RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.8k382
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h731103
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.4k594
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k136
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.1k279
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.9k374
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4.1k523
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.4k160
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k305
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h985109
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.6k207
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k208
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k243
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.3k297
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h6k693
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k194
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h8.4k1.1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h16.5k2.2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h9.1k1.3k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h93880
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.6k569
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.6k597
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k396
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.3k253
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.5k732
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k583
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59475
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h16224
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h50737
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h503
7d1277
30d57234
2 shows
2 tapes
1973
8/1/73
crowd
0:35
Promised Land
3:50
Sugaree
7:30
The Race Is On*
2:54
You Ain't Woman Enough
3:03
Bird Song*
10:51
Mexicali Blues
3:20
They Love Each Other
5:19
Jack Straw
4:37
Stella Blue
7:28
Big River
4:43
Casey Jones*
6:28
Around And Around*
5:03
Mississippi Half Step Uptown Toodeloo
8:33
Me And My Uncle
3:01
Row Jimmy
8:40
Dark Star* >
24:37
El Paso >
4:20
Eyes Of The World >
20:29
Morning Dew
13:09
Sugar Magnolia
9:03
Goin' Down The Road Feelin' Bad >
8:20
One More Saturay Night*
4:43
FIN
View on archive.org
Sources
Taper: Tim Dalton
1:06:40
SBD
Taper:
Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1973-08-01.140895.sbd.wotf-outtakes.dalton.miller.sirmick.flac1644
Source:
Source: SBD Master Reels > PCM - Recorded by Betty Cantor and provided by Tim Dalton; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k) - Transferred by Charlie Miller; Lineage: Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16edited and mastered SIRMick February 2018
Taper: Betty Cantor
1:05:58
SBD
Taper:
Betty Cantor
Transferrer:
Joe Beacon
SHNID:
gd1973-08-01.148528.sbd.flac16.wake-of-the-flood-outtakes.flac16
Source:
SBD Master Reels > PCM > VHS Tape
Lineage:
Sony Hifi 4 Head Vhs Player > Sony Pcm 501 > Korg Mr-1000 > Audio Gate > Adobe Audition > Traders Little Helper
Taper: See Notes
2:53:33
SBD
Rating:
9.20 / 5 ratings
Taper:
See Notes
Transferrer:
SIRMick
SHNID:
gd1973-08-01.sbd.sirmick.patch-12222.92478.sbeok.flac16
Source:
See Notes
Lineage:
See Notes
Taper Notes:
View NotesThis is a remaster of shnid 12222 source 1: SBD>MR>R>R>D>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN source 3: AUD>MR>C>C>C>CD>EAC>SHN - dc offset removed from all tracks - the left channel, in the aud source, has been boosted by 2.4 decibels - a substantial number of sub-second dropouts have been repaired and several clicks removed - the first few notes in d1t13 were missing and have been patched in from the aud, and the whole track pitch adjusted - a number of level adjustments have been made - the transitions between most tracks have been cleaned up - some noise reduction has been applied to sbd tracks, except for d2t03-d2t06 remastered by SIRMick June 2008
Source 4 of 17
2:54:36
SBD
Rating:
9.35 / 46 ratings
SHNID:
gd73-08-01.sbd.cotsman.12222.sbeok.shnf
Source:
Soundboard with audience patches
Lineage:
source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN
Taper Notes:
View Notescomplete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook
Taper: ** - CD Mastering by David Gans
2:37:07
SBD
Rating:
9.33 / 3 ratings
Taper:
** - CD Mastering by David Gans
Transferrer:
Extraction and.shn encoding by Seth Kaplan via EAC and MKW.
SHNID:
gd1973-08-01.sbd.kaplan.11813.shnf
Source:
SBD>MSR>R2>D>CD and SBD>7.5ips Master Reel>Cassette>20 bit A/D>CDR
Taper Notes:
View Notes** - CD Mastering by David Gans * - Possible source change @ OMSN *** - Not in circulation per Deadlists Complete SBD except for The Promised Land*** Sugaree*** The Race Is On and You Ain't Woman Enough*** opening set one. Three disc SBD compilation of most of set one and all of set two including the additional available SBD segments from sets I & II (discs one and two) beyond the previously circulating one disc jam segment of the show seeded by D. Gans containing Dark Star > El Paso > Eyes of the World > Morning Dew (disc three). For source quality consistency and space considerations, the end of set two segment containing Sugar Magnolia and the encores is at the end of disc two. To maintain the original playing order, an alternate disc layout places Set II part one from disc two at the end of disc one, the disc three jam segment on disc two and the end of set two segment containing Sugar Magnolia and the encores on a short disc three. Seth Kaplan - August 30, 2002
Source 6 of 17
1:08:49
SBD
Rating:
9.48 / 31 ratings
SHNID:
gd73-08-xx.sbd-wotf.davef.2522.sbeok.shnf
Source:
Soundboard
Lineage:
Betty Cantor reels > PCM > DAT > DIO 2448 > SHN
Taper Notes:
View NotesWake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F.
