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June 11th
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1973
8/1/73
01 Here Comes Sunshine
4:57
02 Here Comes Sunshine
1:31
03 Let Me Sing Your Blues Away
3:26
04 Let it Grow
7:52
05 Row Jimmy
7:03
06 Eyes of the World
5:31
07 Weather Report Suite Prelude
2:14
08 Weather Report Suite Prelude
1:41
09 Weather Report Suite Prelude } Part 1
5:59
10 Stella Blue
6:50
11 Stella Blue Take 2
6:32
12 Here Comes Sunshine
4:55
13 Here Comes Sunshine
4:46
14 Let Me Sing Your Blues Away
3:23
FIN
View on archive.org
Sources
Taper: Tim Dalton
1:06:40
SBD
Taper:
Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1973-08-01.140895.sbd.wotf-outtakes.dalton.miller.sirmick.flac1644
Source:
Source: SBD Master Reels > PCM - Recorded by Betty Cantor and provided by Tim Dalton; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k) - Transferred by Charlie Miller; Lineage: Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16edited and mastered SIRMick February 2018
Taper: Betty Cantor
1:05:58
SBD
Taper:
Betty Cantor
Transferrer:
Joe Beacon
SHNID:
gd1973-08-01.148528.sbd.flac16.wake-of-the-flood-outtakes.flac16
Source:
SBD Master Reels > PCM > VHS Tape
Lineage:
Sony Hifi 4 Head Vhs Player > Sony Pcm 501 > Korg Mr-1000 > Audio Gate > Adobe Audition > Traders Little Helper
Taper: See Notes
2:53:33
SBD
Rating:
9.20 / 5 ratings
Taper:
See Notes
Transferrer:
SIRMick
SHNID:
gd1973-08-01.sbd.sirmick.patch-12222.92478.sbeok.flac16
Source:
See Notes
Lineage:
See Notes
Taper Notes:
View NotesThis is a remaster of shnid 12222 source 1: SBD>MR>R>R>D>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN source 3: AUD>MR>C>C>C>CD>EAC>SHN - dc offset removed from all tracks - the left channel, in the aud source, has been boosted by 2.4 decibels - a substantial number of sub-second dropouts have been repaired and several clicks removed - the first few notes in d1t13 were missing and have been patched in from the aud, and the whole track pitch adjusted - a number of level adjustments have been made - the transitions between most tracks have been cleaned up - some noise reduction has been applied to sbd tracks, except for d2t03-d2t06 remastered by SIRMick June 2008
Source 4 of 17
2:54:36
SBD
Rating:
9.35 / 46 ratings
SHNID:
gd73-08-01.sbd.cotsman.12222.sbeok.shnf
Source:
Soundboard with audience patches
Lineage:
source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN
Taper Notes:
View Notescomplete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook
Taper: ** - CD Mastering by David Gans
2:37:07
SBD
Rating:
9.33 / 3 ratings
Taper:
** - CD Mastering by David Gans
Transferrer:
Extraction and.shn encoding by Seth Kaplan via EAC and MKW.
SHNID:
gd1973-08-01.sbd.kaplan.11813.shnf
Source:
SBD>MSR>R2>D>CD and SBD>7.5ips Master Reel>Cassette>20 bit A/D>CDR
Taper Notes:
View Notes** - CD Mastering by David Gans * - Possible source change @ OMSN *** - Not in circulation per Deadlists Complete SBD except for The Promised Land*** Sugaree*** The Race Is On and You Ain't Woman Enough*** opening set one. Three disc SBD compilation of most of set one and all of set two including the additional available SBD segments from sets I & II (discs one and two) beyond the previously circulating one disc jam segment of the show seeded by D. Gans containing Dark Star > El Paso > Eyes of the World > Morning Dew (disc three). For source quality consistency and space considerations, the end of set two segment containing Sugar Magnolia and the encores is at the end of disc two. To maintain the original playing order, an alternate disc layout places Set II part one from disc two at the end of disc one, the disc three jam segment on disc two and the end of set two segment containing Sugar Magnolia and the encores on a short disc three. Seth Kaplan - August 30, 2002
Source 6 of 17
1:08:49
SBD
Rating:
9.48 / 31 ratings
SHNID:
gd73-08-xx.sbd-wotf.davef.2522.sbeok.shnf
Source:
Soundboard
Lineage:
Betty Cantor reels > PCM > DAT > DIO 2448 > SHN
Taper Notes:
View NotesWake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F.
