1987
Bands
Featured
Bands
Grateful Dead
Today In History
June 16th
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1987
Sources
Transferrer: Dan Haugh
2:20:23
SBD
Rating:
2.00 / 1 rating
Transferrer:
Dan Haugh
SHNID:
gd1987-06-20.mtx.dts.haugh.93386.flac16
Source:
SBD/AUD Matrix Mix
Taper Notes:
View NotesSource Info SBD (ShnID = 93080) Recording Info: SBD > PCM > AIFF Transfer Info: AIFF > Samplitude Professional v10.1 > FLAC All Transfers and Mastering By Charlie Miller [email protected], July 22, 2008 AUD (ShnID = 77988) AKG 414 B/TL mics, cardioid pattern ORTF > Oade PS > Sony PCM F1. Transfer: PCM 601 > Sony DTC2000ES DAT > M-Audio Delta 410 > Soundforge > Samplitude Professional V8.01 > waves X Crackle > FLACl6 Taped by Robert Bryant, Transfered by Rich Gastwirt, Edited by Bob Loy Patch Info Nakamichi CM304's > Sony D5M, OTS, Stand at 9 Feet Transfer: Nak CR5A > Lunatec V3(analog out) > 722@24/96 > Adobe Audition 2.0 dither and resample 16Bit > Cdwave > FLAC16 Taped by Tony Suraci, Transfer and upload by Tony Suraci aka nak700 Thanks to all the hard work from the folks mentioned above with their loving care getting these sources out. Also a thanks for some of the images used in creation of the artwork. I found them years ago on the net and do not have any way to properly credit. --------------------------------------------------------- Notes on the Source Material SBD (ShnID = 93080) Another flawless transfer by Charlie Miller. However I do not think this is a SBD recording. Either FM or Pre-FM (most likely Pre-FM). You can see there is some limiting on the dynamic range and but the real giveaway is the station ID in Sug Mags. AUD1 (ShnID = 31211) Nice sounding AUD recording from the tapers section. Nice balanced sound and a clean transfer. Few spots of minor static that cannot really even be heard. --------------------------------------------------------- Tech Notes FLACs were decoded to wave. Wavemerge was used to reassemble the entire show back to 1 long wave. CEP2.0 was used to align & synch both of the sources. SF8.0 used to EQ and adjust the volume for the center, surround and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion done 24-MAY-2008 - Artwork at 300dpi by [email protected] - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear, slim double CD case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mono Mix -5db SBD DEQ'd Surround Left Channel AUD -2db Right Channel AUD -2db Sub/LFE Mono Mix SBD DEQ'd -4db --------------------------------------------------------- Notes The entire show is seamless and can be burned in any config that you want and can be played back in its entirety from start to finish without interruption. d1t01 "Tuning" was missing on the SBD source and was patched from a matrix mix of the AKG 414 and the NAK304's. This fades to the SBD before the first song starts. d1t08 "Space" was missing from the SBD and AUD source and was patched with an EQ'd portion of the NAK304's. d2t10 "Sugar Magnolia" there is a station ID at the start of the song. This is the only station ID on the whole show. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: bltz
2:20:45
Rating:
8.00 / 1 rating
Taper:
bltz
Transferrer:
bltz
SHNID:
gd1987-06-20.135308.bltz.flac24
Source:
Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/ (Triad Metal-Position MG-X 90 for Set 1 and Maxell MX 90 for Set 2) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz
Taper Notes:
View NotesPart of my Original Master Rescue Project. Notes: This is the second tape I ever made, with brand-new equipment and no experience, and still in remarkable condition. If I had to go back, I'd use cardioid heads - the Greek was so small that shotguns could focus on such a small section of the stack that you might miss out on a full mix ofa whole band member; and you got less audience, which is kind of the point of an Audience tape. An odd setlist. Widely praised as a best of these three Greeks, of the tour, kind of thing. Nice Bucket -> Franklin's, 2nd set opens with pleasant mini-space weirdness, has an unusually place Deal. Great post-drums 2nd set. The opening of Watchtower was a moment so electric that all your hair stood out from your body, half of it from the band's playing energy, half audience adrenaline; it hit like a whirlwind. Many compliments on Archive.org: "...people were freaking out," "Amazing show," And after the show, many looks and comments along the lines of "...How about that shit!" Not being very bright or experienced, I wasted tape on people chatting, an inclination I would come to regret the next night as I ran out and had to scramble. But, it allowed me to include a few minutes of the audience smoking and socializing after the end of Set 1, so I've done so, as I find it a pleasant auditory experience. Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/ (Triad Metal-Position MG-X 90 for Set 1 and Maxell MX 90 for Set 2) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24. Only posting in 96/24 to keep the sound quality up, and because I have a big pile to get through... feel free to down sample it with r8brain (a free download,) if you need, but I officially object. (h/t weallen, bt.etree, for r8brain x-ref). Recorded, tracked and seeded by bltz