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June 5th
5 shows
26 tapes
Years
1995
27k
PlaybackListensHours
48h3k411
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69697
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.7k503
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k135
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.8k238
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.8k357
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k496
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k141
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k289
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h933104
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h2k234
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k202
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k196
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.8k222
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k272
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.4k623
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k192
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h16k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h84074
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.3k540
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.3k563
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k371
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.3k253
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.8k665
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k532
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h51765
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h15522
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h52740
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1973
8/1/73
Promised Land
4:25
Sugaree
7:54
The Race Is On
2:54
You Ain't Woman Enough
2:59
Bird Song
10:56
Mexicali Blues
3:41
They Love Each Other
5:27
Jack Straw
5:22
Stella Blue
7:13
Big River
5:06
Casey Jones**
7:06
Around And Around
5:21
Mississippi Half Step Uptown Toodeloo
8:23
Me And My Uncle
2:56
Row Jimmy
8:36
Dark Star >
24:48
El Paso >
4:15
Eyes Of The/World >
20:02
Morning Dew
13:00
Sugar Magnolia
9:52
Goin' Down The Road Feelin' Bad** >
9:38
One More Saturday Night**
5:43
FIN
View on archive.org
Sources
Taper: Tim Dalton
1:06:40
SBD
Taper:
Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1973-08-01.140895.sbd.wotf-outtakes.dalton.miller.sirmick.flac1644
Source:
Source: SBD Master Reels > PCM - Recorded by Betty Cantor and provided by Tim Dalton; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k) - Transferred by Charlie Miller; Lineage: Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16edited and mastered SIRMick February 2018
Taper: Betty Cantor
1:05:58
SBD
Taper:
Betty Cantor
Transferrer:
Joe Beacon
SHNID:
gd1973-08-01.148528.sbd.flac16.wake-of-the-flood-outtakes.flac16
Source:
SBD Master Reels > PCM > VHS Tape
Lineage:
Sony Hifi 4 Head Vhs Player > Sony Pcm 501 > Korg Mr-1000 > Audio Gate > Adobe Audition > Traders Little Helper
Taper: See Notes
2:53:33
SBD
Rating:
9.20 / 5 ratings
Taper:
See Notes
Transferrer:
SIRMick
SHNID:
gd1973-08-01.sbd.sirmick.patch-12222.92478.sbeok.flac16
Source:
See Notes
Lineage:
See Notes
Taper Notes:
View NotesThis is a remaster of shnid 12222 source 1: SBD>MR>R>R>D>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN source 3: AUD>MR>C>C>C>CD>EAC>SHN - dc offset removed from all tracks - the left channel, in the aud source, has been boosted by 2.4 decibels - a substantial number of sub-second dropouts have been repaired and several clicks removed - the first few notes in d1t13 were missing and have been patched in from the aud, and the whole track pitch adjusted - a number of level adjustments have been made - the transitions between most tracks have been cleaned up - some noise reduction has been applied to sbd tracks, except for d2t03-d2t06 remastered by SIRMick June 2008
Source 4 of 17
2:54:36
SBD
Rating:
9.35 / 46 ratings
SHNID:
gd73-08-01.sbd.cotsman.12222.sbeok.shnf
Source:
Soundboard with audience patches
Lineage:
source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN
Taper Notes:
View Notescomplete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook
Taper: ** - CD Mastering by David Gans
2:37:07
SBD
Rating:
9.33 / 3 ratings
Taper:
** - CD Mastering by David Gans
Transferrer:
Extraction and.shn encoding by Seth Kaplan via EAC and MKW.
SHNID:
gd1973-08-01.sbd.kaplan.11813.shnf
Source:
SBD>MSR>R2>D>CD and SBD>7.5ips Master Reel>Cassette>20 bit A/D>CDR
Taper Notes:
View Notes** - CD Mastering by David Gans * - Possible source change @ OMSN *** - Not in circulation per Deadlists Complete SBD except for The Promised Land*** Sugaree*** The Race Is On and You Ain't Woman Enough*** opening set one. Three disc SBD compilation of most of set one and all of set two including the additional available SBD segments from sets I & II (discs one and two) beyond the previously circulating one disc jam segment of the show seeded by D. Gans containing Dark Star > El Paso > Eyes of the World > Morning Dew (disc three). For source quality consistency and space considerations, the end of set two segment containing Sugar Magnolia and the encores is at the end of disc two. To maintain the original playing order, an alternate disc layout places Set II part one from disc two at the end of disc one, the disc three jam segment on disc two and the end of set two segment containing Sugar Magnolia and the encores on a short disc three. Seth Kaplan - August 30, 2002
Source 6 of 17
1:08:49
SBD
Rating:
9.48 / 31 ratings
SHNID:
gd73-08-xx.sbd-wotf.davef.2522.sbeok.shnf
Source:
Soundboard
Lineage:
Betty Cantor reels > PCM > DAT > DIO 2448 > SHN
Taper Notes:
View NotesWake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F.