Taper: CD Mastering by David Gans
1:02:37
SBD
Rating:
9.23 / 14 ratings
Taper:
CD Mastering by David Gans
Transferrer:
EAC and encoding by Manfred Jungeblut
SHNID:
gd1973-08-01.partial.sbd.gans-Jungeblut.182.sbeok.shnf
Source:
Soundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDR
Taper: Jim Cooper
2:55:37
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1973-08-01.135887.aud.cooper.berger.flac24
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger
Taper Notes:
View Notesnotes: brief cuts in Around & Around, Eyes Of The World, ** patched from fresh transfer of Jerry Moore’s aud cassette master, akg d1000e > sony tc-110, tdk c120sd's
Taper: Jim Cooper
2:55:37
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1973-08-01.135886.aud.cooper.berger.flac16
Source:
source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transfer & seeded by Rob Berger
Taper Notes:
View Notesnotes: brief cuts in Around & Around, Eyes Of The World, ** patched from fresh transfer of Jerry Moore’s aud cassette master, akg d1000e > sony tc-110, tdk c120sd's
Transferrer: Monte Barry
3:00:16
Rating:
8.00 / 2 ratings
Transferrer:
Monte Barry
SHNID:
gd1973-08-01.123128.mtx.barry.flac
Source:
matrix of shnid 121129 (source 1) and shnid 92478 (source 2) Monte Barry on Dec 16, 2012
Taper: Monte Barry
2:57:47
REMASTER
Rating:
9.00 / 2 ratings
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-08-01.121129.barry.smith.AUD-fob.flac1644
Source:
Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder; taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB;
Lineage:
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
Taper: Monte Barry
2:57:47
REMASTER
Rating:
6.00 / 1 rating
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-08-01.121127.barry.smith.AUD-fob.flac2496
Source:
Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB;
Lineage:
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
Taper: Monte Barry
2:54:10
REMASTER
Taper:
Monte Barry
Transferrer:
Monte Barry
SHNID:
gd1973-08-01.119371.aud.barry.flac
Source:
Source: -- brand new Nakamichi 550 portable stereo cassette recorder -- taped with Dolby NR and Chromium Tape bias -- Maxell UD C90 cassettes -- ElectroVoice RE-15 mic -- mic is hand-held on mic-stand shaft, w/arm raised up, FOB (perhaps off to R side??)
Lineage:
MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag -- Taped, transferred, and remastered by Monte Barry -- track changes are seamless -- EQ is flat (unchanged)
Taper Notes:
View NotesAUD patches provided by shnid 9145: -- taped by Jeffrey Siniawsky, Neil Merin, and Joel Smith -- Uher mic > Uher 4000 reel-to-reel -- transferred and remastered by Noah Weiner Prep work done to AUD patch source shnid 9145: -- L and R channel levels matched -- highend EQ rolled back -- patch levels matched to source levels -- no pitch correction required for Stella Blue patch - both tape speeds matched perfectly AUD Patch List: -- Track 01 - Phil announcements inserted -- Track 02 - "happy birthday" inserted at start of Promised Land -- Track 10 - Stella Blue - 1st note is patched; reel flips at 4:28 and recording stops; patch crossfades in until ending -- Eyes of The World reel-flip and patch: -- source tape gets reel-flipped at the 15:46 point -- source crossfades out at 15:46, source crossfades back in at 16:32 Sound System and Taper notes - by taper Monte Barry: I taped both shows at Roosevelt Stadium. The Dead's PA system sounded crappy both nights (July 31 and Aug 1). It should have sounded perfect since it was outdoors. The Dead's PA system for June 9 and 10 at RFK Stadium sounded incredible by comparison. I taped both RFK shows with inferior taping gear, yet my RFK tapes sound way, way better. It is probably correct to say that this Jerry birthday show was the first GD show ever taped with a Nakamichi 550 cassette recorder. This was the first portable stereo cassette recorder model to feature Dolby NR and Chromium Tape bias. I believe I had the first one available on the East Coast. My recording of this show should have