 ratings
SHNID:
gd87-09-08.sbd.miller.20994.sbeok.shnf
Source:
SBD -> PCM -> Dat -> CD -> EAC -> SHN Converted To SHN by Charlie Miller
Taper Notes:
View NotesSBD -> PCM -> Dat -> CD -> EAC -> SHN Converted To SHN by Charlie Miller
Transferrer: Andrew Pitner
2:15:32
SBD
Transferrer:
Andrew Pitner
Taper Notes:
View Notes== * Cut at 2:12, about 5 seconds missing ** Small glitch at 0:01 *** Fades out during final verse If your burner is picky about 80 min discs, you can put d2t1 at the end of disc 1.
Taper: Doug Lamarre
2:16:17
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-09-08.176263.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jon Pasternak and Dave Mallick for the Nakamichi 300 source and Michael Hessberg for the Sennheiser ME-80 source, which combined, supply a 0:49 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston July 2024 Set One:
Taper: Doug Lamarre
2:16:17
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-09-08.176262.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jon Pasternak and Dave Mallick for the Nakamichi 300 source and Michael Hessberg for the Sennheiser ME-80 source, which combined, supply a 0:49 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston July 2024 Set One:
Taper: Michael Hessberg
2:20:27
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-08.151414.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to John Pasternak and Dave Mallick for the Nakamichi 300 source which supplies a 0:39 patch in "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Michael Hessberg
2:20:27
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-08.151413.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to John Pasternak and Dave Mallick for the Nakamichi 300 source which supplies a 0:39 patch in "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Tim Dalton
2:18:35
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-08.141882.ultramatrix.pcm.dalton.miller.clugston.flac1644
Source:
Ultramatrix PCM > PCM
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer and coordinating this effort - Other One space included in "The Other One"
Taper: Rango Keshavan
2:17:22
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1987-09-08.ecm220t.keshavan.miller.106822.flac16
Source:
Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16
Taper Notes:
View Notes-- Thanks to Rango Keshavan for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Morris
2:12:07
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1987-09-08.nak300.morris.crazyfingers.106592.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Jon Pasternak
2:14:15
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1987-09-08.nak300.pasternak.mallick.102183.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m)
Lineage:
Nak DR-2>Tascam CDRW2000>CD; CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Joe D'Amico
2:13:06
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1987-09-08.nak300.damico.89995.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Tony Suraci
2:15:04
Rating:
8.00 / 2 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1987-09-08.nakcm304.suraci.82309.sbeok.flac16
Source:
Nak CM304's>Sony D5M
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View NotesNotes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Andrew F
2:16:29
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1987-09-08.nak300.andrewf.74162.sbeok.flac16
Source:
AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby
Lineage:
MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC
Taper Notes:
View NotesThe tape-flip in Space has been patched with the AUD source from LMA, from track 0:52 thru 0:58. Soundforge was used for the patch and to make fades.
Transferrer: MC> Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D >Turtle Beach Montego II Digital I/O sound card >CD Waves > Cool Edit for putting waves together >CDWav >Shorten
2:14:11
Rating:
10.00 / 1 rating
Transferrer:
MC> Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D >Turtle Beach Montego II Digital I/O sound card >CD Waves > Cool Edit for putting waves together >CDWav >Shorten
SHNID:
gd87-09-08.sony.dnc.8597.sbeok.shnf
Source:
OTS > Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY
Taper Notes:
View NotesRecorded: Sec: 8, Row: E, Seat: 2 (Taper's Section) Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY Digitizing process: Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card > CD Waves > Cool Edit for putting waves together > CDWav for breaking up wav > ; via DNC vine