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Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h55274
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h847117
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.3k451
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h4.2k557
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h6.5k813
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h3.7k478
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k348
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k126
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h4k451
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h1k112
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k200
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.3k389
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k169
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h1.9k231
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h4.4k526
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.6k224
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.8k252
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.4k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h21k2.8k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h24026
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.3k438
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h6.5k908
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.3k287
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k169
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k171
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.4k172
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h41554
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13017
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h39528
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h222
7d1368
30d63237
2 shows
2 tapes
1987
7/12/87
Crowd/Intro
0:55
Hell In A Bucket >
5:53
West LA Fadeaway
7:40
Greatest Story Ever Told
4:26
Loser
7:52
Tons Of Steel
5:27
Take A Step Back
0:53
Ramble On Rose
6:43
When I Paint My Masterpiece
5:06
When Push Comes To Shove
5:38
Promised Land >
3:52
Bertha
6:55
Take A Step Back
1:53
Morning Dew >
9:18
Playin' In The Band >
9:10
Drums >
7:33
Space >
2:54
The Other One >
6:34
Stella Blue >
7:38
Throwing Stones >
9:10
Not Fade Away
7:05
Crowd
0:31
Slow Train
4:16
Stuck Inside Of Mobile, With The Memphis Blues Again
6:56
Tomorrow Is A Long Time
5:16
Highway 61 Revisited
4:43
It's All Over Now, Baby Blue
6:16
Ballad Of A Thin Man
5:15
John Brown
6:13
The Wicked Messenger
3:57
Queen Jane Approximately
4:52
Chimes Of Freedom
8:05
Joey
9:30
All Along The Watchtower
5:08
The Times They Are A-Changin'
4:35
Encore Break
1:31
Touch Of Grey >
6:13
Knockin' On Heaven's Door
6:14
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
3:38:30
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1987-07-12.137181.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=84266) SRecording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-NOV-2016 - Trader Little Helper - Tagged 05-NOV-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
3:38:30
SBD
Rating:
2.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1987-07-12.137180.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=84266) SRecording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - DTS mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-NOV-2016 - Trader Little Helper - Tagged 05-NOV-2016 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
3:38:30
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1987-07-12.137179.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=84266) Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 3 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-NOV-2016 - Trader Little Helper - Tagged 05-NOV-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
3:33:38
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-07-12.sbd-aud.miller.84266.sbeok.flac16
Source:
Sets 1 & 2: SBD -> PCM -> Dat -> CD ; Set 3: (FOB) Schoeps -> PCM -> Dat -> CD
Lineage:
CD -> Samplitude Professional v9.02 -> FLAC
Taper Notes:
View NotesNotes: -- Set 3 with Bob Dylan -- Encores on end of Set 2 to keep each set on one disc -- I did the Dat -> CD transfers back in 2000 -- The SBD is an UltraMatrix with a lot of AUD
Transferrer: Mixed by Kevin Tobin
1:29:53
SBD
Transferrer:
Mixed by Kevin Tobin
SHNID:
gd1987-07-12.144319.set3.mtx.tobin.flac1644
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-DEC-2018 - Trader Little Helper - Tagged 28-DEC-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Mixed by Kevin Tobin
1:29:39
SBD
Transferrer:
Mixed by Kevin Tobin
SHNID:
gd1987-07-12.144301.set3.sbd.tobin.flac1644
Source:
SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-DEC-2018 - Trader Little Helper - Tagged 25-DEC-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 7 of 20
1:28:51
SBD
Rating:
8.00 / 1 rating
Source:
Soundboard (except AUD PCM>DAT 1st 3 tracks)
Transferrer: Mike Lai and Bill Tetzeli
3:27:52
SBD
Transferrer:
Mike Lai and Bill Tetzeli
SHNID:
gd1987-07-12.sbd-aud.lai.tetzeli.fix-3860.84935.sbeok.flac16
Source:
SHNID 3860
Lineage:
SHNs > WAV > time/pitch stretching in CE Pro (see below) > FLAC
Taper Notes:
View NotesThe entire Dead set and the last three tracks, including the encores, appear to have come from the same source. These were definitely high in pitch, and were pitch/time stretched in CE Pro to 102.36%. The Dylan set, including the first 3 audience sourced tracks, do not have significant pitch problems and were not pitch adjusted. The end of d2t12 was cross-faded into the beginning of d2t13 to take care of some overlap. Shntool was used to fix all existing SBEs and all tracks converted to FLAC.
