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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1993
9/22/93
Tuning
2:54
Help On The Way >
3:57
Slipknot! >
6:20
Franklin's Tower
10:05
New Minglewood Blues
9:06
Ramble On Rose
7:58
When I Paint My Masterpiece
5:24
Bird Song *
14:09
Tuning *
1:59
Easy Answers *
6:20
Lazy River Road *
7:42
Estimated Prophet *
15:39
Dark Star *
7:45
Drums *
13:13
Space *
10:24
Wharf Rat *
10:53
Throwing Stones *
9:05
Turn On Your Lovelight *+
6:36
I Fought The Law
3:28
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:32:57
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1993-09-22.142983.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k);
Lineage:
dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (44/16) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 18-AUG-2018 - Trader Little Helper - Tagged 18-AUG-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
2:34:49
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1993-09-22.137337.sbd.miller.flac1648
Source:
SBD > Dat Master (Panasonic SV-3700/48k)
Lineage:
Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Bird Song through end of show with David Murray on Sax -- Turn On Your Lovelight with James Cotton on Harmonica
Transferrer: Matrix by Roger Eichorn
2:32:07
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1993-09-22.126108.mtx-redo.eichorn.flac16
Source:
Matrix Source 1: SBD (shnid=77070); SBD:DAT-> CDR; EAC-> WAV-> SHN and Source 2: AUD (shnid=91805) Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Both sets recorded on stand (at 6'3") > Panasonic SV 255. Recording Location: FOB DFC Section 2, Row M, Seat 1; Recorded By: James Young & Clay Brennecke;
Lineage:
DAT Master > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0
Taper Notes:
View NotesThis is the *third* matrix of this show that I've released. Why? Well, the first copy was also my first attempt at a matrix. I created it using an audience copy that I had in my collection. After releasing that matrix on etree, and while looking around for an audience copy of 9/28/93, I remembered that on archive.org I could get virtually any audience copy of virtually any show. After grabbing a couple AUD sources of 9/28/93 (for my second matrix), I decided to check out what was available for 9/22. Sure enough, I found AUD sources that are superior to the one I had used in my matrix. So I downloaded the one I decided was best (the GEMS source), made a new, three-source mix with the GEMS source added in, and released a second version. Since then, I've improved both my syncing and my mastering techniques significantly enough that I decided it was worth redoing my first matrixes. Hence, I'm releasing a third mix of 9/22/93. On top of superior syncing and (I hope) superior mastering, this copy also boasts a superior third source. I've jettisoned the AUD source I used in my first matrix. As it happens, it is possibly the worst AUD source available for the show! In its place, I've used the Pasternak AUD. I think the results justify a third release. I hope you agree. -------------------------------------- General Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - Looking for that elusive (some would say 'mythical') jewel, the 'late-era gem'? Look no further -- you've found it. 9/22/93 is exceptional in a number of ways. First, and most importantly, the energy level is, throughout much of the night, almost unprecedentedly high for a post-'91 show. The band comes out firing on all cylinders with a tight, brisk "Help > Slip > Frank." The opener is undoubtedly the highlight of the show, but what follows does not disappoint. Every song in the first set is played with purpose and conviction. The addition of David Murray on sax, starting with "Bird Song" and continuing through most of the second set, creates an excitingly unpredictable atmosphere and is another reason this show stands out. Now, many will criticize Murray; they will compare his playing unfavorably to Branford Marsalis's work with the Dead. There's no question that Murray's approach differs wildly from Marsalis's: whereas Marsalis provides a sort of 'running commentary' on the music, Murray will hang back for long stretches, only to suddenly unleash a torrent of avant-garde insanity. The sheer strangeness he brings to certain passages makes Marsalis look staid and conservative in comparison. This remark is not intended to diminish Marsalis's performances with the Dead: of the two, I think there can be no question that he's the better accompanist. But Murray brings something unique to the table, and 9/22/93 benefits from his presence. The second set is somewhat disappointing after the consistency of the first. Bobby could hardly have made a more underwhelming selection than "Easy Answers" with which to start things out. But the "Lazy River Road" is very nice (one of the best, probably), with