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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1987
3/26/87
01 - In The Midnight Hour
4:38
02 - Cold Rain And Snow
6:33
03 - C.C. Rider
8:27
04 - Row Jimmy
11:13
05 - My Brother Esau
4:49
06 - When Push Comes To Shove >
4:39
07 - Desolation Row >
8:54
08 - Bird Song >
10:24
09 - Promised Land
4:35
10 - China Cat Sunflower >
5:36
11 - I Know You Rider >
5:21
12 - Looks Like Rain >
8:25
13 - He's Gone >
13:21
14 - Drums >
8:37
15 - Space >
7:34
16 - I Need A Miracle >
4:32
17 - Black Peter >
9:20
18 - Around And Around >
3:48
19 - Good Lovin'
7:41
20 - Encore Break
1:33
21 - The Mighty Quinn (Quinn The Eskimo)
4:38
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:29:10
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-03-26.138166.sbd.miller.sbeok.flac16
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This show is why there is an '87' in my email address -- The low end on this recording is absolutely thunderous -- Two sets of masters were used to make this show complete -- This is shnid 138162 24 > 16
Transferrer: Charlie Miller
2:29:10
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1987-03-26.138162.sbd.miller.flac24
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This show is why there is an '87' in my email address -- The low end on this recording is absolutely thunderous -- Two sets of masters were used to make this show complete
Transferrer: Andrew F
1:21:46
SBD
Rating:
8.00 / 1 rating
Transferrer:
Andrew F
SHNID:
gd1987-03-26.s2.sbd.seaweed.124744.flac2448
Source:
Set 2 Source: SBD (Healy Matrix) > Metal cassette 1st Gen > Maxell MXS-90 2nd Gen cassette. With kind thanks to Seaweed1010.
Lineage:
MXS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit) > TLH > FLAC 2448 tagged. June 2013, Andrew F.
Taper Notes:
View NotesNote: Same root source as ID-10923, both have the same problem with some over-driven bass. ID-81450 patch, Space 3:23 > 3:29.
Source 4 of 15
2:19:45
SBD
Rating:
8.72 / 39 ratings
SHNID:
gd87-03-26.mixed.braverman.10923.sbeok.shnf
Source:
SBD
Lineage:
Master Cassette > DAT > CD > SHN;
Taper Notes:
View NotesSet I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN; Set II info Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette > DAT > CD > SHN; via Douglas Tunstall, Nick Scarano and Jeff Hawkins; seeded to etree by Peter Braverman
Taper: Recorded by Doug Lamarre
2:24:38
Taper:
Recorded by Doug Lamarre
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] November 5, 2020
SHNID:
gd1987-03-26.151599.senn441.cm.lamarre.miller.t.flac16
Source:
Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Doug Lamarre -- The levels were very low at the start of Set 2 which is why it sounds different -- Thanks to Robert Bryant, Rich Gastwirt and Joe Noel for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- 150850 24 -> 16 @ 44.1
Taper: Ray Ackerman
2:24:20
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1987-03-26.145505.ots.at835b.akg.d12e.blend.ackerman.noel.t-flac16
Source:
Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS)
Lineage:
Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesEdited & Mastered by Joe Noel; WAV > Audacity > FLAC 24/96 October 19, 2018 This file set is 16 bit @ 44.1 Patch info: - shnid 138700 (FOB Schoeps CMC4 MK41) supplies; - s1t06; 04:28 - end - s1t07; start - 00:09 - s2t06; start - 02:41 Notes: - Thanks to Ray for the hi-res upgrade. - Thanks to Oade Bros/Robert Bryant for supplying the patch source. - This Row Jimmy confirmed my status as a 'sucker for a slow Jer'. - Pitch corrected - '87 Hartford was the ‘tea-hee fest'.
Taper: Robert Bryant
2:29:06
Taper:
Robert Bryant
Transferrer:
Charlie Miller, Rich Gastwirt, Joe Noel
SHNID:
gd1987-03-26.138700.FOB.Schoeps.Bryant.Gastwirt.Miller.Noel.t-flac16
Source:
Robert Bryant recording: (patched out of the Oade Brothers) FOB Schoeps CMC4 MK41 > Sony PCM > DAT/44; Charlie Miller
Lineage:
DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Minor clean up of hand clapping & a few small splices in both sets. - This Row Jimmy confirmed my status as a 'sucker for a slow jerry'. - Not much beats a Hartford show. If you were there, then you know. - Phil will part your hair.
Taper: Doug Lamarre
2:24:38
Taper:
Doug Lamarre
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] November 5, 2020
SHNID:
gd1987-03-26.150850.senn441.lamarre.miller.2496
Source:
Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC4/MK41 > PCM > DAT (shnid=138700) supplies: Desolation Row (0:00-0:14) Space (5:29-6:17) Notes: -- Recorded by Doug Lamarre -- The levels were very low at the start of Set 2 which is why it sounds different -- Thanks to Robert Bryant, Rich Gastwirt and Joe Noel for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Joe D'Amico ''AKA'' Joebeacon
2:24:21
Taper:
Joe D'Amico ''AKA'' Joebeacon
Transferrer:
Joe D'Amico ''AKA'' Joebeacon
SHNID:
gd1987-03-26.150711.nak300.flac16.re-mastered
Source:
Nak 300 Mics W/Cp4 Shotguns > Sony D5
Lineage:
Nak Dragon > Sony Sbm1 > Cool Edit > Master Raw Files > Adobe Audition CS6 > Trader's Little Helper
Taper: Ray Ackerman
2:24:20
Taper:
Ray Ackerman
Transferrer:
Joe Noel
SHNID:
gd1987-03-26.143349.OTS.AT835b-AKG.blend.Ackerman.Noel.t-flac2496
Source:
Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS)
Lineage:
Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesPatch info: - shnid 138700 (FOB Schoeps CMC4 MK41) supplies; - s1t06; 04:28 - end - s1t07; start - 00:09 - s2t06; start - 02:41 Notes: - Thanks to Ray for the hi-res upgrade. - Thanks to Oade Bros/Robert Bryant for supplying the patch source. - This Row Jimmy confirmed my status as a 'sucker for a slow Jer'. - Pitch corrected - '87 Hartford was the ‘tea-hee fest'.
Taper: chasingwilma
2:26:15
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1987-03-26.135547.chasingwilma.flac24
Source:
2 nakamichi 300 + cp4 / (2) audio technica shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:17:28
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1987-03-26.aud.morris.106901.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Recorded from Taper Section 8, Row H, Seat 14
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Ray Ackerman
2:23:43
Rating:
9.00 / 2 ratings
Taper:
Ray Ackerman
Transferrer:
Ray Ackerman;Tracks, FLACs, Tags by Craig Taraszki
SHNID:
gd1987-03-26.at835-d12e.Ackerman-Tarazski.102131.flac16
Source:
(2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5
Lineage:
Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16
Taper: Joe D'Amico
2:24:13
Rating:
9.33 / 3 ratings
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1987-03-26.nak300.damico.89168.sbeok.flac16
Source:
nak300 mics w/ cp4 shotguns > sony d-5
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend
Taper: Tony Suraci
2:26:00
Rating:
10.00 / 2 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1987-03-26.nakcm304.suraci.81450.sbeok.flac16
Source:
Nak CM304's>Sony D5
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes// Very beginning of Midnight Hour clipped and tape flip during Desolation Row. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.