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Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.9k397
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h713100
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.2k577
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k133
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2k261
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.9k379
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4.1k520
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k305
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h975108
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k242
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.6k204
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k205
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k235
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k289
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k687
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k191
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h8.6k1.1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h16.6k2.2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h9.4k1.3k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h92478
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k564
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.5k582
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k388
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.3k253
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.4k717
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54567
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h16224
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h51739
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h432
7d1277
30d57234
2 shows
2 tapes
1993
Sources
Transferrer: Charlie Miller
2:39:29
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1993-03-11.sbd.miller.120726.flac16
Source:
SBD -> Master Dat (44.1k)
Lineage:
Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Flibberty Jib On The Bippity Bop and The Island with Ken Nordine
Source 2 of 7
2:36:25
SBD
Rating:
7.23 / 15 ratings
SHNID:
gd93-03-11.sbd.wharfrat.10383.sbeok.shnf
Source:
SBD>CAS>DAT>CD
Taper Notes:
View NotesSBD>CAS>DAT>CD; Seeded to etree by wharf_ratt
Transferrer: Hunter Seamons
2:40:46
Rating:
9.00 / 6 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1993-03-11.mtx.seamons.120865.flac16
Source:
Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View Notes*with Ken Nordine Jerry Garcia - Lead Guitar, Vocals Mickey Hart - Drums Bill Kreutzmann - Drums Phil Lesh - Electric Bass, Vocals Bob Weir - Rhythm Guitar, Vocals Vince Welnick - Keyboards, Vocals *Matrix* ----------------------------------------------------------------- SBD (shnid=120726): Recording Info: SBD -> Master Dat (44.1k) Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller [email protected] June 13, 2012 ----------------------------------------------------------------- AUD (shnid=119637): Master Audience Recorded By Mr. Darby AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8) Tracks Renamed/Dithered/Flacked with Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename Comments:Another Huge Thanks out to Mr. Darby For recording and sharing his source for this final show of the Rosemont Horizon 1993 run of shows! Another excellent share from the Darby collection of Grateful Dead Master Audiences! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!! [shnid=10538 patches the cut at the beginning of Masterpiece] [3/28/12] ----------------------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Mike Darby for recording the show on cassette, and to Keo for the AUD transfer. Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) June 23, 2012 This was the first show my older brother, Ben, went to, who was the same guy who helped me get on the bus around this time, when I was 11 or 12 years old. I recall being particularly inspired after listening to a bootleg from his tape collection. The show was 9/27/72 at the Stanley Theatre, with the "Morning Dew" opener. I played that song over and over on that tape, without really venturing into the rest of the show. "Morning Dew" had such an ancient and familiar emotional quality to it, and Jerry's voice seemed timeless. The song transcended its immediate subject in the lyrics, and spoke some deeper level of age-old wisdom through the melody itself - and Jerry's guitar. It blew my mind. Anyway, last summer I was walking down Wabash Avenue in Chicago under the 'L' tracks with Ben and asked him what his first show was (not sure why it took so long to ask that question). His words: "Rosemont '93, 'Help-Slip-Frank's' opener." That was it - nothing more to explain. So, this matrix was the first time I actually listened to this show - because how can you listen to a '93 soundboard without being immediately turned off by the sound of the Grateful Dead playing into a cardboard box on the floor that's in some dark room back stage? It just doesn't make sense to hear Jerry's guitar playing to "nothing" and not reverberating in the room and ears of thousands of happy, hungry people. And NO guitar can resound in a room like Jerry's, so why not provide a more accurate picture of what went down? This makes all the difference sonically, in my opinion, and what makes it a "show" on tape. And what a show it is! I perused a bunch of reviews online, and this show appears to be one of the top-rated shows of '93. Ken Nordine doing "Flibberty Jib On The Bippity Bop"? - gotta matrix THAT voice! And how about a "Days Between" for the ages, or that scorching "Other One"? "So Many Roads" is always a treat. So dig in and have fun! I recommend adding a little bass on your EQ to make up for the '93 soundboard sterility, which is why I haven't been too keen on working with '93 tapes in the first place. But there are, of course, worthy exceptions...as in Chicago '93, and my brother's first show. JHS ----------------------------- facebook.com/GratefulDeadTrix -----------------------------
Taper: Mike Darby
2:35:26
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1993-03-11.AKG451.Darby.119637.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked with Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Ken Nordine * Comments:Another Huge Thanks out to Mr. Darby For recording and sharing his source for this final show of the Rosemont Horizon 1993 run of shows! Another excellent share from the Darby collection of Grateful Dead Master Audiences! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:35:26
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1993-03-11.AKG451.Darby.119636.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View Notes* With Ken Nordine * Comments:Another Huge Thanks out to Mr. Darby For recording and sharing his source for this final show of the Rosemont Horizon 1993 run of shows! Another excellent share from the Darby collection of Grateful Dead Master Audiences! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: Keith Litzenberger
2:41:25
Rating:
10.00 / 1 rating
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1993-03-11.sennME80.wklitz.96384.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC
Transferrer: Tony G
2:40:43
Rating:
10.00 / 3 ratings
Transferrer:
Tony G
SHNID:
gd93-03-11.aud.gardner.10538.sbeok.shnf
Source:
Audience: AKG 460's
Lineage:
AKG 460's > DAT > CDR > EAC (secure) > SHN
Taper Notes:
View NotesAUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G