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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1993
9/28/93
Tuning
2:46
Touch of Grey
6:49
Greatest Story Ever Told
4:05
Tuning
1:30
Row Jimmy
12:21
New Minglewood Blues
6:43
Tuning
1:05
So Many Roads
6:18
Masterpiece
5:24
Bird Song
12:37
Tuning
2:09
China Cat Sunflower >
6:50
I Know You Rider
6:02
Samson & Delilah
6:50
Uncle John's Band >
10:06
Playin' In the Band >
14:06
Drums >
13:51
Space >
14:07
Attics of My Life >
5:15
Throwing Stones >
9:46
Good Lovin'
7:16
Crowd
1:59
U.S. Blues
5:33
FIN
View on archive.org
Sources
Transferrer: Matrix by Roger Eichorn
2:43:28
SBD
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1993-09-28.125382.mtx.eichorn.sbeok.t-flac16
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - Both sets are seamless. - So Many Roads. Technical Notes: - I cleaned up a few imperfections in the SBD source using Izotope RX 2 Advanced. - I lowered the gain of the Larsen source by 4dB, from the beginning of Set 1 through the opening of "Greatest Story," at which point it seems that the taper turned the input down. - I remastered the SBD and the AUD sources individually, prior to combining them. The files were remastered and mixed in Logic Pro 9. They were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. - Speed correction (using Izotope Radius in Logic Pro 9): Pujol AUD: -0.075% (speed) / -1 cent (pitch) Larsen AUD: -0.037% (speed) More fine-grained syncing was done manually. - There are several spots during the show at which the SBD and the AUD sources differ in more or less dramatic ways. It seems that some processing was done to the signal coming from the SBD after it was sent to the tape but before it was sent to the speakers. These include: the exploding bass drums at the end of "Touch of Grey" and the beginning of "Greatest Story" on the AUD copies. The most significant spot occurs toward the end of "Row Jimmy": on both of the AUD sources, some sort of reverb is suddenly applied to the vocals, or perhaps the entire mix. (You can hear the crowd react to it.) This change is not on the SBD. The result, as far as this matrix goes, is that it sounds as though the SBD and one or more of the AUD sources have gone out of sync. But they have not. In other words, the matrix is in places more echo-y than I would like, but I know of no way to get rid of the problem, short of cutting the AUD sources entirely, which would obviously defeat my purpose. - During "Throwing Stones," two seconds are missing from the Pujol source. There is no break; the source simply skips ahead two seconds. I fixed the problem. Roger Eichorn [email protected] August 11, 2013
Transferrer: Charlie Miller
2:42:12
SBD
Rating:
8.67 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1993-09-28.sbd.miller.79058.sbeok.flac16
Source:
SBD -> Dat (48k)
Lineage:
Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: Marc Pujol and Charlie Miller
2:36:57
SBD
Rating:
7.86 / 14 ratings
Transferrer:
Marc Pujol and Charlie Miller
SHNID:
gd93-09-28.aud-sbd.miller.12850.sbeok.shnf
Source:
Set 1: Audience; Set 2: Soundboard
Taper Notes:
View NotesLineage: Set 1: Schoeps>Dat>Sound Forge>CD (previous aud shn seed via Marc Pujol et. al.) Set 2: SBD>Dat>Cm>Dat>Samplitiude>CD Dat>CD Transfer for sbd portion done by Charlie Miller
Transferrer: Roger Eichorn
2:41:08
SBD
Rating:
6.00 / 1 rating
Transferrer:
Roger Eichorn
SHNID:
gd1993-09-28.126746.mtx-redo2.eichorn.sbeok.t-flac16
Source:
Matrix from Source 1: SBD Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC Source 2: AUD Source: A: NeumannShotguns>DAT;
Taper Notes:
View NotesThis is the *third* matrix of this show that I've released. The first two were released in rapid succession in August 2013 (within a week or two of my first starting to make matrixes). Why am I releasing a new version of the show now? If you compare this release to either of the two earlier ones, you'll have all the answer you need! FRESH LEGS, VOL. 2 (Matrix) freshdeadlegs.wordpress.com/ www.facebook.com/freshdeadlegs/ General Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their efforts. - This show is one of my personal favorites. It's also a bit of a sentimental favorite, seeing as it was supposed to be my first Dead show. Alas, it didn't work out, and I had to wait still