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June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1987
6/20/87
Hell In A Bucket >
6:11
Franklin's Tower
8:51
New Minglewood Blues
7:24
Loser
9:02
My Brother Esau
5:10
Bird Song
9:50
Space
1:32
Iko Iko
8:35
Looks Like Rain
8:32
Deal >
6:32
Drums >
9:24
Space >
10:12
Gimme Some Lovin' >
4:48
All Along The Watchtower >
4:36
The Wheel >
4:32
The Other One >
4:44
Wharf Rat >
8:42
Sugar Magnolia
8:18
One More Saturday Night
4:52
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:17:37
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-06-20.sbd.miller.93080.sbeok.flac16
Source:
SBD -> PCM -> AIFF
Lineage:
AIFF -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless
Transferrer: Charlie Miller
2:17:45
SBD
Rating:
8.86 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-06-20.sbd.walker-scotton.miller.83766.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90/Sony D5)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: Dan Haugh
2:20:23
SBD
Rating:
2.00 / 1 rating
Transferrer:
Dan Haugh
SHNID:
gd1987-06-20.mtx.dts.haugh.93386.flac16
Source:
SBD/AUD Matrix Mix
Taper Notes:
View NotesSource Info SBD (ShnID = 93080) Recording Info: SBD > PCM > AIFF Transfer Info: AIFF > Samplitude Professional v10.1 > FLAC All Transfers and Mastering By Charlie Miller [email protected], July 22, 2008 AUD (ShnID = 77988) AKG 414 B/TL mics, cardioid pattern ORTF > Oade PS > Sony PCM F1. Transfer: PCM 601 > Sony DTC2000ES DAT > M-Audio Delta 410 > Soundforge > Samplitude Professional V8.01 > waves X Crackle > FLACl6 Taped by Robert Bryant, Transfered by Rich Gastwirt, Edited by Bob Loy Patch Info Nakamichi CM304's > Sony D5M, OTS, Stand at 9 Feet Transfer: Nak CR5A > Lunatec V3(analog out) > 722@24/96 > Adobe Audition 2.0 dither and resample 16Bit > Cdwave > FLAC16 Taped by Tony Suraci, Transfer and upload by Tony Suraci aka nak700 Thanks to all the hard work from the folks mentioned above with their loving care getting these sources out. Also a thanks for some of the images used in creation of the artwork. I found them years ago on the net and do not have any way to properly credit. --------------------------------------------------------- Notes on the Source Material SBD (ShnID = 93080) Another flawless transfer by Charlie Miller. However I do not think this is a SBD recording. Either FM or Pre-FM (most likely Pre-FM). You can see there is some limiting on the dynamic range and but the real giveaway is the station ID in Sug Mags. AUD1 (ShnID = 31211) Nice sounding AUD recording from the tapers section. Nice balanced sound and a clean transfer. Few spots of minor static that cannot really even be heard. --------------------------------------------------------- Tech Notes FLACs were decoded to wave. Wavemerge was used to reassemble the entire show back to 1 long wave. CEP2.0 was used to align & synch both of the sources. SF8.0 used to EQ and adjust the volume for the center, surround and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion done 24-MAY-2008 - Artwork at 300dpi by [email protected] - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear, slim double CD case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mono Mix -5db SBD DEQ'd Surround Left Channel AUD -2db Right Channel AUD -2db Sub/LFE Mono Mix SBD DEQ'd -4db --------------------------------------------------------- Notes The entire show is seamless and can be burned in any config that you want and can be played back in its entirety from start to finish without interruption. d1t01 "Tuning" was missing on the SBD source and was patched from a matrix mix of the AKG 414 and the NAK304's. This fades to the SBD before the first song starts. d1t08 "Space" was missing from the SBD and AUD source and was patched with an EQ'd portion of the NAK304's. d2t10 "Sugar Magnolia" there is a station ID at the start of the song. This is the only station ID on the whole show. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Source 4 of 12
2:10:50
SBD
Rating:
8.00 / 8 ratings
SHNID:
gd87-06-20.sbd.clugston.11943.sbefail.shnf
Source:
Master Soundboard Cassette> DAT> CDR
Taper Notes:
View NotesMaster Soundboard Cassette> DAT> CDR; EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor
Source 5 of 12
2:11:47
SBD
Rating:
9.33 / 9 ratings
SHNID:
gd87-06-20.matrix.ladner.11561.sbeok.shnf
Source:
SBD/Matrix>Cm>PCM>DAT>CD
Taper Notes:
View NotesSBD/Matrix>Cm>PCM>DAT>CD; via cm; Seeded to etree by neo_levo
Taper: Robert Bryant
2:23:40
Taper:
Robert Bryant
Transferrer:
Charlie Miller and SIRMick and Rich Gastwirt
SHNID:
gd1987-06-20.138260.AKG414.bryant.miller.sirmick.sbeok.flac16
Source:
Source: AKG 414 B/TL cardioids > ORTF > Oade PS > Sony PCM FI > dat (44.1); Recorded by Robert Bryant and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017
Taper Notes:
View NotesComments * first time played Notes: - This is a new transfer of the source used in shnid 77988. - The first 35 seconds of Set II have been patched with shnid 124398 (taped by Danny Thompson and seeded by Joe D'Amico)
Transferrer: Transferred and mastered by Alex Ford
2:18:49
Transferrer:
Transferred and mastered by Alex Ford
SHNID:
gd1987-06-20.146928.senn441.corso-rossi.ford.sbeok.flac16
Source:
Source: MAC; Sennheiser 441s(left of board) > Sony D5 > Maxell XLII90 + Maxell MX90
Lineage:
Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3> Lynx AES16> .wav @24/88.2> WaveLab 7.2.1> UAD-2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16.