Taper: CD Mastering by David Gans
1:02:37
SBD
Rating:
9.23 / 14 ratings
Taper:
CD Mastering by David Gans
Transferrer:
EAC and encoding by Manfred Jungeblut
SHNID:
gd1973-08-01.partial.sbd.gans-Jungeblut.182.sbeok.shnf
Source:
Soundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDR
Taper: Jim Cooper
2:55:37
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1973-08-01.135887.aud.cooper.berger.flac24
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger
Taper Notes:
View Notesnotes: brief cuts in Around & Around, Eyes Of The World, ** patched from fresh transfer of Jerry Moore’s aud cassette master, akg d1000e > sony tc-110, tdk c120sd's
Taper: Jim Cooper
2:55:37
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1973-08-01.135886.aud.cooper.berger.flac16
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transfer & seeded by Rob Berger
Taper Notes:
View Notesnotes: brief cuts in Around & Around, Eyes Of The World, ** patched from fresh transfer of Jerry Moore’s aud cassette master, akg d1000e > sony tc-110, tdk c120sd's
Transferrer: Monte Barry
3:00:16
Rating:
8.00 / 2 ratings
Transferrer:
Monte Barry
SHNID:
gd1973-08-01.123128.mtx.barry.flac
Source:
matrix of shnid 121129 (source 1) and shnid 92478 (source 2) Monte Barry on Dec 16, 2012
Taper: Monte Barry
2:57:47
REMASTER
Rating:
9.00 / 2 ratings
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-08-01.121129.barry.smith.AUD-fob.flac1644
Source:
Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder; taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB;
Lineage:
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
Taper: Monte Barry
2:57:47
REMASTER
Rating:
6.00 / 1 rating
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-08-01.121127.barry.smith.AUD-fob.flac2496
Source:
Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB;
Lineage:
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
Taper: Monte Barry
2:54:10
REMASTER
Taper:
Monte Barry
Transferrer:
Monte Barry
SHNID:
gd1973-08-01.119371.aud.barry.flac
Source:
Source: -- brand new Nakamichi 550 portable stereo cassette recorder -- taped with Dolby NR and Chromium Tape bias -- Maxell UD C90 cassettes -- ElectroVoice RE-15 mic -- mic is hand-held on mic-stand shaft, w/arm raised up, FOB (perhaps off to R side??)
Lineage:
MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag -- Taped, transferred, and remastered by Monte Barry -- track changes are seamless -- EQ is flat (unchanged)
Taper Notes:
View NotesAUD patches provided by shnid 9145: -- taped by Jeffrey Siniawsky, Neil Merin, and Joel Smith -- Uher mic > Uher 4000 reel-to-reel -- transferred and remastered by Noah Weiner Prep work done to AUD patch source shnid 9145: -- L and R channel levels matched -- highend EQ rolled back -- patch levels matched to source levels -- no pitch correction required for Stella Blue patch - both tape speeds matched perfectly AUD Patch List: -- Track 01 - Phil announcements inserted -- Track 02 - "happy birthday" inserted at start of Promised Land -- Track 10 - Stella Blue - 1st note is patched; reel flips at 4:28 and recording stops; patch crossfades in until ending -- Eyes of The World reel-flip and patch: -- source tape gets reel-flipped at the 15:46 point -- source crossfades out at 15:46, source crossfades back in at 16:32 Sound System and Taper notes - by taper Monte Barry: I taped both shows at Roosevelt Stadium. The Dead's PA system sounded crappy both nights (July 31 and Aug 1). It should have sounded perfect since it was outdoors. The Dead's PA system for June 9 and 10 at RFK Stadium sounded incredible by comparison. I taped both RFK shows with inferior taping gear, yet my RFK tapes sound way, way better. It is probably correct to say that this Jerry birthday show was the first GD show ever taped with a Nakamichi 550 cassette recorder. This was the first portable stereo cassette recorder model to feature Dolby NR and Chromium Tape bias. I believe I had the first one available on the East Coast. My recording of this show should have been