a sweet bit of crooning from Murray toward the end. The "Estimated Prophet" is also well-done, if a bit meandering. A less-than-stellar "Dark Star" (pun intended) is made up for by an excellent "Wharf Rat," which follows a truly mind-bending "Space." James Cotton steps in for "Throwing Stones" and "Lovelight" to good effect. In sum, though it peaks early, never managing to live up to the promise of its opener, 9/22/93 is most certainly that rare specimen, the late-era gem. Source Notes: - Both sets are seamless. - The SBD is missing (a) some crowd-noise before "Masterpiece" and (b) some crowd-noise before "I Fought the Law." - The Pasternak AUD is missing (a) some crowd-noise after Ramble On Rose, (b) the beginning of "Masterpiece," (c) the beginning of "Bird Song," (d) some crowd-noise after "Lazy River Road," (e) about 25 seconds of "Drums," and (f) some crowd-noise before "I Fought the Law." Technical Notes: - The sources were remastered and mixed in Logic Pro 9. Clean-up was done in iZotope RX 3 Advanced. SBE's were fixed using Trader's Little Helper. - I speed- and pitch-corrected both AUD sources uses the iZotope Radius algorithm. Fine-tune syncing was done in Logic Pro 9. Roger Eichorn www.facebook.com/freshdeadlegs/ November 11, 2013
Transferrer: Matrix by Roger Eichorn
2:34:24
SBD
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1993-09-22.125353.mtx.eichorn.sbeok.flac16
Source:
Matrix using the following three sources: Source 1: SBD (shnid=77070) SBD:DAT-> CDR-> EAC-> WAV-> SHN; Source 2: AUD (shnid=91805) Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Recorded By: James Young & Clay Brennecke and Source 3: AUD (shnid=97122) Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Transferred By Keith Litzenberger
Taper Notes:
View Notes* David Murray on sax # James Cotton on harmonica ----------------------------------------- General Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - Both sets are seamless. - This is a redo of an earlier matrix done by me (shnid=125350). The two sources differ in that this matrix uses Source 2 (see above); the earlier matrix used only Source 3 (see above) for the AUD portion of the matrix. Technical Notes: - I manually cleaned up numerous digipops and sundry imperfections in the SBD source (as well as a couple in the AUD 2). For this, I used Izotope RX 2 Advanced. - The SBD source was clipped. I used the Declip function in Izotope RX 2 Advanced to restore some of the dynamics. - I remastered the SBD and the AUD sources individually, prior to combining them. - I sped up shnid=91805 by 0.01% using the Izotope Radius algorithm. (The other two sources were for all intents and purposes identical, speed-wise.) More fine-grained syncing was done manually. - The files were remastered and mixed in Logic Pro 9. They were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. Roger Eichorn [email protected] August 8, 2013
Transferrer: Matrix by Roger Eichorn
2:34:31
SBD
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1993-09-22.125350.mtx.eichorn.sbeok.t-flac16
Source:
Two Source Matrix of Source 1: SBD (shnid=77070) SBD:DAT-> CDR-> EAC-> WAV-> SHN by yubah) and Source 2: AUD (97122) Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
Taper Notes:
View NotesNotes: - I manually cleaned up numerous digipops and sundry imperfections in the SBD source (as well as a couple in the AUD). For this, I used Izotope RX 2 Advanced. - The SBD source was clipped. I used the Declip function in Izotope RX 2 Advanced to restore some of the dynamics. - I remastered the SBD and the AUD sources individually, prior to combining them. - Both sets are seamless. - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their earlier efforts. Roger Eichorn [email protected] August 8, 2013
Transferrer: yubah
2:30:35
SBD
Rating:
10.00 / 3 ratings
Transferrer:
yubah
SHNID:
gd1993-09-22.sbd.murray-yubah.77070.shnf
Source:
SBD:DAT-> CDR
Taper Notes:
View NotesNotes - occasional small digipops - d1t05 "Shangri-La" tuning before "Ramble On" - d1t08 thru to end w/ David Murray on Saxophone (except Encore) - d3t05/6 w/ James Cotton on Harmonica - Only two more Dark Stars played (03-16-94 Rosemont Horizon, Rosemont, IL & 03-30-94 The Omni, Atlanta, GA.) info taken from http://www.angelfire.com/pq/WinterOakTree/tree3.html (broken link? -ret) Seeded by an anonymous source with DAT's provided by David Murray. EAC-> WAV-> SHN: by yubah) [email protected] ret's notes: ======== I received the shns tracked for three discs, with set 1 on disc 1 and the second set split in the middle of drums>space on discs 2 & 3. I re-tracked for two discs by moving the first two tracks of set two onto disc one and rejoining drums>space. Approx. 21 sec. of silence were removed to make the transition seamless, using cdwav editor. I also retracked track one (which originally consisted of "tuning>H>S!>F") into three distinct tracks. Lastly, I also retracked the first song in set 2 (Easy Answers), to separate the tuning at the beginning. No editing of the waveforms was carried out. The sector boundaries of all tracks were checked with shntool, and found to be fine. I re-shn'd the tracks (seekable) with mkwACT. ret, 2004-07-14
