10 Promised Land | 1987-03-26 | Grateful Dead

View NotesNotes:
-- This show is why there is an '87' in my email address
-- The low end on this recording is absolutely thunderous
-- Two sets of masters were used to make this show complete
-- This is shnid 138162	24 > 16

Transferrer: Charlie Miller

2:29:10

SBD

gd1987-03-26.138162.sbd.miller.flac24

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-R90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- This show is why there is an '87' in my email address
-- The low end on this recording is absolutely thunderous
-- Two sets of masters were used to make this show complete

Transferrer: Andrew F

gd1987-03-26.s2.sbd.seaweed.124744.flac2448

Source:

Set 2 Source: SBD (Healy Matrix) > Metal cassette 1st Gen > Maxell MXS-90 2nd Gen cassette. With kind thanks to Seaweed1010.

Lineage:

MXS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit) > TLH > FLAC 2448 tagged. June 2013, Andrew F.

Taper Notes:

View NotesNote: Same root source as ID-10923, both have the same problem 
with some over-driven bass. ID-81450 patch, Space 3:23 > 3:29.

Source 4 of 15

gd87-03-26.mixed.braverman.10923.sbeok.shnf

Source:

SBD

Lineage:

Master Cassette > DAT > CD > SHN;

Taper Notes:

View NotesSet I info
Source: SBD
Lineage: Master Cassette > DAT > CD > SHN; 
Set II info
Source: Ultramatrix (SBD/AUD mix)
Lineage: Master Cassette > DAT > CD > SHN; via Douglas Tunstall, Nick Scarano and Jeff Hawkins; seeded to etree by Peter Braverman

Taper: Recorded by Doug Lamarre

2:24:38

Taper:

Recorded by Doug Lamarre

Transferrer:

All Transfers and Mastering By Charlie Miller [email protected] November 5, 2020

SHNID:

gd1987-03-26.151599.senn441.cm.lamarre.miller.t.flac16

Source:

Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Doug Lamarre
-- The levels were very low at the start of Set 2 which is why it sounds different
-- Thanks to Robert Bryant, Rich Gastwirt and Joe Noel for the patch source
-- Thanks to Joe B. Jones for the pitch correction settings
-- 150850 24 -> 16 @ 44.1

Taper: Ray Ackerman

Charlie Miller and Joe Noel

SHNID:

gd1987-03-26.145505.ots.at835b.akg.d12e.blend.ackerman.noel.t-flac16

Source:

Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS)

Lineage:

Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

Taper Notes:

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > FLAC 24/96
October 19, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 138700 (FOB Schoeps CMC4 MK41) supplies;
- s1t06; 04:28 - end
- s1t07; start - 00:09
- s2t06; start - 02:41

Notes:
- Thanks to Ray for the hi-res upgrade.
- Thanks to Oade Bros/Robert Bryant for supplying the patch source.
- This Row Jimmy confirmed my status as a 'sucker for a slow Jer'.
- Pitch corrected
- '87 Hartford was the ‘tea-hee fest'.

Taper: Robert Bryant

Charlie Miller, Rich Gastwirt, Joe Noel

SHNID:

gd1987-03-26.138700.FOB.Schoeps.Bryant.Gastwirt.Miller.Noel.t-flac16

Source:

Robert Bryant recording: (patched out of the Oade Brothers) FOB Schoeps CMC4 MK41 > Sony PCM > DAT/44; Charlie Miller

Lineage:

DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT

Taper Notes:

View NotesNotes:
- Minor clean up of hand clapping & a few small splices in both sets.
- This Row Jimmy confirmed my status as a 'sucker for a slow jerry'.
- Not much beats a Hartford show.  If you were there, then you know.
- Phil will part your hair.

Taper: Doug Lamarre

All Transfers and Mastering By Charlie Miller [email protected] November 5, 2020

SHNID:

gd1987-03-26.150850.senn441.lamarre.miller.2496

Source:

Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesPatch Info:
(FOB) Schoeps CMC4/MK41 > PCM > DAT (shnid=138700) supplies:
Desolation Row (0:00-0:14)
Space (5:29-6:17)

Notes:
-- Recorded by Doug Lamarre
-- The levels were very low at the start of Set 2 which is why it sounds different
-- Thanks to Robert Bryant, Rich Gastwirt and Joe Noel for the patch source
-- Thanks to Joe B. Jones for the pitch correction settings

Taper: Joe D'Amico ''AKA'' Joebeacon

2:24:21

Taper:

Joe D'Amico ''AKA'' Joebeacon

Transferrer:

Joe D'Amico ''AKA'' Joebeacon

SHNID:

gd1987-03-26.150711.nak300.flac16.re-mastered

Source:

Nak 300 Mics W/Cp4 Shotguns > Sony D5

Lineage:

Nak Dragon > Sony Sbm1 > Cool Edit > Master Raw Files > Adobe Audition CS6 > Trader's Little Helper

Taper: Ray Ackerman

gd1987-03-26.143349.OTS.AT835b-AKG.blend.Ackerman.Noel.t-flac2496

Source:

Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS)

Lineage:

Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

Taper Notes:

View NotesPatch info:
- shnid 138700 (FOB Schoeps CMC4 MK41) supplies;
- s1t06; 04:28 - end
- s1t07; start - 00:09
- s2t06; start - 02:41

Notes:
- Thanks to Ray for the hi-res upgrade.
- Thanks to Oade Bros/Robert Bryant for supplying the patch source.
- This Row Jimmy confirmed my status as a 'sucker for a slow Jer'.
- Pitch corrected
- '87 Hartford was the ‘tea-hee fest'.

Taper: chasingwilma

gd1987-03-26.135547.chasingwilma.flac24

Source:

2 nakamichi 300 + cp4 / (2) audio technica shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bob Morris

gd1987-03-26.aud.morris.106901.flac16

Source:

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Recorded from Taper Section 8, Row H, Seat 14

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Ray Ackerman

Ray Ackerman;Tracks, FLACs, Tags by Craig Taraszki

SHNID:

gd1987-03-26.at835-d12e.Ackerman-Tarazski.102131.flac16

Source:

(2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5

Lineage:

Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16

Taper: Joe D'Amico

gd1987-03-26.nak300.damico.89168.sbeok.flac16

Source:

nak300 mics w/ cp4 shotguns > sony d-5

Lineage:

nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend

Taper: Tony Suraci

gd1987-03-26.nakcm304.suraci.81450.sbeok.flac16

Source:

Nak CM304's>Sony D5

Lineage:

Nak CR5A>Lunatec V3>SD722

Taper Notes:

View Notes// Very beginning of Midnight Hour clipped and tape flip during Desolation Row.
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.