Bands
Featured
Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k151
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64591
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k901
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k349
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6k781
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k401
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k429
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k164
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k302
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h902100
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k191
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k246
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k326
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6.1k705
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k197
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k418
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.1k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k709
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87674
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k606
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5k653
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k469
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k263
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.6k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k614
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51862
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1993
Sources
Transferrer: Charlie Miller
2:30:47
SBD
Rating:
8.40 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1993-03-28.sbd.gans.miller.96215.sbeok.flac16
Source:
SBD -> Master Dat -> soundBlade -> DVD (16bit/44.1k)
Lineage:
DVD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to David Gans for the Data DVD
Source 2 of 16
2:56:02
SBD
Rating:
8.33 / 12 ratings
SHNID:
gd93-03-28.sbd.nawrocki.16747.sbeok.shnf
Source:
SBD>DAT>C>DAT>CDR encoded by Dan Carr
Taper Notes:
View NotesSBD>DAT>C>DAT>CDR encoded by Dan Carr
Taper: Dan Rogosa
2:38:00
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1993-03-28.173617.me88.rogosa.flac1648
Source:
2x Sennheiser ME 88's (stand) > Sony TCD-D7 taped by Dan Rogosa
Lineage:
Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 12 (tracking, fades) > FLAC 1648
Transferrer: Matrix by Hunter Seamons
2:36:33
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1993-03-28.154758.mtx.seamons.ht136.flac16
Source:
Matrix by Hunter Seamons using Soundtrack Pro
Lineage:
FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging
Taper Notes:
View NotesNotes: Numerous clicks and pops were cleaned up throughout the soundboard recording. Some minor anomalies remain. "Phasey" vocal sound effects on Attics Of My Life and Knockin' On Heaven's Door in the soundboard recording.
Taper: Dave Flaschner
2:39:03
Taper:
Dave Flaschner
Transferrer:
Jeff Mitchell
SHNID:
gd1993-03-28.144224.akg460b.ck63.flac1648
Source:
AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20
Lineage:
DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Adobe Audition CS6 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger)
Taper Notes:
View Notes- pre-emphasis was remvoed using iZotope Ozone 5 Equalizer
Taper: Doug Lamarre
2:37:48
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1993-03-28.140016.aud.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
Taper: Jim Wise
2:39:28
Taper:
Jim Wise
Transferrer:
Jim Wise and Scott Clugston
SHNID:
gd1993-03-28.139671.fob.schoeps.wise.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648
Taper: Baker
2:34:53
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1993-03-28.136700.Nak300CP4.Baker.Keo.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Baker
2:34:53
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1993-03-28.136699.Nak300CP4.Baker.Keo.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper: Bob Crupi
2:26:50
Taper:
Bob Crupi
Transferrer:
Bob Crupi
SHNID:
gd1993-03-28.124514.crupi.flac24
Source:
Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On);
Lineage:
Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar v4LE >Sound Forge 9.0 (tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi
Taper: Bob Crupi
2:26:49
Taper:
Bob Crupi
Transferrer:
Bob Crupi
SHNID:
gd1993-03-28.124513.crupi.flac16
Source:
Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On);
Lineage:
Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar4 LE > Sound Forge 9.0 (convert 16/44.1, tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi
Taper: Dave Boedicker
2:38:50
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1993-03-28.119290.nak300.Boedicker.flac16
Source:
Source: Sony D6 Cassette Master(Maxell MX-S Metal Cassettes, Dolby "B" ON>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, Official Taper Section
Taper Notes:
View NotesNotes: 1)Quality IS About A(Subjective Of Course).Samples Included. 2)Tape Flip After"High Time"(No Music Missed On Next Song "Eternity") 3) Tape Flip During "Truckin"(Just A Few Seconds Missed On Continuation Of Song). Enjoy!!!!
Taper: Eliot Byron
2:38:38
Rating:
10.00 / 1 rating
Taper:
Eliot Byron
Transferrer:
Frank D'Auria
SHNID:
gd1993-03-28.fob.schoeps.byron.dauria.106368.flac16
Source:
Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro
Taper: Andrew F.
2:36:38
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-28.akg.andrewf.95962.flac16
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644
Taper Notes:
View NotesNotes: - Sub-second digi-zap at Half Step 0:59. - Patch from ShnID-5702, So Many Roads 4:30 > 5:24. - Disc break is seamless. - 23 seconds of crowd noise cut from end of the 48kHz version to make this burnable on two CDRs.
Taper: Andrew F.
2:37:01
Rating:
10.00 / 1 rating
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-28.akg.andrewf.95961.flac1648
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648
Taper Notes:
View Notes** This is the 48 Khz version. Please use shnid 95962 for burning CDs. ** Notes: - Sub-second digi-zap at Half Step 0:59.107. - Patch from ShnID-5702, So Many Roads 4:30.898 > 5:24.822.
Taper: James Young
2:40:37
Rating:
8.67 / 3 ratings
Taper:
James Young
Transferrer:
Nick Georges
SHNID:
gd93-03-28.ST250.georges.5702.sbeok.shnf
Source:
Audience: Soundfield ST-250
Lineage:
Soundfield ST-250 (blumlein/FOB) > Modified Sony D10 Pro-II (48k) > DAT clone (1st gen) > Sony PCM-M1 > Oade Active 7-Pin > CO2 format converter > s/pdif > Zoltrix Nightengale > Cooledit 2000 (resample) > CD Wave > SHN (seekable)
Taper Notes:
View NotesFOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by Jamies Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > CO2 s/pdif format converter > Zoltrix Nightengale > CE2K (record, resample) > CDWAV (tracking > SHN (seekable) DAT transfer/encoding by [email protected]