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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1973
6/10/73
Tuning
1:11
Morning Dew
11:31
Beat It On Down The Line
3:35
Ramble On Rose
7:54
Jack Straw
5:31
Wave That Flag
6:08
Looks Like Rain
7:49
Box Of Rain
5:32
They Love Each Other
5:29
The Race Is On
3:22
Row Jimmy
10:09
El Paso
4:26
Bird Song
12:16
Playing In The Band
18:02
Tuning
0:15
Eyes Of The World ->
21:46
Stella Blue
8:30
Big River
5:09
Here Comes Sunshine
11:15
Around And Around
6:13
Dark Star ->
27:09
He's Gone ->
14:45
Wharf Rat ->
8:12
Truckin'
7:43
Sugar Magnolia
9:56
Tuning
1:23
It Takes A Lot To Laugh It Takes A Train To Cry
8:24
That's All Right, Mama
13:41
The Promised Land
4:48
Not Fade Away ->
11:37
Goin' Down The Road Feeling Bad ->
10:52
Drums ->
6:07
Not Fade Away ->
3:36
Johnny B. Goode
3:17
FIN
View on archive.org
Sources
Transferrer: Matrix by Dave Usborne
4:47:33
SBDREMASTER
Rating:
10.00 / 5 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1973-06-10.131065.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:89730) - Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:121031) - Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
Taper Notes:
View NotesMatrix by dusborne 08-22-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 08-22-2014
Transferrer: Charlie Miller and Kevin Tobin
4:42:32
SBD
Rating:
9.08 / 13 ratings
Transferrer:
Charlie Miller and Kevin Tobin
SHNID:
gd1973-06-10.sbd.miller.tobin.patched-89730.90979.flac16
Source:
SBD -> Master Reel -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.01 -> FLAC
Taper Notes:
View NotesThis is the Miller sbd (89730) patched with the two audience sources (90351 and 89681), and then pitch corrected. See text file for details. Kevin Tobin did the work.
Transferrer: Charlie Miller
4:35:04
SBD
Rating:
9.83 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-06-10.sbd.miller.fix-89640.89730.flac16
Source:
SBD -> Master Reel -> Dat -> CD D
Lineage:
CD -> Samplitude Professional v10.01 -> FLAC
Transferrer: Charlie Miller
4:34:02
SBD
Rating:
9.68 / 19 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-06-10.sbd.miller.89640.sbeok.flac16
Source:
SBD -> Master Reel -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.01 -> FLAC
Taper: Monte Barry
4:41:26
SBDREMASTER
Rating:
10.00 / 4 ratings
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-06-10.121031.barry.smith.AUD-fob.flac2496
Source:
Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
Taper: Monte Barry
4:41:26
SBDREMASTER
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-06-10.121030.barry.smith.AUD-fob.flac16
Source:
taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
Transferrer: Kevin Tobin
4:40:24
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1973-06-10.dts.tobin.90794.flac
Source:
SBD (89730) + AUD (90351) + AUD (89681)
Transferrer: Kevin Tobin
4:40:24
SBD
Rating:
9.33 / 11 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1973-06-10.mtx.tobin.90771.flac16
Source:
SBD (89730) + AUD (90351) + AUD (89681)
Transferrer: David Hollister and G.S. Hamilton
4:46:27
SBD
Rating:
9.23 / 217 ratings
Transferrer:
David Hollister and G.S. Hamilton
SHNID:
gd73-06-10.sbd.hollister.174.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MR (10'' reels) > DAT > CD > EAC > SHN
Taper Notes:
View Notesd1t2 BIODTL begining cut (thanks to Andrew Pitner for noticing) d1t09 (The Race Is On) several anomalies at the 1:33, 1:34, 1:36, & 1:44 marks (thanks to Scott Clugston for noticing) D2t01 (Bird Song): very brief tape waver @ 2:44 D2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54 D4t06 (GDTRFB): reel flip/splice @ 6:42
Taper: Bill Gadsden
1:27:13
Taper:
Bill Gadsden
Transferrer:
Charlie Miller; Neil Sturtevant
SHNID:
gd1973-06-10.partial.fob.gadsden.89681.sbeok.flac16
Lineage:
Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View Notes-- Disc change is seamless -- Recorded by Bill Gadsden
Taper: Jimmy & Laurie Cooper, & Arti
1:29:18
Taper:
Jimmy & Laurie Cooper, & Arti
Transferrer:
Rob Berger
SHNID:
gd1973-06-10.136253.aud.cooper.berger.flac16
Source:
Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes:* as per Jim Cooper, the story of why this is an offering of only part of this epic day: This is my most frustrating concert ever. Arti offered to use his AKG's for this as an experiment with the Hitachi, as I had never used premium mics before. (the database needs to be changed regarding the mics) We were not able to go Saturday, but went on sunday. My old friend and his girlfriend offered to drive us all there. Laurie, Arti & I, with our gear and a full cooler (thank goodness) sat in the backseat. At the show, My friend & his GF went into the stands, as she couldn't take the heat, which was excessive. Laurie Arti & I found a sweet spot about halfway between the stage & the soundboard, arti had poles. The opening act sucked and played longtime. ABB came on and played a long time. we did not record them due to limitations on our resources, although a group of die hard ABB fans with a R2R and a dead car battery begged us to. We were tripping of course, as were most. The duration and heat combined to create a very challenging experience, thank goodness for the large woman who befriended us and sat on the cooler, keeping out the baked refugees all around us. There was no water provided. As the night came, cooling things down the dead began and they were UNBELIEVABLE, They were experimenting with phil's sub sound and the heat combined to produce a very soothing effect on the brain each time phil plucked a sustained bass note. The stadium echoed the sound (Stella Blue) to enhance the trippiness of the 2nd set especially. We recorded everything, we were so thrilled as we observed the levels with the AKG's, man we were psyched. THEN about almost just before the encore, my friends found us and wanted to leave, the GF had to take an exam in the morning in NYC, WE did not want to go, they left us there. Show was over and we went out and started hitchhiking, with all our gear and the cooler. NO Rides We walked around the parking lot and found a van with NY plates and asked the people if they had room. They said yes, but they wanted to crash for a while. We said OK and sat down and began playing tapes of the show, I had brought the speakers along for the car ride. We were listening to this very tape when we 3 fell asleep. We awoke when we heard car noises and our ride was getting ready to go, we gathered up our stuff and got into the back of the van. We slept off & on to NYC, it was almost 7am as we hit the GWB. I went looking for something in my pack, (a cassette carrying case, about 24 tapes.) and it was missing, I had brought a bunch of live shows, including GD soundchecks from nassau coliseum with a few "box of rain" and other gems. We checked our stuff, artis mics were gone as was our canon slr and all of the fuckin tapes which we just recorded, EXCEPT this one. We cried once we heard how good the sound of the tape was, and we all knew all knew just what a great show it was.
