RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h46362
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.9k321
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k313
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.7k365
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.9k376
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.8k369
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k355
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k165
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.5k934
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h915104
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.2k263
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.1k588
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k165
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k197
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k225
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.6k1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.6k218
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k255
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.5k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h10.9k1.5k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37539
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.8k482
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h4.9k648
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.9k367
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.7k190
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.8k215
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k225
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h72489
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h8812
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24819
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h382
7d1037
30d62737
2 shows
2 tapes
1987
5/9/87
Crowd/Tuning
0:49
Sugar Magnolia >
4:50
Sugaree
12:11
Me & My Uncle > Mexicali Blues
9:03
When Push Comes To Shove
5:35
Tons Of Steel
6:10
My Brother Esau
4:41
Tennessee Jed
10:10
Let It Grow
11:58
Crowd/Tuning
1:23
Touch Of Grey >
6:10
Looks Like Rain >
8:58
He's Gone >
9:51
Drums >
7:19
Space >
8:46
The Wheel >
4:10
The Other One >
5:07
Wharf Rat >
9:21
Around & Around >
4:01
Sunshine Daydream
4:24
Encore Break
3:14
E: Iko Iko
5:36
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:28:38
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 2, 2023
SHNID:
gd1987-05-09.165064.UltraMatrix.sbd.cm.miller.t-flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This is 163534 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:28:38
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 2, 2023
SHNID:
gd1987-05-09.163534.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Transferrer: Charlie Miller
2:19:14
SBD
Rating:
8.33 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-05-09.sbd.walker-scotton.miller.83749.sbeok.flac16
Source:
SBD -> Cassette Master (Maxell MX90/Sony D5)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Paul Scotton and Joani Walker for the tapes
Source 4 of 8
2:16:22
SBD
Rating:
8.00 / 12 ratings
SHNID:
gd87-05-09.sbd.cole.5059.sbeok.shnf
Source:
SBD (matrix)> PCM> Dat
Taper Notes:
View NotesSBD (matrix)> PCM> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no DAE); Conversion & Seed: Brian Cole
Taper: Chris Hecht
2:23:47
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-05-09.167185.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to John Corso, Tom, Alex Ford and Mark McCue for the Sennheiser 2002 source which supplies a 4:47 patch in "Drums" - "Funiculi Funicula" tuning before "Me & My Uncle" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Chris Hecht
2:23:49
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-05-09.167184.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to John Corso, Tom, Alex Ford and Mark McCue for the Sennheiser 2002 source which supplies a 4:47 patch in "Drums" - "Funiculi Funicula" tuning before "Me & My Uncle" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: John Corso and Tom
2:27:05
Rating:
6.00 / 2 ratings
Taper:
John Corso and Tom
Transferrer:
Alex Ford
SHNID:
gd1987-05-09.fob.senn2002.corso.ford.130885.sbeok.flac16
Source:
(FOB) Sennheiser 2002s(stealth) > Sony D5 > Master Cassettes > 1st Gen Cassettes; Transfer/Lineage: 1st Gen Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2 (editing/mastering)> Crystal Resampler/Apogee UV22HR> .wav @ 16/44.1> xAct> flac16(tags). Tapers: John Corso and Tom (last name long forgotten); Transferred, edited and mastered by Alex Ford; 1st Gen cassettes from the collection of Mark McCue
Taper Notes:
View NotesComments: - Ry Cooder followed by Bruce Hornsby & the Range opened - * Finiculi Finicula tuning before Me and My Uncle - During Tons of Steel, Brent sings "I can only hope my bass-player will cut me a little slack"!! Notes: - 1st Gen cassettes graciously provided by Mark McCue. - All editing and mastering with UAD-2 in 24/88.2
Taper: Russjcan
2:19:09
Rating:
5.33 / 3 ratings
Taper:
Russjcan
Transferrer:
Russjcan
SHNID:
gd1987-05-09.pzm.russjcan.92165.sbeok.flac16
Source:
Hat Mounted Realistic PZM's with Sony WMD6-C (Maxell MX 90, No NR) 20 feet away, left of center
Lineage:
Master Cassette > D6 > HD > Audacity(pan 20% right) > CDWave > TLH
Taper Notes:
View NotesThis is a stealth recording.There was no taping section at these shows and they were searching for tapers in front of the board. I didn't want to risk getting shut down early so I didn't tape the opening acts.