RELISTENTOTHE Grateful Dead
Re
1973
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Grateful Dead
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Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1973
8/1/73
Phil announcements
0:39
Promised Land
3:28
Sugaree
8:01
The Race Is On
3:08
You Ain't Woman Enough
3:11
Bird Song
11:05
Mexicali Blues
3:30
They Love Each Other
5:37
Jack Straw
4:44
Stella Blue
7:28
Big River
4:52
Casey Jones
6:45
Around And Around
5:10
Mississippi Half Step Uptown Toodeloo
8:52
Me And My Uncle
3:13
Row Jimmy
8:46
Dark Star >
26:19
El Paso >
4:28
Eyes Of The World >
21:06
Morning Dew
13:31
Sugar Magnolia
9:17
Goin' Down The Road Feelin' Bad >
9:37
One More Saturday Night
5:00
FIN
View on archive.org
Sources
Taper: See Notes
2:53:33
SBD
Rating:
9.20 / 5 ratings
Taper:
See Notes
Transferrer:
SIRMick
SHNID:
gd1973-08-01.sbd.sirmick.patch-12222.92478.sbeok.flac16
Source:
See Notes
Lineage:
See Notes
Taper Notes:
View NotesThis is a remaster of shnid 12222 source 1: SBD>MR>R>R>D>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN source 3: AUD>MR>C>C>C>CD>EAC>SHN - dc offset removed from all tracks - the left channel, in the aud source, has been boosted by 2.4 decibels - a substantial number of sub-second dropouts have been repaired and several clicks removed - the first few notes in d1t13 were missing and have been patched in from the aud, and the whole track pitch adjusted - a number of level adjustments have been made - the transitions between most tracks have been cleaned up - some noise reduction has been applied to sbd tracks, except for d2t03-d2t06 remastered by SIRMick June 2008
Taper: ** - CD Mastering by David Gans
2:37:07
SBD
Rating:
9.33 / 3 ratings
Taper:
** - CD Mastering by David Gans
Transferrer:
Extraction and.shn encoding by Seth Kaplan via EAC and MKW.
SHNID:
gd1973-08-01.sbd.kaplan.11813.shnf
Source:
SBD>MSR>R2>D>CD and SBD>7.5ips Master Reel>Cassette>20 bit A/D>CDR
Taper Notes:
View Notes** - CD Mastering by David Gans * - Possible source change @ OMSN *** - Not in circulation per Deadlists Complete SBD except for The Promised Land*** Sugaree*** The Race Is On and You Ain't Woman Enough*** opening set one. Three disc SBD compilation of most of set one and all of set two including the additional available SBD segments from sets I & II (discs one and two) beyond the previously circulating one disc jam segment of the show seeded by D. Gans containing Dark Star > El Paso > Eyes of the World > Morning Dew (disc three). For source quality consistency and space considerations, the end of set two segment containing Sugar Magnolia and the encores is at the end of disc two. To maintain the original playing order, an alternate disc layout places Set II part one from disc two at the end of disc one, the disc three jam segment on disc two and the end of set two segment containing Sugar Magnolia and the encores on a short disc three. Seth Kaplan - August 30, 2002
Taper: Monte Barry
2:54:10
REMASTER
Taper:
Monte Barry
Transferrer:
Monte Barry
SHNID:
gd1973-08-01.119371.aud.barry.flac
Source:
Source: -- brand new Nakamichi 550 portable stereo cassette recorder -- taped with Dolby NR and Chromium Tape bias -- Maxell UD C90 cassettes -- ElectroVoice RE-15 mic -- mic is hand-held on mic-stand shaft, w/arm raised up, FOB (perhaps off to R side??)