been incredibly high fidelity sounding. Instead, it sounds a bit crappy due numerous sound system issues. The sound fidelity at Roosevelt Stadium fell way short of what I expected when I went to this show. Perhaps my mic's location was on the R side (guessing), but I was definitely FOB. Of course, I was heavily dosed when I went there both nights with my GD friends. I taped FOB the night before on July 31. My mic was mounted on a 10-foot pole that night. A huge Hell's Angel security dude was dispatched by GD from backstage to go into the audience and confiscate my tapes during the last song. He was gigantic - approx 6' 6" / 250 pounds and ripped body, wearing Hell's Angels colors, long hair and beard. I was an itty-bitty 5' 7" / 130-pound hippie, and I was caught red-handed taping. He politely asked me for my tape. I ejected the cassette from my tape deck and I surrendered just this one tape to him. He said "thank you" to me. Then he departed and headed backstage. My friend Jimmy Watson followed him backstage. Jimmy was back 5 minutes later with my tape! Both nights at Roosevel Stadium the Dead's PA system suffers from: feedback problems, tinny sounding, ringing-sounding, muddy-sounding, weak vocals, poor mixing, not the best sounding overall tone. These problems tended to come and go. The sound tends to get better as the show goes on. I apologize for not getting an incredible sounding tape recording! My taping gear was state-of-the-art! Some thing(s) had to have been wrong with their PA system! What my recording perfectly captures are very clean and high fidelity audience sounds. The questionable-sounding prototype wall of sound mix is captured in high fidelity. Jer's guitar sounds fine. Phil is low in the mix. Keith is high in the mix. Drums sound dull, yet at times they are more crispy - for example, during Dark Star. My recording is pefect and smooth. Vocals start out low, and get better as show progresses. This recording is still worth having! The sound system and dynamic range for Dark Star are "totally locked in"! Some things I just can't explain. -- peace from Monte Barry -- release date is March 6, 2012
Taper: Betty Cantor
1:08:49
Rating:
10.00 / 1 rating
Taper:
Betty Cantor
SHNID:
gd1973-08-01.113751.wotf.betty.shnf
Source:
Betty> BCM> DAT> DAT> DIO 2448> SHN
Taper: Jerry Moore
2:05:02
Rating:
10.00 / 1 rating
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1973-08-01.112572.aud-moore.berger.flac16
Source:
aud cassette master, akg d1000e>sony tc-110, taped by Jerry Moore, transfer by Rob Berger
Taper Notes:
View Notesnotes: ***tape two was destroyed.
Taper: Unknown & Jeffrey Siniawsky, Neil Merin, and Joel Smith
2:54:50
Rating:
8.40 / 10 ratings
Transferrer:
Noah Weiner
SHNID:
gd73-08-01.aud.weiner.gdADT08.9145.sbeok.shnf
Source:
Audience Recording
Lineage:
AudMR > C > C > C > CD;AudMR > R > DAT > WAV > SHN
Taper Notes:
View NotesAudMR > C > C > C > CD; Reported upgrade to <a href="http://db.etree.org/shninfo_detail.php?shnid=8724" rel="ugc nofollow">previous</a> Weiner seed, see info file for details; Seeded to etree by Noah Weiner
Taper: Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel.
2:50:36
Rating:
8.67 / 3 ratings
Taper:
Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel.
Transferrer:
A > D transfer by Noah Weiner
SHNID:
gd1973-08-01.aud.weiner.8724.sbeok.shnf
Lineage:
AudMR > R > DAT > WAV > SHN
Taper Notes:
View Notes*The Race Is On - mic cable drop out cross faded at 0:37 *Bird Song - mic cable drop out cross faded at 1:28 *Casey Jones - mic cable drop out cross faded at 2:31 *Around And Around - mic cable drop out cross faded at 3:08 *Dark Star - first 1:06 supplied by alternate AUD/? and cross faded at that point into the start of the main source recording. This alternate source was on the 7" reel that Jeff Siniawsky supplied for the transfer. He used it to fill the portion of the start of Dark Star missing from his 5" reel master when he created the 7" reel we have here. *One More Saturday Night - mic cable drop out cross faded at 0:27