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June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k151
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64591
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k901
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k349
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6k781
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k401
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k429
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k164
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k302
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h902100
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k191
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k246
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k326
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6.1k705
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k197
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k418
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.1k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k709
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87674
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k606
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5k653
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k469
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k263
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.6k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k614
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51862
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1987
7/26/87
tuning
0:49
Shakedown Street
11:50
Looks Like Rain >
8:23
Terrapin Station >
11:46
Drums >
8:46
Space >
6:24
The Other One >
6:41
Stella Blue >
7:17
Throwing Stones >
8:48
Not Fade Away
8:16
Mr. Tambourine Man
5:38
Dead Man, Dead Man
6:28
Maggie's Farm
5:08
Simple Twist Of Fate
6:17
Watching The River Flow
4:33
It's All Over Now, Baby Blue
6:26
Chimes Of Freedom
7:34
Queen Jane Approximately
4:23
Stuck Inside Of Mobile With The Memphis Blues Again
7:25
Ballad Of A Thin Man
6:54
Rainy Day Women #12 And #35
5:20
Gotta Serve Somebody
6:15
All Along The Watchtower
8:30
Touch Of Grey
6:28
Knockin' On Heaven's Door
6:42
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:48:14
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1987-07-26.141897.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Set 3 with Bob Dylan -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
3:48:14
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-07-26.141759.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Set 3 with Bob Dylan
Transferrer: SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin
3:44:41
SBD
Transferrer:
SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1987-07-26.148616.mtx.tobin.flac16
Source:
SBD + AUD Matrix 3 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 23-DEC-2019 - Trader Little Helper - Tagged 23-DEC-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Flying-M
1:26:39
SBD
Transferrer:
Flying-M
SHNID:
gd1987-07-26.138248.sbd-aud.fying-M.flac1644
Source:
Set 3 Source: soundboard segment from a trade, no lineage is available; audience portion Source: 2 Sennheiser MKH404tu > Sony D6 w/ Dolby C;
Lineage:
Nakamichi CR3A w/ Dolby B > Audigy 4 pro @ 16-44 > NERO > EAC > WAVE > Adobe Audition (combine tracks and remove small gaps from SBE errors) iZotope RX4 advanced (fix dropouts, remove loud clapping, increase volume, reduced bass in places) > CD Wave > TLH (flac level 8)
Taper Notes:
View NotesApplause sections on the audience recording were shortened to remove the hurricane of noise between songs. The soundboard section came already edited during these segments. Soundboard source was from 3 trade CDR's sent to me many years ago. I did some work on it to clean up any defects including small dropouts and loud pops/tics. The Grateful Dead "alone" is now available on the "One From The Vault" series so the Dead's set is omitted here. Leaving this Bob Dylan set with the Grateful Dead backing him unreleased. The soundboard cuts off as "Ballad Of A Thin Man" started so I have spliced on my audience recording to complete the show. Not a super recording as my levels were a bit too high for a couple songs so there is some distortion and although not painful it is there. Phil really overpowered my levels and "Gotta Serve Somebody" got the worst of it. Although you see professional microphones as the source they were a bitch to use with the long cables in that aggressive crowd. Prefer to record with a microphone spread of 5-10 feet but that was not going to happen this time. Some friends tried to run a block to keep people from tangling themselves in those cables as they were pushing their way to the front. We were somewhat close (maybe 100-150 feet) and the crowd was so tight it was difficult to be trying to do anything much less be able to monitor levels. As soon as Bob came on the crowd became like a herd of Elephants running up our backs and it pushed us much closer to the stage. By the end of the show we were about 50 feet closer to the stage and I was worn out from holding both microphones and the tape deck. The microphones did get pulled out after "Ballad Of A Thin Man". Fixed that but missed the first 1 1/2 seconds of "Rainy Day Women 12 & 35" so a clip was patched in from a couple nights earlier in Oakland to create a simulated start. This is where the levels got bumped up somehow. By "All Along The Watchtower" my recording levels are back to being correct. For the encore Bob stands back and plays rhythm guitar during "Touch Of Grey" but returns to the microphone for "Knockin On Heavens Door". The applause between songs was just spliced out for the most part to remove all the shuffling and screaming sounds. A herculean effort was applied to the music to reduce the audience noises and it helped a lot as you will hear (or not hear actually). The last few seconds of "Knockiní On Heavenís Door" is without the clapping removed and gives you an idea how loud the crowd was. Anyhow I didn't get the results I hoped for on this recording but it still sounds pretty good and completes the show. And there is always the first disc which is a beautiful soundboard recording. Source: The soundboard segment was from a trade many years ago and no lineage information is available For historical reference only and not intended for resale or any commercial use. enjoy -M- (April 2017) A FLYING M PRODUCTION SUPPORT THE ARTISTS AND THE VENUES THAT HOST LIVE MUSIC.
Source 5 of 9
1:29:45
SBD
Rating:
7.60 / 5 ratings
Source:
Soundboard (audience starting with Ballad of a Thin Man)
Taper: Rich Gastwirt
2:53:01
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1987-07-26.139993.s2-s3.FOB.akg-c460-omni.gastwirt.miller.sirmick.flac1644
Source:
Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:44:42
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1987-07-26.148618.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 23-DEC-2019 - Trader Little Helper - Tagged 23-DEC-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: seaweed
3:40:36
Rating:
4.00 / 3 ratings
Transferrer:
seaweed
SHNID:
gd1987-07-26.aud.seaweed.124098.flac1644
Lineage:
XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. March 2013
Taper Notes:
View NotesIt appears the tapers were able to get only a single mic into the concert (it was a no-taping show), they're heard discussing that between songs. However, they did manage to capture a decent mix from the repeater array; with good bass, clear vocals, and without a lot of stadium echo or crowd noise. The tapers can also be heard mic-checking before Tons of Steel, Shakedown, and Looks Like Rain. Note: small FLAC file size is due to mono WAV data. Patches from ID-98214 were mixed down to mono and added as follows: - Iko 0:00 > 0:18 - Masterpiece 3:04 > 3:22 - Promised Land 0:00 > 0:06 - crowd after Promised Land 4:13 > 4:21 - Space 4:31 > 4:37 - Chimes of Freedom 5:28 > 5:33 - Touch of Grey 0:00 > 0:18 CDR Burning: Each set on a disc with Encores on end of Disc One.
Taper: Tazuo Yamaguchi and Jamie Poris
3:37:10
Rating:
8.36 / 13 ratings
Taper:
Tazuo Yamaguchi and Jamie Poris
Transferrer:
Russ Cansler
SHNID:
gd1987-07-26.nak700.yamaguchi-poris.russjcan.98214.flac16
Source:
Modified Nak 700's omni with Sony D5 FOB Spread 6 feet apart
Lineage:
Master>Nak CR-3A>dbx224>HD>Audacity>CDWave>TLH
Taper Notes:
View Notesencore placed at end of disk 1 source for encore nak 300's w/ d5 2nd gen numerous PHIL BOMBS during begining of Shakedown Street begining of Mr Tambourine Man cut