Lineage:
MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag -- Taped, transferred, and remastered by Monte Barry -- track changes are seamless -- EQ is flat (unchanged)
Taper Notes:
View NotesAUD patches provided by shnid 9145: -- taped by Jeffrey Siniawsky, Neil Merin, and Joel Smith -- Uher mic > Uher 4000 reel-to-reel -- transferred and remastered by Noah Weiner Prep work done to AUD patch source shnid 9145: -- L and R channel levels matched -- highend EQ rolled back -- patch levels matched to source levels -- no pitch correction required for Stella Blue patch - both tape speeds matched perfectly AUD Patch List: -- Track 01 - Phil announcements inserted -- Track 02 - "happy birthday" inserted at start of Promised Land -- Track 10 - Stella Blue - 1st note is patched; reel flips at 4:28 and recording stops; patch crossfades in until ending -- Eyes of The World reel-flip and patch: -- source tape gets reel-flipped at the 15:46 point -- source crossfades out at 15:46, source crossfades back in at 16:32 Sound System and Taper notes - by taper Monte Barry: I taped both shows at Roosevelt Stadium. The Dead's PA system sounded crappy both nights (July 31 and Aug 1). It should have sounded perfect since it was outdoors. The Dead's PA system for June 9 and 10 at RFK Stadium sounded incredible by comparison. I taped both RFK shows with inferior taping gear, yet my RFK tapes sound way, way better. It is probably correct to say that this Jerry birthday show was the first GD show ever taped with a Nakamichi 550 cassette recorder. This was the first portable stereo cassette recorder model to feature Dolby NR and Chromium Tape bias. I believe I had the first one available on the East Coast. My recording of this show should have been incredibly high fidelity sounding. Instead, it sounds a bit crappy due numerous sound system issues. The sound fidelity at Roosevelt Stadium fell way short of what I expected when I went to this show. Perhaps my mic's location was on the R side (guessing), but I was definitely FOB. Of course, I was heavily dosed when I went there both nights with my GD friends. I taped FOB the night before on July 31. My mic was mounted on a 10-foot pole that night. A huge Hell's Angel security dude was dispatched by GD from backstage to go into the audience and confiscate my tapes during the last song. He was gigantic - approx 6' 6" / 250 pounds and ripped body, wearing Hell's Angels colors, long hair and beard. I was an itty-bitty 5' 7" / 130-pound hippie, and I was caught red-handed taping. He politely asked me for my tape. I ejected the cassette from my tape deck and I surrendered just this one tape to him. He said "thank you" to me. Then he departed and headed backstage. My friend Jimmy Watson followed him backstage. Jimmy was back 5 minutes later with my tape! Both nights at Roosevel Stadium the Dead's PA system suffers from: feedback problems, tinny sounding, ringing-sounding, muddy-sounding, weak vocals, poor mixing, not the best sounding overall tone. These problems tended to come and go. The sound tends to get better as the show goes on. I apologize for not getting an incredible sounding tape recording! My taping gear was state-of-the-art! Some thing(s) had to have been wrong with their PA system! What my recording perfectly captures are very clean and high fidelity audience sounds. The questionable-sounding prototype wall of sound mix is captured in high fidelity. Jer's guitar sounds fine. Phil is low in the mix. Keith is high in the mix. Drums sound dull, yet at times they are more crispy - for example, during Dark Star. My recording is pefect and smooth. Vocals start out low, and get better as show progresses. This recording is still worth having! The sound system and dynamic range for Dark Star are "totally locked in"! Some things I just can't explain. -- peace from Monte Barry -- release date is March 6, 2012
Taper: Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel.
2:50:36
Rating:
8.67 / 3 ratings
Taper:
Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel.
Transferrer:
A > D transfer by Noah Weiner
SHNID:
gd1973-08-01.aud.weiner.8724.sbeok.shnf
Lineage:
AudMR > R > DAT > WAV > SHN
Taper Notes:
View Notes*The Race Is On - mic cable drop out cross faded at 0:37 *Bird Song - mic cable drop out cross faded at 1:28 *Casey Jones - mic cable drop out cross faded at 2:31 *Around And Around - mic cable drop out cross faded at 3:08 *Dark Star - first 1:06 supplied by alternate AUD/? and cross faded at that point into the start of the main source recording. This alternate source was on the 7" reel that Jeff Siniawsky supplied for the transfer. He used it to fill the portion of the start of Dark Star missing from his 5" reel master when he created the 7" reel we have here. *One More Saturday Night - mic cable drop out cross faded at 0:27