Taper: CD Mastering by David Gans
1:02:37
SBD
Rating:
9.23 / 14 ratings
Taper:
CD Mastering by David Gans
Transferrer:
EAC and encoding by Manfred Jungeblut
SHNID:
gd1973-08-01.partial.sbd.gans-Jungeblut.182.sbeok.shnf
Source:
Soundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDR
Taper: Jim Cooper
2:55:37
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1973-08-01.135887.aud.cooper.berger.flac24
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger
Taper Notes:
View Notesnotes: brief cuts in Around & Around, Eyes Of The World, ** patched from fresh transfer of Jerry Moore’s aud cassette master, akg d1000e > sony tc-110, tdk c120sd's
Taper: Jim Cooper
2:55:37
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1973-08-01.135886.aud.cooper.berger.flac16
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transfer & seeded by Rob Berger
Taper Notes:
View Notesnotes: brief cuts in Around & Around, Eyes Of The World, ** patched from fresh transfer of Jerry Moore’s aud cassette master, akg d1000e > sony tc-110, tdk c120sd's
Transferrer: Monte Barry
3:00:16
Rating:
8.00 / 2 ratings
Transferrer:
Monte Barry
SHNID:
gd1973-08-01.123128.mtx.barry.flac
Source:
matrix of shnid 121129 (source 1) and shnid 92478 (source 2) Monte Barry on Dec 16, 2012
Taper: Monte Barry
2:57:47
REMASTER
Rating:
9.00 / 2 ratings
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-08-01.121129.barry.smith.AUD-fob.flac1644
Source:
Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder; taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB;
Lineage:
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
Taper: Monte Barry
2:57:47
REMASTER
Rating:
6.00 / 1 rating
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-08-01.121127.barry.smith.AUD-fob.flac2496
Source:
Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB;
Lineage:
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
Taper: Monte Barry
2:54:10
REMASTER
Taper:
Monte Barry
Transferrer:
Monte Barry
SHNID:
gd1973-08-01.119371.aud.barry.flac
Source:
Source: -- brand new Nakamichi 550 portable stereo cassette recorder -- taped with Dolby NR and Chromium Tape bias -- Maxell UD C90 cassettes -- ElectroVoice RE-15 mic -- mic is hand-held on mic-stand shaft, w/arm raised up, FOB (perhaps off to R side??)
Lineage:
MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag -- Taped, transferred, and remastered by Monte Barry -- track changes are seamless -- EQ is flat (unchanged)
Taper Notes:
View NotesAUD patches provided by shnid 9145: -- taped by Jeffrey Siniawsky, Neil Merin, and Joel Smith -- Uher mic > Uher 4000 reel-to-reel -- transferred and remastered by Noah Weiner Prep work done to AUD patch source shnid 9145: -- L and R channel levels matched -- highend EQ rolled back -- patch levels matched to source levels -- no pitch correction required for Stella Blue patch - both tape speeds matched perfectly AUD Patch List: -- Track 01 - Phil announcements inserted -- Track 02 - "happy birthday" inserted at start of Promised Land -- Track 10 - Stella Blue - 1st note is patched; reel flips at 4:28 and recording stops; patch crossfades in until ending -- Eyes of The World reel-flip and patch: -- source tape gets reel-flipped at the 15:46 point -- source crossfades out at 15:46, source crossfades back in at 16:32 Sound System and Taper notes - by taper Monte Barry: I taped both shows at Roosevelt Stadium. The Dead's PA system sounded crappy both nights (July 31 and Aug 1). It should have sounded perfect since it was outdoors. The Dead's PA system for June 9 and 10 at RFK Stadium sounded incredible by comparison. I taped both RFK shows with inferior taping gear, yet my RFK tapes sound way, way better. It is probably correct to say that this Jerry birthday show was the first GD show ever taped with a Nakamichi 550 cassette recorder. This was the first portable stereo cassette recorder model to feature Dolby NR and Chromium Tape bias. I believe I had the first one available on the East Coast. My recording of this show should have been