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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1973
6/30/73
Promised Land ( slight glitch intact)
3:06
They Love Each Other
5:19
Mexacali Blues
3:35
Tennessee Jed
7:42
Looks Like Rain
7:08
Bird Song
8:53
Cumberland Blues
5:31
Row Jimmy
8:16
Jack Straw
4:47
Deal
4:39
BIODTL
3:18
Black Peter
8:53
Playin' In The Band
14:54
Greatest Story Ever Told
4:53
Ramble On Rose
6:18
El Paso
4:16
Dark Star
16:09
Eyes Of The World
19:22
Stella Blue
8:05
Sugar Magnolia
9:05
One More Saturday Night
4:59
FIN
View on archive.org
Sources
Transferrer: Bill Guarneri
2:39:08
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Bill Guarneri
SHNID:
gd1973-06-30.sbd.128248.flac16
Source:
SBD > ? > DAT > CD; CD > Sound Forge 10 > flac; Upgrade to existing source SBD 19903
Taper Notes:
View NotesThis was sourced from shn ID 177. "Hot" distorted vocals marred this otherwise nice performance. Vocals were attenuated resulting in better balance and less vocal distortion. Still not perfect but much better. Jerry Garcia, guitar - vocals Bob Weir, guitar - vocals Phil Lesh, bass Keith Godchaux, keyboards Bill Kreutzmann, drums Donna Jean Godchaux, backing vocals
Transferrer: Chris Chappell
2:49:38
SBD
Rating:
9.25 / 8 ratings
Transferrer:
Chris Chappell
SHNID:
gd1973-06-30.sbd.sbvol9.chappell.29753.flac16
Source:
Matrix Mix
Taper Notes:
View NotesGeneral Notes: Two sources from the LMA provided coverage for this matrix: a relatively decent SBD, and a pretty nice sounding AUD recorded probably at the board via the "Debbie connection". The result is an interesting matrix, with the vocals a little hot in the overall outcome - typical of this era's SBD mixes, although that's irrelevant when you're deep in the Dark Star. One of the things I like about the resulting matrix is the ability to bring back that amphitheater sound. Many people were yipping and whooping in between songs just to hear their own echo. Check out these comments from DeadBase: "On Saturday night, one of the crew lit a fireworks fountain up on one of the PA towers creating a moment of panic for some folks who thought it was an electrical fire but Garcia calmed 'em down with a simple, 'Don't panic folks, this is the movies - remember..'. "In an interesting footnote to these shows, the official Grand Opening of this brand new venue on the Universal Studios backlot was the following weekend with a week-long series of Frank Sinatra shows but the Dead gave it a real shakedown acid test first." A review from the LLama: "The Playin is typically great for 1973, and the Dark Star>Eyes>Stella Blue combination puts this one over the top for me. Very unique jams. And BTW, the Wall of Sound seems to work pretty well tonight. Nice quality. An overlooked show that will knock you out!" - Dr. Flashback Thanks to A. Jerugim for the SBD, and Noah Weiner for the A>D transfer of the AUD as well as all the folks involved with the Audience Devotional Tree. Enjoy! Chappy Timeline/Tracking Notes: The transition between all three discs can be put together seemlessly. I tracked this show so that disc 3 contains the entire second set. It would be possible to edit out 40 seconds of crowd/tuning from the first set and burn a 90 minute CDR. Editing Notes: - Pitch Both sources were pitched differently, the AUD being the sharpest, and the SBD being the flatest. The AUD on average had to be pitched down on average about .05 (5 cents), and the SBD had to be pitched up about .15 (15 cents) to achieve pitch correction - 1.00 being 100 cents which is a semitone. The result is very close to A=440Hz, however there is some fluctuation throughout the show due to the age of the recordings. - Synch Even after pitch correcting the AUD and the SBD, because of the speed fluctuation within a given source, multiple edits were performed to keep the sources synched (too many edits to list). - Sonic Quality/Matrix ratio The AUD did receive a little EQ to revive some of the high end that was lost to previously employed NR. The SBD remained untouched sonically. Conceptually, all I was trying to do here is to add some dimension to the SBD, which is pretty dry, by using the ambience of the AUD. The result is a lively but clear recording, hopefully close to how it sounded at the show. If I had to guess the SBD/AUD ratio would be somewhere between 3:1 and 4:1, leaning more towards the 3:1 end of things. - Edits The following are places where the SBD had holes or incomplete coverage in reference to the final matrix timeline. SBD: d1t02 (5:16 - 5:27) - missing (crowd) d1t04 (7:33 - 7:37) - missing (crowd) d1t05 (7:07 - 7:10) - missing (crowd) d1t06 (7:43 - 8:57) - missing d1t06 (10:03 - 10:07) - missing (crowd) d1t07 (5:28 - 5:34) - missing (crowd) d1t09 (8:07 - 8:16) - missing (crowd) d2t01 (4:47 - 6:12) - missing (crowd) d2t02 (0:00 - 0:02) - missing d2t02 (4:40 - 4:46) - missing (crowd) d2t03 (0:00 - 0:03) - missing d2t03 (3:17 - 3:22) - missing (crowd) d2t04 (8:53 - 8:59) - missing (crowd) d2t05 (14:52 - 14:56) - missing (crowd) d3t01 (0:00 - 0:03) - missing d3t01 (5:03 - 5:43) - missing (crowd) d3t02 (6:13 - 8:13) - missing (crowd) d3t03 (4:15 - 4:51) - missing (crowd) d3t04>d3t05 (16:16 - 0:07) - missing d3t05 (11:39:21 - 11:39:39) - missing d3t06 (8:06 - 9:15) - missing (crowd) d3t07 (9:04 - 9:13) - missing (crowd) AUD: d1t01 (0:00 - 0:10) - missing d1t01 (3:04 - 3:06) - missing (crowd) d1t02 (5:27 - 5:32) - missing (crowd) d1t06 (10:07 - 10:09) - missing (crowd) d2t01 (3:33 - 3:52) - missing d2t05 (10:29 - 10:46) - missing d3t04 (6:23 - 6:42) - missing d3t06 (0:37 - 0:47) - missing - Recap Full coverage was achieved by combining both sources. The most significant pieces missing from the SBD are 1:14 in the middle of Birdsong, and 20 seconds of the transition from Dark Star > Eyes, both likely due to reel changes. The rest is tuning/crowd and a few clipped intros. All of it is covered nicely by the AUD. The missing elements from the AUD are also likely due to reel changes, and are not that noticeable, although I encourage the avid listener to locate those points so as to hear the matrix coming back in - this will reveal the effect of the combination of the two sources.
Transferrer: J.D. Baker
2:52:02
SBD
Rating:
9.00 / 4 ratings
Transferrer:
J.D. Baker
SHNID:
gd1973-06-30.sbd.baker.19903.shnf
Source:
This is a patched and re-tracked version of the previously circulating soundboard source shnid = 177
Taper Notes:
View NotesMore information about the previously circulating sources can be found here: Soundboard: http://db.etree.org/shninfo_detail.php?shnid=177 Audience: http://db.etree.org/shninfo_detail.php?shnid=6019 Thanks to Matt Z. for providing the audience source, and to Chris K. for providing the soundboard. Notes: Source shn files were converted to wav with mkwACT. Audience patches were pitch shifted and otherwise manipulated in Sound Forge, and were mixed with the soundboard source in Sonic Foundry Vegas Audio. All three discs were re-tracked using CD Wave to better match the start of each song with the beginning of the track. Sector boundaries were verified/fixed with shntool, and files were shortened with seek tables appended. JD Baker 10/10/2003
Source 4 of 11
2:50:34
SBD
Rating:
8.76 / 21 ratings
SHNID:
gd73-06-30.sbd.Jerugim.177.sbefail.shnf
Source:
Soundboard
Lineage:
SBD> ?> DAT> CD> EAC> SHN
Taper Notes:
View NotesSBD> ?> DAT> CD> EAC> SHN; (note <a href="http://www.resourcesfortapers.com/circulation/index.html" rel="ugc nofollow">Tiedrich's site</a> lists a circulating SBD> reel master> 1 reel gen> DAT> 1 cass gen> DAT> circulation); Known Flaws: Some digi-noise beginning d1t1, Reel flip middle d1t6, Reel flip beginnning d3t2; via A. Jerugim; note "E2 USB" is not listed in databases as an encore- may be filler? (has 2 drummers?)- thanks to J. Grimes for alert
Transferrer: Matt Smith and Will Boswell
2:54:10
Rating:
2.00 / 1 rating
Transferrer:
Matt Smith and Will Boswell
SHNID:
gd1973-06-30.130561.aud.boswell-smith.flac16
Source:
Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Transferrer: Matt Smith and Will Boswell
2:54:09
Rating:
4.67 / 3 ratings
Transferrer:
Matt Smith and Will Boswell
SHNID:
gd1973-06-30.130557.aud.boswell-smith.flac24
Source:
Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Transferrer: Noah Weiner and Matt Smith
2:56:20
Rating:
9.50 / 4 ratings
Transferrer:
Noah Weiner and Matt Smith
SHNID:
gd1973-06-30.aud.weiner.100346.flac16
Source:
Aud -> Master Reel
Lineage:
AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8)
Taper Notes:
View NotesSource Tape: Reel dubbed in 1979 by Will Boswell from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard. It is assumed that the 1979 dub came direct off of the master. This is the same master recording that is heard on shnid=6019, but casts that lineage into question as this transfer is a clear upgrade. Edits: *tape cut in Jack Straw cross faded at approximately 3:30 *tape cut in Playin' cross faded at approximately 10:24 *tape cut in Dark Star cross faded at approximately 6:00 *tape cut in Stella Blue cross faded at approximately 0:35
Transferrer: Noah Weiner and Matt Smith
2:56:20
Transferrer:
Noah Weiner and Matt Smith
SHNID:
gd1973-06-30.aud.weiner.100345.flac24
Source:
Aud -> Reel
Lineage:
Master Reel > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > FLAC(level 8)
Taper Notes:
View NotesSource Tape: Reel dubbed in 1979 by Will Boswell from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard. It is assumed that the 1979 dub came direct off of the master. This is the same master recording that is heard on shnid=6019, but casts that lineage into question as this transfer is a clear upgrade. Edits: *tape cut in Jack Straw cross faded at approximately 3:30 *tape cut in Playin' cross faded at approximately 10:24 *tape cut in Dark Star cross faded at approximately 6:00 *tape cut in Stella Blue cross faded at approximately 0:35
Transferrer: Noah Weiner
2:56:43
Rating:
8.00 / 2 ratings
Transferrer:
Noah Weiner
SHNID:
gd1973-06-30.aud.weiner.99703.sbeok.flac16
Source:
Aud > MR > ?
