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Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1987
5/9/87
01 - Tuning
1:59
02 - Sugar Magnolia >
4:50
03 - Sugaree
11:12
04 - Funiculi Funicula
1:26
05 - Me And My Uncle >
3:08
06 - Mexicali Blues
5:57
07 - When Push Comes To Shove
5:36
08 - Tons Of Steel
6:49
09 - My Brother Esau
4:40
10 - Tennessee Jed
9:59
11 - Let It Grow
12:29
12 - Tuning
1:15
13 - Touch Of Grey >
6:10
14 - Looks Like Rain >
8:59
15 - He's Gone >
9:47
16 - Drums >
7:24
17 - Space >
8:24
18 - The Wheel >
4:32
19 - The Other One >
5:06
20 - Wharf Rat >
9:21
21 - Around And Around >
4:01
22 - Sunshine Daydream
4:23
23 - Encore Break
3:13
24 - Iko Iko
7:58
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:28:38
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 2, 2023
SHNID:
gd1987-05-09.165064.UltraMatrix.sbd.cm.miller.t-flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This is 163534 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:28:38
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 2, 2023
SHNID:
gd1987-05-09.163534.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Transferrer: Charlie Miller
2:19:14
SBD
Rating:
8.33 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-05-09.sbd.walker-scotton.miller.83749.sbeok.flac16
Source:
SBD -> Cassette Master (Maxell MX90/Sony D5)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Paul Scotton and Joani Walker for the tapes
Source 4 of 8
2:16:22
SBD
Rating:
8.00 / 12 ratings
SHNID:
gd87-05-09.sbd.cole.5059.sbeok.shnf
Source:
SBD (matrix)> PCM> Dat
Taper Notes:
View NotesSBD (matrix)> PCM> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no DAE); Conversion & Seed: Brian Cole
Taper: Chris Hecht
2:23:47
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-05-09.167185.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to John Corso, Tom, Alex Ford and Mark McCue for the Sennheiser 2002 source which supplies a 4:47 patch in "Drums" - "Funiculi Funicula" tuning before "Me & My Uncle" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Chris Hecht
2:23:49
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-05-09.167184.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to John Corso, Tom, Alex Ford and Mark McCue for the Sennheiser 2002 source which supplies a 4:47 patch in "Drums" - "Funiculi Funicula" tuning before "Me & My Uncle" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: John Corso and Tom
2:27:05
Rating:
6.00 / 2 ratings
Taper:
John Corso and Tom
Transferrer:
Alex Ford
SHNID:
gd1987-05-09.fob.senn2002.corso.ford.130885.sbeok.flac16
Source:
(FOB) Sennheiser 2002s(stealth) > Sony D5 > Master Cassettes > 1st Gen Cassettes; Transfer/Lineage: 1st Gen Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2 (editing/mastering)> Crystal Resampler/Apogee UV22HR> .wav @ 16/44.1> xAct> flac16(tags). Tapers: John Corso and Tom (last name long forgotten); Transferred, edited and mastered by Alex Ford; 1st Gen cassettes from the collection of Mark McCue
Taper Notes:
View NotesComments: - Ry Cooder followed by Bruce Hornsby & the Range opened - * Finiculi Finicula tuning before Me and My Uncle - During Tons of Steel, Brent sings "I can only hope my bass-player will cut me a little slack"!! Notes: - 1st Gen cassettes graciously provided by Mark McCue. - All editing and mastering with UAD-2 in 24/88.2
Taper: Russjcan
2:19:09
Rating:
5.33 / 3 ratings
Taper:
Russjcan
Transferrer:
Russjcan
SHNID:
gd1987-05-09.pzm.russjcan.92165.sbeok.flac16
Source:
Hat Mounted Realistic PZM's with Sony WMD6-C (Maxell MX 90, No NR) 20 feet away, left of center
Lineage:
Master Cassette > D6 > HD > Audacity(pan 20% right) > CDWave > TLH
Taper Notes:
View NotesThis is a stealth recording.There was no taping section at these shows and they were searching for tapers in front of the board. I didn't want to risk getting shut down early so I didn't tape the opening acts.