Bands
Featured
Bands
Grateful Dead
Today In History
June 12th
Years
1995
30.2k
PlaybackListensHours
48h57376
7d1.5k202
30d30.2k4.2k
49 shows
341 tapes
1994
10.8k
PlaybackListensHours
48h757108
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.4k463
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5k658
7d5.6k725
30d39.9k5.3k
57 shows
538 tapes
1991
39.2k
PlaybackListensHours
48h7k877
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h3.1k402
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3.1k377
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.2k143
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h4.7k527
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k113
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k215
7d4.2k488
30d22.9k2.7k
73 shows
1,356 tapes
1984
21.2k
PlaybackListensHours
48h3.4k407
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k184
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k154
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k247
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h5.3k638
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k245
7d3.9k557
30d21.7k3k
79 shows
600 tapes
1978
46.1k
PlaybackListensHours
48h1.9k260
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.8k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
418 tapes
1976
71.6k
PlaybackListensHours
48h22.2k2.9k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h25527
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k471
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.9k808
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k305
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.7k186
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k174
7d7.8k819
30d45k4.8k
101 shows
375 tapes
1969
27.4k
PlaybackListensHours
48h1.4k171
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h41554
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14418
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h40729
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h191
7d1268
30d63237
2 shows
2 tapes
1993
Sources
Transferrer: Charlie Miller
2:30:47
SBD
Rating:
8.40 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1993-03-28.sbd.gans.miller.96215.sbeok.flac16
Source:
SBD -> Master Dat -> soundBlade -> DVD (16bit/44.1k)
Lineage:
DVD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to David Gans for the Data DVD
Source 2 of 16
2:56:02
SBD
Rating:
8.33 / 12 ratings
SHNID:
gd93-03-28.sbd.nawrocki.16747.sbeok.shnf
Source:
SBD>DAT>C>DAT>CDR encoded by Dan Carr
Taper Notes:
View NotesSBD>DAT>C>DAT>CDR encoded by Dan Carr
Taper: Dan Rogosa
2:38:00
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1993-03-28.173617.me88.rogosa.flac1648
Source:
2x Sennheiser ME 88's (stand) > Sony TCD-D7 taped by Dan Rogosa
Lineage:
Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 12 (tracking, fades) > FLAC 1648
Transferrer: Matrix by Hunter Seamons
2:36:33
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1993-03-28.154758.mtx.seamons.ht136.flac16
Source:
Matrix by Hunter Seamons using Soundtrack Pro
Lineage:
FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging
Taper Notes:
View NotesNotes: Numerous clicks and pops were cleaned up throughout the soundboard recording. Some minor anomalies remain. "Phasey" vocal sound effects on Attics Of My Life and Knockin' On Heaven's Door in the soundboard recording.
Taper: Dave Flaschner
2:39:03
Taper:
Dave Flaschner
Transferrer:
Jeff Mitchell
SHNID:
gd1993-03-28.144224.akg460b.ck63.flac1648
Source:
AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20
Lineage:
DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Adobe Audition CS6 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger)
Taper Notes:
View Notes- pre-emphasis was remvoed using iZotope Ozone 5 Equalizer
Taper: Doug Lamarre
2:37:48
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1993-03-28.140016.aud.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
Taper: Jim Wise
2:39:28
Taper:
Jim Wise
Transferrer:
Jim Wise and Scott Clugston
SHNID:
gd1993-03-28.139671.fob.schoeps.wise.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648
Taper: Baker
2:34:53
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1993-03-28.136700.Nak300CP4.Baker.Keo.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Baker
2:34:53
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1993-03-28.136699.Nak300CP4.Baker.Keo.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper: Bob Crupi
2:26:50
Taper:
Bob Crupi
Transferrer:
Bob Crupi
SHNID:
gd1993-03-28.124514.crupi.flac24
Source:
Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On);
Lineage:
Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar v4LE >Sound Forge 9.0 (tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi
Taper: Bob Crupi
2:26:49
Taper:
Bob Crupi
Transferrer:
Bob Crupi
SHNID:
gd1993-03-28.124513.crupi.flac16
Source:
Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On);
Lineage:
Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar4 LE > Sound Forge 9.0 (convert 16/44.1, tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi
Taper: Dave Boedicker
2:38:50
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1993-03-28.119290.nak300.Boedicker.flac16
Source:
Source: Sony D6 Cassette Master(Maxell MX-S Metal Cassettes, Dolby "B" ON>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, Official Taper Section
Taper Notes:
View NotesNotes: 1)Quality IS About A(Subjective Of Course).Samples Included. 2)Tape Flip After"High Time"(No Music Missed On Next Song "Eternity") 3) Tape Flip During "Truckin"(Just A Few Seconds Missed On Continuation Of Song). Enjoy!!!!
Taper: Eliot Byron
2:38:38
Rating:
10.00 / 1 rating
Taper:
Eliot Byron
Transferrer:
Frank D'Auria
SHNID:
gd1993-03-28.fob.schoeps.byron.dauria.106368.flac16
Source:
Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro
Taper: Andrew F.
2:36:38
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-28.akg.andrewf.95962.flac16
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644
Taper Notes:
View NotesNotes: - Sub-second digi-zap at Half Step 0:59. - Patch from ShnID-5702, So Many Roads 4:30 > 5:24. - Disc break is seamless. - 23 seconds of crowd noise cut from end of the 48kHz version to make this burnable on two CDRs.
Taper: Andrew F.
2:37:01
Rating:
10.00 / 1 rating
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-28.akg.andrewf.95961.flac1648
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648
Taper Notes:
View Notes** This is the 48 Khz version. Please use shnid 95962 for burning CDs. ** Notes: - Sub-second digi-zap at Half Step 0:59.107. - Patch from ShnID-5702, So Many Roads 4:30.898 > 5:24.822.
Taper: James Young
2:40:37
Rating:
8.67 / 3 ratings
Taper:
James Young
Transferrer:
Nick Georges
SHNID:
gd93-03-28.ST250.georges.5702.sbeok.shnf
Source:
Audience: Soundfield ST-250
Lineage:
Soundfield ST-250 (blumlein/FOB) > Modified Sony D10 Pro-II (48k) > DAT clone (1st gen) > Sony PCM-M1 > Oade Active 7-Pin > CO2 format converter > s/pdif > Zoltrix Nightengale > Cooledit 2000 (resample) > CD Wave > SHN (seekable)
Taper Notes:
View NotesFOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by Jamies Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > CO2 s/pdif format converter > Zoltrix Nightengale > CE2K (record, resample) > CDWAV (tracking > SHN (seekable) DAT transfer/encoding by [email protected]