Bands
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Bands
Grateful Dead
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1973
Sources
Transferrer: SirMick
3:04:32
SBD
Rating:
10.00 / 7 ratings
Transferrer:
SirMick
SHNID:
gd1973-11-17.sbd.sirmick.79548.sbeok.flac16
Taper Notes:
View Notesnotes: - Sugar Magnolia had a partial dropout between 8:35 - 8:38. I have been able to make this section sound somewhat better - I cleaned up some transitions with crossfades - I cleaned up a few other minor problems - light noise reduction applied SIRMick October 2006
Transferrer: Jay Ashley
3:03:43
SBD
Rating:
8.89 / 10 ratings
Transferrer:
Jay Ashley
SHNID:
gd1973-11-17.sbd.ashley.fixed.23731.sbeok.shnf
Source:
SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN>>shntool
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nickenamed Bertha, by [email protected]. Completed on April 5, 2004. There is some distortion in the source used. Looks Like Rain seems to be the worst of it. Not sure if the distortion is from overdriving the original master reel recording, or if the transfer was overdriven. But, the distortion is in the original source and was caused prior to Bertha remastering. -3db noise reduction was used prior to processing. A 100% pure sample was used, resulting in Zero artifacts. Cleaned up some rough track to track transitions. Two drop-outs in Casey Jones. shntool used to fix SBE's on 4-12-04, applied separately to first and second set by Tony G ([email protected]) Enjoy my brothers!
Transferrer: Jay Ashley
3:03:43
SBD
Rating:
10.00 / 22 ratings
Transferrer:
Jay Ashley
SHNID:
gd1973-11-17.sbd.ashley.23472.sbefail.shnf
Source:
SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nickenamed Bertha, by [email protected]. Completed on April 5, 2004. There is some distortion in the source used. Looks Like Rain seems to be the worst of it. Not sure if the distortion is from overdriving the original master reel recording, or if the transfer was overdriven. But, the distortion is in the original source and was caused prior to Bertha remastering. -3db noise reduction was used prior to processing. A 100% pure sample was used, resulting in Zero artifacts. Cleaned up some rough track to track transitions. Two drop-outs in Casey Jones.
Source 4 of 7
3:52:26
SBD
Rating:
10.00 / 4 ratings
SHNID:
gd1973-11-17.sbd.patched.bec.22799.flac16
Source:
SHNID 19896 and 4762
Taper Notes:
View NotesD2t05 (Uncle John's Band): S:MR > reel > DAT patch from 5:37 to 5:59 D3t02 (Eyes): S:MR > ? > DAT patch from 0:10-0:13 D3t04 (Casey Jones): MSR > ? > DAT patch from 3:48 to 3:53 D4t02 (Uncle John's Band): S:MR > C > DAT patch from 6:44 to 6:54
Source 5 of 7
3:04:07
SBD
Rating:
9.76 / 51 ratings
SHNID:
gd73-11-17.sbd.gardner.4749.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> C> DAT> CDR> EAC> SHN
Taper Notes:
View NotesSBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul Bottiglio's discs; Splice between ROR and Playin' (no music affected)
Taper: Recorded by Charles Conner from floor level seats on the right side
3:16:46
Taper:
Recorded by Charles Conner from floor level seats on the right side
Transferrer:
Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood Speed/pitch adjusted by Jason Chastain
SHNID:
gd1973-11-17.166358.aud.Conner.gems.flac1648
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes
Taper Notes:
View NotesNotes: - First audience recording of this show to circulate. - Shared to www.shnflac.net on the 50th anniversary of this historic evening. - No patch work was performed to cover tape flips. This is as Charles captured it. Notes from conversation between Charles and Jim: "11-17 was on the floor level seats on the right side. Notable that the Winterland February 1974 shows lacked the energy of the November 1973 shows. We were not surprised that they took a break after October 1974. Burn out, which we could feel, especially after the highly energetic 1973 shows. It was never quite the same, although 1977 had many high points"
Taper: Recorded by Charles Conner from floor level seats on the right side
3:16:46
Taper:
Recorded by Charles Conner from floor level seats on the right side
Transferrer:
Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood Speed/pitch adjusted by Jason Chastain
SHNID:
gd1973-11-17.166357.aud.Conner.gems.flac2496
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes
Taper Notes:
View NotesNotes: - First audience recording of this show to circulate. - Shared to www.shnflac.net on the 50th anniversary of this historic evening. - No patch work was performed to cover tape flips. This is as Charles captured it. Notes from conversation between Charles and Jim: "11-17 was on the floor level seats on the right side. Notable that the Winterland February 1974 shows lacked the energy of the November 1973 shows. We were not surprised that they took a break after October 1974. Burn out, which we could feel, especially after the highly energetic 1973 shows. It was never quite the same, although 1977 had many high points"