Lineage:
? > DAT > WAV > FLAC
Taper Notes:
View NotesAlternate copy originating from same original master recording as shnid=6019 Edits: *tape cut in Jack Straw cross faded at approximately 3:32 *tape cut in Playin' cross faded at approximately 10:29 *tape cut in Dark Star cross faded at approximately 6:45 *tape cut in Stella Blue cross faded at approximately 0:37 *end of OMSN patched at 1:51 from shnid=6019 Notes: Around August, 2001, when I put a digital copy of this show (shnid=6019) into circulation, a trading partner sent me a DAT containing a copy sourced off the same AUD master. At the time, this DAT copy's caveats led me to the conclusion to only circulate the known first gen reel transfer I performed in 2001. I recently pulled this DAT out, and upon listening decided it was worth circulating despite some of the tapes issues. Given the spirit and completeness of the online archival community, it seemed appropriate to "add this to the pile" while I am as confident as I can be that the true master recording is yet to be "unearthed." Whether one deems this an upgrade, downgrade, or sidegrade is open to debate. For me, I know that I will continue to pull this version out when I want to revisit this personal favorite show. That was enough reason for me to risk "polluting the gene pool" a little bit. This is the same master recording as shinid=6019. The tape had all the exact same cuts and flips requiring repair. I chose to re-perform the cross fades, rather than introduce what were, in my opinion, more disruptive SBD patches. The Caveats: This entire tape sounds like there was some analog noise reduction applied at some point, followed by the tape being run with the Dolby off and on again, perhaps while going to DAT. That said, this low gen copy has a fantastic spectrum of high and low end, beautifully upgrading the one disappointment in the current circulating copy of the same recording - muted high end. Someday, when the true master tape itself is found and circulated, this recording will likely claim the crown of being the best audience tape from 1973.
Transferrer: SIRMick
2:56:27
Rating:
9.33 / 3 ratings
Transferrer:
SIRMick
SHNID:
gd1973-06-30.aud.sirmick.85816.sbeok.flac16
Source:
Audience > Reel
Lineage:
Master Reel > Reel >Dat > WAV > FLAC (Reel labeled: through the Debbie connection: P.A. Harmon Kardon; probably recorded from the soundboard)
Taper Notes:
View Notesnotes: This is a remaster of shnid 6019 - cleaned up transitions between d1t05-d1t06, d1t06-d1t07 - a few minor volume adjustments have been made - fixed errors at 2:07 & 2:25 in d1t08 - repaired small drop out at 14:26 in left channel of Eyes - removed large click in Stella at 3:10 in right channel - the bottom was very heavy in places which caused some moments of distortion on phil's bass, this has been reduced but some distortion still remains in places - top end brightened as the vocals were a little muddy sounding. - retracked additional notes from the original seeder: (1) tape cut at 3:32 repaired with a cross fade (2) tape cut at 10:29 repaired with a cross fade (3) tape cut at 6:45 repaired with a cross fade (4) tape cut at 0:37 repaired with a cross fade remastered with iZotope Ozone and Waves SIRMick February 2006
Taper: Unknown
2:47:31
Rating:
6.00 / 4 ratings
Transferrer:
Noah Weiner
SHNID:
gd73-06-30.aud.weiner.gdADT.6019.sbefail.shnf
Source:
Audience Recording
Lineage:
AudMR > R > DAT > WAV > SHN
Taper Notes:
View NotesAudMR > R > DAT > WAV > SHN; A > D transfer by Noah Weiner; d1 tracked for 80 min; see info file for notes; via Audience Devotional Tree