incredibly high fidelity sounding. Instead, it sounds a bit crappy due numerous sound system issues. The sound fidelity at Roosevelt Stadium fell way short of what I expected when I went to this show. Perhaps my mic's location was on the R side (guessing), but I was definitely FOB. Of course, I was heavily dosed when I went there both nights with my GD friends. I taped FOB the night before on July 31. My mic was mounted on a 10-foot pole that night. A huge Hell's Angel security dude was dispatched by GD from backstage to go into the audience and confiscate my tapes during the last song. He was gigantic - approx 6' 6" / 250 pounds and ripped body, wearing Hell's Angels colors, long hair and beard. I was an itty-bitty 5' 7" / 130-pound hippie, and I was caught red-handed taping. He politely asked me for my tape. I ejected the cassette from my tape deck and I surrendered just this one tape to him. He said "thank you" to me. Then he departed and headed backstage. My friend Jimmy Watson followed him backstage. Jimmy was back 5 minutes later with my tape! Both nights at Roosevel Stadium the Dead's PA system suffers from: feedback problems, tinny sounding, ringing-sounding, muddy-sounding, weak vocals, poor mixing, not the best sounding overall tone. These problems tended to come and go. The sound tends to get better as the show goes on. I apologize for not getting an incredible sounding tape recording! My taping gear was state-of-the-art! Some thing(s) had to have been wrong with their PA system! What my recording perfectly captures are very clean and high fidelity audience sounds. The questionable-sounding prototype wall of sound mix is captured in high fidelity. Jer's guitar sounds fine. Phil is low in the mix. Keith is high in the mix. Drums sound dull, yet at times they are more crispy - for example, during Dark Star. My recording is pefect and smooth. Vocals start out low, and get better as show progresses. This recording is still worth having! The sound system and dynamic range for Dark Star are "totally locked in"! Some things I just can't explain. -- peace from Monte Barry -- release date is March 6, 2012
Taper: Betty Cantor
1:08:49
Rating:
10.00 / 1 rating
Taper:
Betty Cantor
SHNID:
gd1973-08-01.113751.wotf.betty.shnf
Source:
Betty> BCM> DAT> DAT> DIO 2448> SHN
Taper: Jerry Moore
2:05:02
Rating:
10.00 / 1 rating
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1973-08-01.112572.aud-moore.berger.flac16
Source:
aud cassette master, akg d1000e>sony tc-110, taped by Jerry Moore, transfer by Rob Berger
Taper Notes:
View Notesnotes: ***tape two was destroyed.
Taper: Unknown & Jeffrey Siniawsky, Neil Merin, and Joel Smith
2:54:50
Rating:
8.40 / 10 ratings
Transferrer:
Noah Weiner
SHNID:
gd73-08-01.aud.weiner.gdADT08.9145.sbeok.shnf
Source:
Audience Recording
Lineage:
AudMR > C > C > C > CD;AudMR > R > DAT > WAV > SHN
Taper Notes:
View NotesAudMR > C > C > C > CD; Reported upgrade to <a href="http://db.etree.org/shninfo_detail.php?shnid=8724" rel="ugc nofollow">previous</a> Weiner seed, see info file for details; Seeded to etree by Noah Weiner
Taper: Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel.
2:50:36
Rating:
8.67 / 3 ratings
Taper:
Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel.
Transferrer:
A > D transfer by Noah Weiner
SHNID:
gd1973-08-01.aud.weiner.8724.sbeok.shnf
Lineage:
AudMR > R > DAT > WAV > SHN
Taper Notes:
View Notes*The Race Is On - mic cable drop out cross faded at 0:37 *Bird Song - mic cable drop out cross faded at 1:28 *Casey Jones - mic cable drop out cross faded at 2:31 *Around And Around - mic cable drop out cross faded at 3:08 *Dark Star - first 1:06 supplied by alternate AUD/? and cross faded at that point into the start of the main source recording. This alternate source was on the 7" reel that Jeff Siniawsky supplied for the transfer. He used it to fill the portion of the start of Dark Star missing from his 5" reel master when he created the 7" reel we have here. *One More Saturday Night - mic cable drop out cross faded at 0:27