Source 9 of 20
3:24:47
SBD
Rating:
6.76 / 21 ratings
SHNID:
gd87-07-12.sbd.agan.3860.sbefail.shnf
Source:
AUD FOB CM> C> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz
Taper Notes:
View NotesAUD FOB CM> C> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz; A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); via Charlie Connor, Paino Man to abgd; d2 tracked for 80 min
Taper: Michael Hessberg
3:32:06
Rating:
10.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-07-12.149438.fob.senn421.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Dalton for the (FOB) Schoeps source which supplies a 8:22 patch in "Drums > Space", as well as the final notes of "John Brown", the crowd and first few notes of "Wicked Messenger" (0:39 total) - Other One space included in "The Other One" - 3rd set with Bob Dylan - Pitch corrected Mastered by Scott Clugston April 2020
Taper: Michael Hessberg
3:32:06
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-07-12.149437.fob.senn421.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Dalton for the (FOB) Schoeps source which supplies a 8:22 patch in "Drums > Space", as well as the final notes of "John Brown", the crowd and first few notes of "Wicked Messenger" (0:39 total) - Other One space included in "The Other One" - 3rd set with Bob Dylan - Pitch corrected Mastered by Scott Clugston April 2020
Taper: Tim Dalton
3:35:20
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-07-12.142137.fob.schoeps.dalton.miller.clugston.flac1644
Source:
Source Info: 1st & 2nd Set: (FOB) Schoeps > PCM > PCM; 3rd Set: (FOB) Schoeps > PCM > Dat > CD (shnid 84266); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM of the 1st and 2nd sets - Thanks to Charlie Miller for the shnid84266 (FOB)Schoeps source which supplies the 3rd set in its entirety - Thanks to Charlie Miller for the transfer and coordinating this effort - Other One space included in "The Other One" - 3rd set with Bob Dylan Mastered by Scott Clugston May 2, 2018
Source 13 of 20
3:22:41
SHNID:
gd1987-07-12.176876.senn441.lamarre.miller.clugston.flac2496
Source 14 of 20
3:22:41
SHNID:
gd1987-07-12.176875.senn441.lamarre.miller.clugston.flac1648
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
1:29:51
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1987-07-12.144321.set3.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-DEC-2018 - Trader Little Helper - Tagged 28-DEC-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Dave Flaschner
3:34:19
Taper:
Dave Flaschner
Transferrer:
Jeff Mitchell
SHNID:
gd1987-07-12.137381.akg460.flac1644
Taper Notes:
View Notes- diginoise in Memphis Blues; patched with #106804 - drop out in drums; patched with #84935 - diginoise in TOO; patched with #84935 - missing the last ~50 seconds of NFA; patched with #84935
Taper: PO and Stucco TINA Holmes
1:34:19
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jason Chastain
SHNID:
gd1987-07-12.137298.set3.aud.GEMS.flac16
Source:
Set 3 Audience Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Drew Frazer 16 bit 44.1kHz
Taper Notes:
View NotesBeta appears to be same source as 106804, but with more content after the encore certainly a different source than 3422
Taper: Jon Pasternak
1:25:32
Taper:
Jon Pasternak
Transferrer:
Dave Mallick
SHNID:
gd1987-07-12.nakcm100-cp4.pasternak.106819.flac16
Source:
Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD
Lineage:
CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper Notes:
View Noteswith Jerry Garcia on pedal steel Note: First song (Slow Train) was not recorded.
Transferrer: RumRunners
1:32:10
Rating:
8.00 / 1 rating
Transferrer:
RumRunners
Source:
(AUD PCM>DAT)
Lineage:
48k dat > midiman delta dio 2496 > cooledit > wav > flac
Taper Notes:
View NotesIn contrast, 2 other fob pcm>dat transfers have circulated being the jbraverman LB-2774 and the miller LB-4714 shnid=84266; both those seem to come from the same original recording with very close wav and spectral views and levels and edits and sound; this one is similar to those in same clapping and sort of similar clapping wavs and same nearby audience talking at end of d1t9 indicating it may be the same recording with different transfer and mastering, or tapers patched off the same mics or very close to each other; in side by side comparison, the tone on this is very different with a warmer sound making those sound harsh and whiney as if they were remastered; this has the complete wait for the encore while those have most of the wait edited out; Editing and patching: a small blip at 8:01 was patched with the miller source; a small drop in crowd at 17:00 was snipped; it could not be patched because both the jbraverman and miller versions were missing this section along with an additional half second which included a clap at this spot as if they had already been snipped;; excellent sound [A]
Taper: Aud source supplied by PainoMan
2:18:36
Taper:
Aud source supplied by PainoMan
Transferrer:
Charlie Connor
Source:
AUD FOB CM>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT)
Taper Notes:
View NotesAud source supplied by PainoMan. All other work (including everything above in this text file) fantastically done by Charlie Conner. This was my first show and my first tape! - PainoMan