1987
Bands
Featured
Bands
Grateful Dead
Today In History
June 16th
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1987
Sources
Transferrer: Kevin Tobin
3:38:30
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1987-07-12.137181.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=84266) SRecording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014 --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-NOV-2016 - Trader Little Helper - Tagged 05-NOV-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
3:38:30
SBD
Rating:
2.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1987-07-12.137180.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=84266) SRecording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - DTS mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-NOV-2016 - Trader Little Helper - Tagged 05-NOV-2016 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
3:38:30
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1987-07-12.137179.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=84266) Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 3 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-NOV-2016 - Trader Little Helper - Tagged 05-NOV-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Michael Hessberg
3:32:06
Rating:
10.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-07-12.149438.fob.senn421.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Dalton for the (FOB) Schoeps source which supplies a 8:22 patch in "Drums > Space", as well as the final notes of "John Brown", the crowd and first few notes of "Wicked Messenger" (0:39 total) - Other One space included in "The Other One" - 3rd set with Bob Dylan - Pitch corrected Mastered by Scott Clugston April 2020
Taper: Michael Hessberg
3:32:06
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-07-12.149437.fob.senn421.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Dalton for the (FOB) Schoeps source which supplies a 8:22 patch in "Drums > Space", as well as the final notes of "John Brown", the crowd and first few notes of "Wicked Messenger" (0:39 total) - Other One space included in "The Other One" - 3rd set with Bob Dylan - Pitch corrected Mastered by Scott Clugston April 2020
Taper: Tim Dalton
3:35:20
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-07-12.142137.fob.schoeps.dalton.miller.clugston.flac1644
Source:
Source Info: 1st & 2nd Set: (FOB) Schoeps > PCM > PCM; 3rd Set: (FOB) Schoeps > PCM > Dat > CD (shnid 84266); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM of the 1st and 2nd sets - Thanks to Charlie Miller for the shnid84266 (FOB)Schoeps source which supplies the 3rd set in its entirety - Thanks to Charlie Miller for the transfer and coordinating this effort - Other One space included in "The Other One" - 3rd set with Bob Dylan Mastered by Scott Clugston May 2, 2018
Transferrer: RumRunners
1:32:10
Rating:
8.00 / 1 rating
Transferrer:
RumRunners
Source:
(AUD PCM>DAT)
Lineage:
48k dat > midiman delta dio 2496 > cooledit > wav > flac
Taper Notes:
View NotesIn contrast, 2 other fob pcm>dat transfers have circulated being the jbraverman LB-2774 and the miller LB-4714 shnid=84266; both those seem to come from the same original recording with very close wav and spectral views and levels and edits and sound; this one is similar to those in same clapping and sort of similar clapping wavs and same nearby audience talking at end of d1t9 indicating it may be the same recording with different transfer and mastering, or tapers patched off the same mics or very close to each other; in side by side comparison, the tone on this is very different with a warmer sound making those sound harsh and whiney as if they were remastered; this has the complete wait for the encore while those have most of the wait edited out; Editing and patching: a small blip at 8:01 was patched with the miller source; a small drop in crowd at 17:00 was snipped; it could not be patched because both the jbraverman and miller versions were missing this section along with an additional half second which included a clap at this spot as if they had already been snipped;; excellent sound [A]