Bands
Featured
Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h784109
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h62388
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4.1k542
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k352
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h8.9k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k338
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h2.9k366
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k153
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h89999
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k142
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k197
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k218
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k297
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h5.9k634
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k181
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k291
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h17.6k2.4k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k511
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h81078
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k555
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k591
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.4k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2k228
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k952
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k367
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42050
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22217
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1993
Sources
Transferrer: Charlie Miller
2:30:47
SBD
Rating:
8.40 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1993-03-28.sbd.gans.miller.96215.sbeok.flac16
Source:
SBD -> Master Dat -> soundBlade -> DVD (16bit/44.1k)
Lineage:
DVD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to David Gans for the Data DVD
Source 2 of 16
2:56:02
SBD
Rating:
8.33 / 12 ratings
SHNID:
gd93-03-28.sbd.nawrocki.16747.sbeok.shnf
Source:
SBD>DAT>C>DAT>CDR encoded by Dan Carr
Taper Notes:
View NotesSBD>DAT>C>DAT>CDR encoded by Dan Carr
Taper: Dan Rogosa
2:38:00
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1993-03-28.173617.me88.rogosa.flac1648
Source:
2x Sennheiser ME 88's (stand) > Sony TCD-D7 taped by Dan Rogosa
Lineage:
Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 12 (tracking, fades) > FLAC 1648
Transferrer: Matrix by Hunter Seamons
2:36:33
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1993-03-28.154758.mtx.seamons.ht136.flac16
Source:
Matrix by Hunter Seamons using Soundtrack Pro
Lineage:
FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging
Taper Notes:
View NotesNotes: Numerous clicks and pops were cleaned up throughout the soundboard recording. Some minor anomalies remain. "Phasey" vocal sound effects on Attics Of My Life and Knockin' On Heaven's Door in the soundboard recording.
Taper: Dave Flaschner
2:39:03
Taper:
Dave Flaschner
Transferrer:
Jeff Mitchell
SHNID:
gd1993-03-28.144224.akg460b.ck63.flac1648
Source:
AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20
Lineage:
DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Adobe Audition CS6 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger)
Taper Notes:
View Notes- pre-emphasis was remvoed using iZotope Ozone 5 Equalizer
Taper: Doug Lamarre
2:37:48
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1993-03-28.140016.aud.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
Taper: Jim Wise
2:39:28
Taper:
Jim Wise
Transferrer:
Jim Wise and Scott Clugston
SHNID:
gd1993-03-28.139671.fob.schoeps.wise.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648
Taper: Baker
2:34:53
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1993-03-28.136700.Nak300CP4.Baker.Keo.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Baker
2:34:53
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1993-03-28.136699.Nak300CP4.Baker.Keo.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper: Bob Crupi
2:26:50
Taper:
Bob Crupi
Transferrer:
Bob Crupi
SHNID:
gd1993-03-28.124514.crupi.flac24
Source:
Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On);
Lineage:
Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar v4LE >Sound Forge 9.0 (tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi
Taper: Bob Crupi
2:26:49
Taper:
Bob Crupi
Transferrer:
Bob Crupi
SHNID:
gd1993-03-28.124513.crupi.flac16
Source:
Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On);
Lineage:
Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar4 LE > Sound Forge 9.0 (convert 16/44.1, tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi
Taper: Dave Boedicker
2:38:50
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1993-03-28.119290.nak300.Boedicker.flac16
Source:
Source: Sony D6 Cassette Master(Maxell MX-S Metal Cassettes, Dolby "B" ON>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, Official Taper Section
Taper Notes:
View NotesNotes: 1)Quality IS About A(Subjective Of Course).Samples Included. 2)Tape Flip After"High Time"(No Music Missed On Next Song "Eternity") 3) Tape Flip During "Truckin"(Just A Few Seconds Missed On Continuation Of Song). Enjoy!!!!
Taper: Eliot Byron
2:38:38
Rating:
10.00 / 1 rating
Taper:
Eliot Byron
Transferrer:
Frank D'Auria
SHNID:
gd1993-03-28.fob.schoeps.byron.dauria.106368.flac16
Source:
Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro
Taper: Andrew F.
2:36:38
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-28.akg.andrewf.95962.flac16
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644
Taper Notes:
View NotesNotes: - Sub-second digi-zap at Half Step 0:59. - Patch from ShnID-5702, So Many Roads 4:30 > 5:24. - Disc break is seamless. - 23 seconds of crowd noise cut from end of the 48kHz version to make this burnable on two CDRs.
Taper: Andrew F.
2:37:01
Rating:
10.00 / 1 rating
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-28.akg.andrewf.95961.flac1648
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648
Taper Notes:
View Notes** This is the 48 Khz version. Please use shnid 95962 for burning CDs. ** Notes: - Sub-second digi-zap at Half Step 0:59.107. - Patch from ShnID-5702, So Many Roads 4:30.898 > 5:24.822.
Taper: James Young
2:40:37
Rating:
8.67 / 3 ratings
Taper:
James Young
Transferrer:
Nick Georges
SHNID:
gd93-03-28.ST250.georges.5702.sbeok.shnf
Source:
Audience: Soundfield ST-250
Lineage:
Soundfield ST-250 (blumlein/FOB) > Modified Sony D10 Pro-II (48k) > DAT clone (1st gen) > Sony PCM-M1 > Oade Active 7-Pin > CO2 format converter > s/pdif > Zoltrix Nightengale > Cooledit 2000 (resample) > CD Wave > SHN (seekable)
Taper Notes:
View NotesFOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by Jamies Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > CO2 s/pdif format converter > Zoltrix Nightengale > CE2K (record, resample) > CDWAV (tracking > SHN (seekable) DAT transfer/encoding by [email protected]