Bands
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Bands
Grateful Dead
Today In History
June 14th
Years
1995
29.9k
PlaybackListensHours
48h45762
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k372
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k307
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k366
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.8k378
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k164
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.5k945
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h961109
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.6k306
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k560
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.2k159
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k228
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k984
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.5k208
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.9k251
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.6k1.3k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.8k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47648
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.8k638
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h2.9k367
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k180
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k264
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h825101
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11617
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h21417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1987
Sources
Transferrer: Charlie Miller
3:48:14
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1987-07-26.141897.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Set 3 with Bob Dylan -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
3:48:14
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-07-26.141759.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Set 3 with Bob Dylan
Transferrer: SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin
3:44:41
SBD
Transferrer:
SBD + AUD Matrix 3 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1987-07-26.148616.mtx.tobin.flac16
Source:
SBD + AUD Matrix 3 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 23-DEC-2019 - Trader Little Helper - Tagged 23-DEC-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Flying-M
1:26:39
SBD
Transferrer:
Flying-M
SHNID:
gd1987-07-26.138248.sbd-aud.fying-M.flac1644
Source:
Set 3 Source: soundboard segment from a trade, no lineage is available; audience portion Source: 2 Sennheiser MKH404tu > Sony D6 w/ Dolby C;
Lineage:
Nakamichi CR3A w/ Dolby B > Audigy 4 pro @ 16-44 > NERO > EAC > WAVE > Adobe Audition (combine tracks and remove small gaps from SBE errors) iZotope RX4 advanced (fix dropouts, remove loud clapping, increase volume, reduced bass in places) > CD Wave > TLH (flac level 8)
Taper Notes:
View NotesApplause sections on the audience recording were shortened to remove the hurricane of noise between songs. The soundboard section came already edited during these segments. Soundboard source was from 3 trade CDR's sent to me many years ago. I did some work on it to clean up any defects including small dropouts and loud pops/tics. The Grateful Dead "alone" is now available on the "One From The Vault" series so the Dead's set is omitted here. Leaving this Bob Dylan set with the Grateful Dead backing him unreleased. The soundboard cuts off as "Ballad Of A Thin Man" started so I have spliced on my audience recording to complete the show. Not a super recording as my levels were a bit too high for a couple songs so there is some distortion and although not painful it is there. Phil really overpowered my levels and "Gotta Serve Somebody" got the worst of it. Although you see professional microphones as the source they were a bitch to use with the long cables in that aggressive crowd. Prefer to record with a microphone spread of 5-10 feet but that was not going to happen this time. Some friends tried to run a block to keep people from tangling themselves in those cables as they were pushing their way to the front. We were somewhat close (maybe 100-150 feet) and the crowd was so tight it was difficult to be trying to do anything much less be able to monitor levels. As soon as Bob came on the crowd became like a herd of Elephants running up our backs and it pushed us much closer to the stage. By the end of the show we were about 50 feet closer to the stage and I was worn out from holding both microphones and the tape deck. The microphones did get pulled out after "Ballad Of A Thin Man". Fixed that but missed the first 1 1/2 seconds of "Rainy Day Women 12 & 35" so a clip was patched in from a couple nights earlier in Oakland to create a simulated start. This is where the levels got bumped up somehow. By "All Along The Watchtower" my recording levels are back to being correct. For the encore Bob stands back and plays rhythm guitar during "Touch Of Grey" but returns to the microphone for "Knockin On Heavens Door". The applause between songs was just spliced out for the most part to remove all the shuffling and screaming sounds. A herculean effort was applied to the music to reduce the audience noises and it helped a lot as you will hear (or not hear actually). The last few seconds of "Knockiní On Heavenís Door" is without the clapping removed and gives you an idea how loud the crowd was. Anyhow I didn't get the results I hoped for on this recording but it still sounds pretty good and completes the show. And there is always the first disc which is a beautiful soundboard recording. Source: The soundboard segment was from a trade many years ago and no lineage information is available For historical reference only and not intended for resale or any commercial use. enjoy -M- (April 2017) A FLYING M PRODUCTION SUPPORT THE ARTISTS AND THE VENUES THAT HOST LIVE MUSIC.
Source 5 of 9
1:29:45
SBD
Rating:
7.60 / 5 ratings
Source:
Soundboard (audience starting with Ballad of a Thin Man)
Taper: Rich Gastwirt
2:53:01
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1987-07-26.139993.s2-s3.FOB.akg-c460-omni.gastwirt.miller.sirmick.flac1644
Source:
Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
3:44:42
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1987-07-26.148618.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 23-DEC-2019 - Trader Little Helper - Tagged 23-DEC-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: seaweed
3:40:36
Rating:
4.00 / 3 ratings
Transferrer:
seaweed
SHNID:
gd1987-07-26.aud.seaweed.124098.flac1644
Lineage:
XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. March 2013
Taper Notes:
View NotesIt appears the tapers were able to get only a single mic into the concert (it was a no-taping show), they're heard discussing that between songs. However, they did manage to capture a decent mix from the repeater array; with good bass, clear vocals, and without a lot of stadium echo or crowd noise. The tapers can also be heard mic-checking before Tons of Steel, Shakedown, and Looks Like Rain. Note: small FLAC file size is due to mono WAV data. Patches from ID-98214 were mixed down to mono and added as follows: - Iko 0:00 > 0:18 - Masterpiece 3:04 > 3:22 - Promised Land 0:00 > 0:06 - crowd after Promised Land 4:13 > 4:21 - Space 4:31 > 4:37 - Chimes of Freedom 5:28 > 5:33 - Touch of Grey 0:00 > 0:18 CDR Burning: Each set on a disc with Encores on end of Disc One.
Taper: Tazuo Yamaguchi and Jamie Poris
3:37:10
Rating:
8.36 / 13 ratings
Taper:
Tazuo Yamaguchi and Jamie Poris
Transferrer:
Russ Cansler
SHNID:
gd1987-07-26.nak700.yamaguchi-poris.russjcan.98214.flac16
Source:
Modified Nak 700's omni with Sony D5 FOB Spread 6 feet apart
Lineage:
Master>Nak CR-3A>dbx224>HD>Audacity>CDWave>TLH
Taper Notes:
View Notesencore placed at end of disk 1 source for encore nak 300's w/ d5 2nd gen numerous PHIL BOMBS during begining of Shakedown Street begining of Mr Tambourine Man cut