Source 7 of 16
2:30:56
SBD
Rating:
7.75 / 34 ratings
SHNID:
gd93-09-22.sbd.yubah.565.sbeok.shnf
Source:
DSBD> DAT> CDR> EAC> WAV> SHN
Taper Notes:
View NotesDSBD> DAT> CDR> EAC> WAV> SHN; Seeded by an anonymous source with DATs provided by D. Murray, who sat in; EAC/SHN, u/l by Rich (yubah); stemming from <a href="http://www.angelfire.com/pq/WinterOakTree/tree3.html" rel="ugc nofollow">Winter Oak tree</a>; see pub comments for flaw note
Transferrer: Charlie Miller and SIRMick
2:34:47
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1993-09-22.140821.fob.Schoeps-MK41.miller.sirmick.flac1648
Source:
<b>flac16/48kHz</b>; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018
Taper Notes:
View Notesguests: David Murray - saxophone (1) James Cotton - harmonica (2) Thanks to Charlie Miller for providing this source and doing the transfer edited and mastered SIRmick January 2018
Source 9 of 16
2:29:45
Rating:
8.00 / 1 rating
SHNID:
gd1993-09-22.172437.mtx.eichorn.flac1648
Source:
2-Source Matrix (16/48) by RE Eichorn (July 2025)
Taper Notes:
View Notes2-Source Matrix (16/48) by RE Eichorn (July 2025) Back in 2013, in a fit of youthful enthusiasm, I released several (!) matrixes of this show. All of them are garbage. This new matrix is an attempt to atone for my sonic sins. I believe it is superior to my old efforts in every way: the sources are newer and better; I have a much more efficient and effective method; and I know a lot more about mixing and mastering now than I did twelve years ago. I hope anyone who finds their way to this new matrix will enjoy it. A late-late-era show, but quite an enjoyable one, I think! Notes -- Thanks go to everyone responsible for making the sources used in this matrix and for making them available. -- Changes made to the AUD source: I removed some instances of distracting clapping. In a couple places, the mics picked up too much nearby conversation; I did my best to unobtrusively lower the AUD level in those spots. This method wasn't always feasible, however, and voices can still be heard here and there, especially when listening on headphones.
Transferrer: Josh Davis
2:33:04
Transferrer:
Josh Davis
SHNID:
gd1993-09-22.167436.matrix.davis.flac1648
Source:
2 source matrix created by Josh Davis
Taper: Andrew F.
2:36:20
Rating:
10.00 / 1 rating
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-09-22.schoeps.andrewf.131736.flac1644
Lineage:
MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F.
Taper: Jon Pasternak
2:32:23
Rating:
10.00 / 1 rating
Taper:
Jon Pasternak
Transferrer:
Dave Mallick
SHNID:
gd1993-09-22.109235.nakcm300-pasternak.mallick.flac16
Source:
Master: OTS Nakamichi CM300/cp4's>Sony TC-D5M>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
Taper: Keith Litzenberger
2:34:16
Rating:
10.00 / 1 rating
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1993-09-22.schoepsmk4.litzenberger.97122.flac16
Source:
Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC
Taper Notes:
View Notes* w/David Murray + w/James Cotton
Taper: James Young & Clay Brennecke
2:59:38
Taper:
James Young & Clay Brennecke
Transferrer:
Jamie Waddell
SHNID:
gd1993-09-22.fob.GEMS.91805.flac16
Source:
Soundfield AMS ST-250 Microphone using Blumlein configuration. Both sets recorded on stand (at 6'3") > Panasonic SV 255.
Lineage:
DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0
Taper Notes:
View NotesNotes: * w/David Murray + w/James Cotton
Taper: Eliot Byron
2:36:44
Rating:
10.00 / 1 rating
Taper:
Eliot Byron
Transferrer:
Jim Raras
SHNID:
gd93-09-22.schoeps-dankseed.raras.8712.sbeok.shnf
Source:
Audience: Schoeps mk21's
Lineage:
Schoeps mk21's (ORTF/DFC) > KC5 actives > CMC5 > Sonosax SX-M2 > Sony D10 (48kHz) > Sony R500 (master DAT) > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (resample) > CD Wave > SHN v3 (seekable)
Taper Notes:
View NotesDAUD/FOB Schoeps mk21(ORTF); **No DAE at all**; via Eliot Byron; Seeded to etree by Jim Raras; <a href="http://groups.yahoo.com/group/dankseeds/files/gd1990-03-22" rel="ugc nofollow">Dankseed</a> certified
Taper: James Young and Clay Brennecke
2:45:30
Rating:
7.56 / 9 ratings
Taper:
James Young and Clay Brennecke
SHNID:
gd93-09-22.ST250s.brennecke-young.4533.sbeok.shnf
Source:
Audience: AMS ST-250
Lineage:
AMS ST-250 (blumlein) > Panasonic SV 255 > Sony PCM-M1 > Oade 7pin/coax active cable > Midi-Man CO2 > Zoltrix Nightengale > Cool Edit 2000 > CD Wave > mkwACT > SHN
Taper Notes:
View NotesRecorded FOB/DFC by James Young & Clay Brennecke using: Sec. 2 - Row M - Seat 1 AMS ST-250 run Blumlein on stand both sets at 6"3' > Panasonic SV 255