Taper Notes:
View NotesComment: First time performed * Notes: Master Cassettes from the collection of Mark McCue shnid 138260 used to patch Space (tape flip) # Jerry Garcia - Guitar Bob Weir - Guitar Brent Mydland - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums
Taper: bltz
2:20:45
Rating:
8.00 / 1 rating
Taper:
bltz
Transferrer:
bltz
SHNID:
gd1987-06-20.135308.bltz.flac24
Source:
Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/ (Triad Metal-Position MG-X 90 for Set 1 and Maxell MX 90 for Set 2) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz
Taper Notes:
View NotesPart of my Original Master Rescue Project. Notes: This is the second tape I ever made, with brand-new equipment and no experience, and still in remarkable condition. If I had to go back, I'd use cardioid heads - the Greek was so small that shotguns could focus on such a small section of the stack that you might miss out on a full mix ofa whole band member; and you got less audience, which is kind of the point of an Audience tape. An odd setlist. Widely praised as a best of these three Greeks, of the tour, kind of thing. Nice Bucket -> Franklin's, 2nd set opens with pleasant mini-space weirdness, has an unusually place Deal. Great post-drums 2nd set. The opening of Watchtower was a moment so electric that all your hair stood out from your body, half of it from the band's playing energy, half audience adrenaline; it hit like a whirlwind. Many compliments on Archive.org: "...people were freaking out," "Amazing show," And after the show, many looks and comments along the lines of "...How about that shit!" Not being very bright or experienced, I wasted tape on people chatting, an inclination I would come to regret the next night as I ran out and had to scramble. But, it allowed me to include a few minutes of the audience smoking and socializing after the end of Set 1, so I've done so, as I find it a pleasant auditory experience. Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/ (Triad Metal-Position MG-X 90 for Set 1 and Maxell MX 90 for Set 2) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24. Only posting in 96/24 to keep the sound quality up, and because I have a big pile to get through... feel free to down sample it with r8brain (a free download,) if you need, but I officially object. (h/t weallen, bt.etree, for r8brain x-ref). Recorded, tracked and seeded by bltz
Taper: Danny Thompson
2:10:39
Rating:
7.00 / 2 ratings
Taper:
Danny Thompson
Transferrer:
Joe D'Amico
SHNID:
gd1987-06-20.124398.beacon.akg460.flac16
Source:
Taper: Danny Thompson; Editing: Joe D'Amico; AKG C 460 Mics W/ CK61 Capsules > Uher Cr 240 Tape Deck; Master Tapes > Nak Dragon > Korg MR-1000 > Adobe Audition CS6 > Traders Little Helper; FOB About 9th Row Jerry's Side
Taper: Danny Thompson
2:10:38
Taper:
Danny Thompson
Transferrer:
Joe D'Amico
SHNID:
gd1987-06-20.124397.beacon.akg460.flac24
Source:
Taper: Danny Thompson; Editing: Joe D'Amico; AKG C 460 Mics W/ CK61 Capsules > Uher Cr 240 Tape Deck; Master Tapes > Nak Dragon > Korg MR-1000 > Adobe Audition CS6 > Traders Little Helper; FOB About 9th Row Jerry's Side
Taper: Tony Suraci
2:13:03
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1987-06-20.nakcm304.suraci.81744.sbeok.flac16
Source:
Nak CM304's>Sony D5M
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View NotesNotes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Robert Bryant
2:22:06
Taper:
Robert Bryant
Transferrer:
Rich Gastwirt and Bob Looy
SHNID:
gd1987-06-20.akg414.bryant.gems.77988.sbeok.flac16
Source:
AKG 414 B/TL mics, cardioid pattern with windscreens, ORTF-> Oade PS-> Sony PCM F1
Lineage:
PCM 601-> Sony DTC2000ES DAT-> M-Audio Delta 410-> Soundforge -> Samplitude Professional V8.01 -> waves X Crackle -> ffe l6
Taper Notes:
View Notesreduced the effect of balloon pops d1t01 2:43, d1t07 2:00 light static through out d1t02 clears up, light static at the end of d1t04 balloon pops in d1t08 left untouched,considered patching but the sbd is cut also, it only has 5 additional seconds slight bit of static present in the 2nd space, ran various portions through waves xcrackle to reduce static.