Taper: Jimmy & Laurie Cooper, & Arti
1:29:18
Rating:
10.00 / 1 rating
Taper:
Jimmy & Laurie Cooper, & Arti
Transferrer:
Rob Berger
SHNID:
gd1973-06-10.136252.aud.cooper.berger.flac24
Source:
Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
Taper Notes:
View Notesnotes:* as per Jim Cooper, the story of why this is an offering of only part of this epic day: This is my most frustrating concert ever. Arti offered to use his AKG's for this as an experiment with the Hitachi, as I had never used premium mics before. (the database needs to be changed regarding the mics) We were not able to go Saturday, but went on sunday. My old friend and his girlfriend offered to drive us all there. Laurie, Arti & I, with our gear and a full cooler (thank goodness) sat in the backseat. At the show, My friend & his GF went into the stands, as she couldn't take the heat, which was excessive. Laurie Arti & I found a sweet spot about halfway between the stage & the soundboard, arti had poles. The opening act sucked and played longtime. ABB came on and played a long time. we did not record them due to limitations on our resources, although a group of die hard ABB fans with a R2R and a dead car battery begged us to. We were tripping of course, as were most. The duration and heat combined to create a very challenging experience, thank goodness for the large woman who befriended us and sat on the cooler, keeping out the baked refugees all around us. There was no water provided. As the night came, cooling things down the dead began and they were UNBELIEVABLE, They were experimenting with phil's sub sound and the heat combined to produce a very soothing effect on the brain each time phil plucked a sustained bass note. The stadium echoed the sound (Stella Blue) to enhance the trippiness of the 2nd set especially. We recorded everything, we were so thrilled as we observed the levels with the AKG's, man we were psyched. THEN about almost just before the encore, my friends found us and wanted to leave, the GF had to take an exam in the morning in NYC, WE did not want to go, they left us there. Show was over and we went out and started hitchhiking, with all our gear and the cooler. NO Rides We walked around the parking lot and found a van with NY plates and asked the people if they had room. They said yes, but they wanted to crash for a while. We said OK and sat down and began playing tapes of the show, I had brought the speakers along for the car ride. We were listening to this very tape when we 3 fell asleep. We awoke when we heard car noises and our ride was getting ready to go, we gathered up our stuff and got into the back of the van. We slept off & on to NYC, it was almost 7am as we hit the GWB. I went looking for something in my pack, (a cassette carrying case, about 24 tapes.) and it was missing, I had brought a bunch of live shows, including GD soundchecks from nassau coliseum with a few "box of rain" and other gems. We checked our stuff, artis mics were gone as was our canon slr and all of the fuckin tapes which we just recorded, EXCEPT this one. We cried once we heard how good the sound of the tape was, and we all knew all knew just what a great show it was.
Taper: See info file
4:40:24
Rating:
10.00 / 2 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1973-06-10.aud.barry-gadsden.tobin.90796.flac16
Source:
Composite Audience
Lineage:
See info file
Taper: Monte Barry
4:32:41
Rating:
9.33 / 12 ratings
Taper:
Monte Barry
Transferrer:
Monte Barry
SHNID:
gd1973-06-10.fob.barry.90351.flac16
Source:
FOB > Single-point Mic > Sonny TC 110 > MAC
Lineage:
MAC > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > FLAC
Taper Notes:
View Notes-- This show is complete -- Most track changes are seemless -- Patches are cross-faded -- SBD patches have "concert hall" echo/delay effects applied -- Playing in the Band --------- tape change dropout at 5:22, Gadsden-Miller patched until 6:23 -- Eyes of the World ----------- missing content until 14:35, Gadsden-Miller AUD patched -- It Takes A Train to To Cry -- SBD patched due to tape damage, 1:42 to 1:47, 3:03 to 3:16 -- That's Alright Mama --------- SBD patched due to tape damage, 3:35 to 3:50, 5:56 to 8:58 -- GDTRFB ---------------------- tape change dropout at 4:37, SBD patched until 5:01