longer before seeing them. It's a very strong show, worthy of your attention even if you're leery of late-era Dead. The highlight of the show is undoubtedly the "So Many Roads," which is the best one I've ever heard by a long shot. The "China Cat/Rider" is also very, very nice: it's got my personal favorite "Wish I was a headlight..." verse. The "Uncle John's Band" has less flubbing of the lyrics than usual; you can tell, if you listen close, that Jerry was into it and was hearing the melody in new ways (as he often did in later years), but had no space to explore because of the harmonizing. The "Attics of My Life" and "Row Jimmy" are both very nice as well, as they often were around this time. Finally, it's got one of my favorite "Drums." Source Notes: - I cleaned up a number of imperfections in the SBD source using iZotope RX 3 Advanced. - During "Throwing Stones," two seconds are missing from the Pujol source. There is no break; the source simply skips ahead two seconds. I fixed the problem. Technical Notes: - The sources were remastered and mixed in Logic Pro 9. Clean-up was done using iZotope RX 3 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. - I speed- and pitch-corrected both AUD sources using the iZotope Radius algorithm. Fine-tune syncing was done in Logic Pro 9. Roger Eichorn freshdeadlegs.wordpress.com www.facebook.com/freshdeadlegs/ January 15, 2013
Transferrer: Matrix by Roger Eichorn
2:31:31
SBD
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1993-09-28.125461.-redo.mtx.eichorn.sbeok.t-flac16
Source:
Matrix of Source 1: SBD Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC, Source 2: AUD Source: NeumannShotguns>DAT;
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their efforts. - Both sets are seamless. - So Many Roads. Seriously. Listen to it -- loud. Technical Notes: - The sources were remastered and mixed in Logic Pro 9. They were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. Final mastering was done in iZotope RX 2 Advanced. - Speed correction (using the iZotope Radius algorithm in Logic Pro 9): Pujol AUD: -0.075% (speed) / -1 cent (pitch) Larsen AUD: -0.037% (speed) More fine-grained syncing was done manually. - I cleaned up a few imperfections in the SBD source using iZotope RX 2 Advanced. - I lowered the gain of the Larsen source by 4dB, from the beginning of Set 1 through the opening of "Greatest Story," at which point it seems that the taper turned the input down. - During "Throwing Stones," two seconds are missing from the Pujol source. There is no break; the source simply skips ahead two seconds. I fixed the problem. - There are several spots during the show at which the SBD and the AUD sources differ in more or less dramatic ways. It seems that some processing was done to the signal coming from the SBD after it was sent to the tape but before it was sent to the speakers. These include: the exploding bass drums at the end of "Touch of Grey" and the beginning of "Greatest Story" on the AUD copies. The most significant spot occurs toward the end of "Row Jimmy": on both of the AUD sources, some sort of reverb is suddenly applied to the vocals, or perhaps the entire mix. (You can hear the crowd react to it.) This change is not on the SBD. The result, as far as this matrix goes, is that it sounds as though the SBD and one or more of the AUD sources have gone out of sync. But they have not. In other words, the matrix is in places more echo-y than I would like, but I know of no way to get rid of the problem, short of cutting the AUD sources entirely, which would obviously defeat my purpose. Roger Eichorn [email protected] August 16, 2013
Taper: Dan Rogosa
2:39:52
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1993-09-28.164516.me88.rogosa.flac1648
Source:
2x Sennheiser ME 88's (stand) > Sony TCD-D7
Lineage:
Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, remove DC offset) > FLAC 1648
Taper Notes:
View NotesThanks to Dan for taping and Charlie Miller for facilitating The fourth of six nights at Boston Garden. Enjoy! --mhg :: 2023-04-23
Taper: Rich Gastwirt
2:40:31
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1993-09-28.140131.schoeps.cmc4.mk4.gastwirt.miller.clugston.flac1648
Source:
Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255
Taper Notes:
View NotesNotes: - Thanks to Rich Gastwirt for the master Dat source - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid87780 nakamichi cm300 source that was used to patch a 0:02 dropout in "New Minglewood Blues" Mastered by Scott Clugston 12/4/17
Source 8 of 15
2:38:03
SHNID:
gd1993-09-28.172811.mtx.eichorn2025.143772.t-flac1644
Source:
2-Source Matrix by RE Eichorn (July 2025)
Taper Notes:
View NotesBack in 2013, in a fit of youthful enthusiasm, I released several (!) matrixes of this show. They are all garbage, with the possible exception of the final version, which is surprisingly listenable, to my ears. Even so, I believe this new matrix is superior to my old efforts in every way, and I'm releasing it now in an effort to atone for the sonic sins of my past. Why is this matrix superior to my old attempts? The AUD source is newer and better; I have a much more efficient and effective method; and I know a lot more about mixing and mastering now than I did twelve years ago. Is this new matrix perfect? --No. But is it currently the best, most "well-rounded" source available for this show? --Yes, I believe it is. Your mileage may vary, of course. But I hope that anyone who finds their way to this matrix will enjoy it. A late-late-era show, but quite a good one, I think! The So Many Roads is the best ever, for my money, and I think the China Cat > Rider is the definitive late-late-era version. -- Thanks go to everyone responsible for making the sources used in this matrix and for making them available. -- I try to take a "less is more" approach when it comes to mastering (EQ and the like), but in the case of this show, I found that the SBD source was improved greatly by the use of what's called "Dynamic EQ" to tame some of the drums, specifically Billy's bass drum and Micky's aggressive toms. They're much less overpowering now, but without sacrificing the punch of Phil's bass or the power of the low-end in general, I think. I hope you agree. -- A curiosity: I always assumed that '93 SBD recordings simply replicated the mix that was sent to the sound system at the venue, but apparently that's not the case. About 3 minutes into "Minglewood," Vince launches into an organ solo that's almost entirely absent from the SBD, but can be heard clearly (at least at first) on the AUD source.
Taper: Doug Lamarre
2:38:43
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1993-09-28.139981.aud.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
Taper: Dave Boedicker
2:41:40
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1993-09-28.128694.boedicker.flac16
Source:
Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using traders Little Helper.Taped By Dave Boedicker,Taper; Section,Section 38,Row CC,Seat 14
Taper Notes:
View Notes1)Quality IS About A Or A-(Subjective Of Course.) 2)Tape Flip After "So Many Roads"(First Few Seconds Missing At Beginning Of Next Song"Masterpiece"). 3)Tape Flip During "Drums" Enjoy!!!
Taper: Jim Birkhead
2:43:13
Taper:
Jim Birkhead
Transferrer:
Bill Koucky
SHNID:
gd1993-09-28.neumann-birkhead.koucky.87989.flac16
Source:
Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1
Lineage:
Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8).
Taper: Andrew F
2:40:24
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1993-09-28.nak300.andrewf.87781.flac16
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor OTS aprx 2 or 3 rows behind soundboard.
Lineage:
MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View NotesNotes: - Break between D2 and D3 is seamless. - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums.
Taper: Andrew F
2:40:25
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1993-09-28.nak300.andrewf.87780.flac1648
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor OTS aprx 2 or 3 rows behind soundboard.
Lineage:
MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums.
Taper: Tapes provided by Tom and Roger
2:38:31
Taper:
Tapes provided by Tom and Roger
Transferrer:
Conversion by Chris Larson
SHNID:
gd1993-09-28.neumann.larson.28899.shnf
Source:
NeumannShotguns>DAT
Lineage:
DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn)
Taper: Dave Minor
2:43:00
Rating:
8.00 / 2 ratings
Taper:
Dave Minor
Transferrer:
Marc Pujol
SHNID:
gd93-09-28.schoeps.pujol.12378.sbeok.shnf
Source:
Audience: Schoeps