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Grateful Dead
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1973
Sources
Transferrer: Charlie Miller
3:21:46
SBD
Rating:
9.11 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-12-19.sbd.miller.113503.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- I corrected the pitch and fixed the levels -- There were a few pops that were also removed -- Thanks to Rob Eaton for the Dats -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller; Dan
3:27:17
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Charlie Miller; Dan
SHNID:
gd1973-12-19.107984.sbd.dan.patch-97361.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesPatch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s (still strong after 37 years) -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-fade\d and cut on sector boundaries. I have added the spoken intro before Promised Land and added the bass solo in between Nobody's Fault But Mine and The other One. I was sitting in the seats on the right as close to the speakers as I could get without looking suspicious. Maybe 50-60 feet. For what it's worth, that's me saying "They're a lot more casual tonight" just before Promised Land (comparing it to 12/18/73).
Transferrer: Charlie Miller; Dan
33:36
SBD
Transferrer:
Charlie Miller; Dan
SHNID:
gd1973-12-19.sbd-part.dan.patch-97361.107984.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesThese are just the files that were patched as part of 107984.
Transferrer: Charlie Miller
3:19:31
SBD
Rating:
10.00 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-12-19.sbd.miller.97361.sbeok.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Thanks to Rob Eaton for the Dats
Source 5 of 7
1:13:17
SBD
Rating:
9.45 / 11 ratings
SHNID:
gd73-12-19.sbd.finney.outtakes.197.sbeok.shnf
Source:
Soundboard
Lineage:
Dick's Picks Leftovers
Taper Notes:
View Notes"DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it</a>
Source 6 of 7
3:48:27
Rating:
9.33 / 3 ratings
SHNID:
gd1973-12-19.126124.mtx.dusborne.droncit.flac16
Source:
Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer)
Taper Notes:
View NotesAudience material from source B (almost entirely) Set I Source a= soundboard shnid 97361 (not pitch-corrected) Source b= Dan McDonald (droncit) audience flat transfer of cassette masters Source b transferred with Nakamichi BX-1 adapted for flat transfer; eq applied with Diamond Cut Forensics 8. Notes: I have put the longer audience, tuning, announcements, portions as separate tracks so that those who want the full show will have that, while those who want only the music can eliminate those portions. The single exception is the beginning of Weather Report Suite, which is announced as "for all you rowdies out there." Occasionally, there is variation in the vocal location. This appears to be some sort of anomaly between what was recorded through the 'soundboard' tape and what actually went through the speakers. Audience/tuning material from source B (almost entirely) Dusborne did all the synchronization work. Droncit is responsible for the overall mix and sound. Designed to be played loud. If your speakers aren't able to handle the bass, please get new speakers. Thanks to TDK for making tapes that can hold up well for 40 years. Thanks to Craig of Diamond Cut for all the help with the theory and eq curves. Thanks to my dad for the electronics tweaks. 87 and going strong! Thanks to Dusborne for all the synchronization work. Thanks to Mrs. Dusborne (Tina Usborne) for listening and offering opinions. Thanks to Melinda B. (wherever you are) for help with the microphone/recorder and comments about Bob Weir's haircut. Problems/Comments: [email protected] *last 7 minutes or so from source A only (rejoins during last vocal) **about 16 seconds of the jam portion from Source B only. ***verse beginning "she comes from the town" source b only for about a minute ****source b only *****almost all of Around & Around and all of Casey Jones are soundboard only
Taper: Dan McDonald
3:36:00
Rating:
9.00 / 10 ratings
Taper:
Dan McDonald
SHNID:
gd73-12-19.aud.clugston.8602.sbeok.shnf
Source:
Audience Recording
Lineage:
MAC>PCM>Cassette>CD
Taper Notes:
View NotesAudience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it</a>