incredibly high fidelity sounding. Instead, it sounds a bit crappy due numerous sound system issues. The sound fidelity at Roosevelt Stadium fell way short of what I expected when I went to this show. Perhaps my mic's location was on the R side (guessing), but I was definitely FOB. Of course, I was heavily dosed when I went there both nights with my GD friends. I taped FOB the night before on July 31. My mic was mounted on a 10-foot pole that night. A huge Hell's Angel security dude was dispatched by GD from backstage to go into the audience and confiscate my tapes during the last song. He was gigantic - approx 6' 6" / 250 pounds and ripped body, wearing Hell's Angels colors, long hair and beard. I was an itty-bitty 5' 7" / 130-pound hippie, and I was caught red-handed taping. He politely asked me for my tape. I ejected the cassette from my tape deck and I surrendered just this one tape to him. He said "thank you" to me. Then he departed and headed backstage. My friend Jimmy Watson followed him backstage. Jimmy was back 5 minutes later with my tape! Both nights at Roosevel Stadium the Dead's PA system suffers from: feedback problems, tinny sounding, ringing-sounding, muddy-sounding, weak vocals, poor mixing, not the best sounding overall tone. These problems tended to come and go. The sound tends to get better as the show goes on. I apologize for not getting an incredible sounding tape recording! My taping gear was state-of-the-art! Some thing(s) had to have been wrong with their PA system! What my recording perfectly captures are very clean and high fidelity audience sounds. The questionable-sounding prototype wall of sound mix is captured in high fidelity. Jer's guitar sounds fine. Phil is low in the mix. Keith is high in the mix. Drums sound dull, yet at times they are more crispy - for example, during Dark Star. My recording is pefect and smooth. Vocals start out low, and get better as show progresses. This recording is still worth having! The sound system and dynamic range for Dark Star are "totally locked in"! Some things I just can't explain. -- peace from Monte Barry -- release date is March 6, 2012
Taper: Betty Cantor
1:08:49
Rating:
10.00 / 1 rating
Taper:
Betty Cantor
SHNID:
gd1973-08-01.113751.wotf.betty.shnf
Source:
Betty> BCM> DAT> DAT> DIO 2448> SHN
Taper: Jerry Moore
2:05:02
Rating:
10.00 / 1 rating
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1973-08-01.112572.aud-moore.berger.flac16
Source:
aud cassette master, akg d1000e>sony tc-110, taped by Jerry Moore, transfer by Rob Berger
Taper Notes:
View Notesnotes: ***tape two was destroyed.
Taper: Unknown & Jeffrey Siniawsky, Neil Merin, and Joel Smith
2:54:50
Rating:
8.40 / 10 ratings
Transferrer:
Noah Weiner
SHNID:
gd73-08-01.aud.weiner.gdADT08.9145.sbeok.shnf
Source:
Audience Recording
Lineage:
AudMR > C > C > C > CD;AudMR > R > DAT > WAV > SHN
Taper Notes:
View NotesAudMR > C > C > C > CD; Reported upgrade to <a href="http://db.etree.org/shninfo_detail.php?shnid=8724" rel="ugc nofollow">previous</a> Weiner seed, see info file for details; Seeded to etree by Noah Weiner
Taper: Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel.
2:50:36
Rating:
8.67 / 3 ratings
Taper:
Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel.
Transferrer:
A > D transfer by Noah Weiner
SHNID:
gd1973-08-01.aud.weiner.8724.sbeok.shnf
Lineage:
AudMR > R > DAT > WAV > SHN
Taper Notes:
View Notes*The Race Is On - mic cable drop out cross faded at 0:37 *Bird Song - mic cable drop out cross faded at 1:28 *Casey Jones - mic cable drop out cross faded at 2:31 *Around And Around - mic cable drop out cross faded at 3:08 *Dark Star - first 1:06 supplied by alternate AUD/? and cross faded at that point into the start of the main source recording. This alternate source was on the 7" reel that Jeff Siniawsky supplied for the transfer. He used it to fill the portion of the start of Dark Star missing from his 5" reel master when he created the 7" reel we have here. *One More Saturday Night - mic cable drop out cross faded at 0:27