Bands
Featured
Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h66089
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k231
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.3k406
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.4k308
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k470
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.7k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.5k308
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k144
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k207
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h76685
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k179
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3k359
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k163
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k147
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.5k182
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.9k552
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k238
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k257
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h21.1k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.4k926
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h43346
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.4k974
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.4k814
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.4k311
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k196
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h2k217
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.7k281
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h949128
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13819
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29016
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h422
7d1076
30d59434
2 shows
2 tapes
1992
Sources
Taper: Don Pearson and Dan Healy
2:45:36
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 6, 2020
SHNID:
gd1992-05-19.150294.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- UltraMatrix DAT used to patch some tunings and tape flips -- The stage loses power for 3 minutes during Drums -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:45:36
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 6, 2020
SHNID:
gd1992-05-19.150040.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- UltraMatrix DAT used to patch some tunings and tape flips -- The stage loses power for 3 minutes during Drums
Taper: Unknown
2:45:57
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-05-19.sbd.miller.92286.sbeok.flac16
Source:
SBD -> Dat (48k)
Lineage:
Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: Tim Wiley
2:39:30
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Tim Wiley
SHNID:
gd1992-05-19.sbd.wiley.20003.sbeok.shnf
Source:
Source A:SBD>DAT>CDR>EAC>Cool Edit>SHN; B:SBD>CM>CDR>EAC>Cool Edit>SHN
Lineage:
See info file
Taper Notes:
View Notes* First time played Both disks are 80 minutes Known Flaws: D1t1 static and drops @ :07 and :22 During tunning not the song D2t2 static @ 10:58 for 2 seconds not that bad D2t7 Source A cuts @ 4:45 during TNK Edit and shn conversion done by Tim Wiley 2/26/02 [email protected] EAC: in secure mode to extract all tracks at 100% quality Cool Edit: Removed D/O's D1t1 @ :07 and :22 I removed (some) of the static on D2t2 @ 10:58 I patched in source B @ D2t7 @ 4:45 to complete the show! shn via mkwact Thanks to Paul Bottiglio for the cds Sector Boundary Errors (SBE's) on d1t1 and d2t7 were fixed with shntool. This also changed d1t1 through d1t6 (end of Set 1, fixed as group)
Source 5 of 10
2:39:30
SBD
Rating:
7.75 / 8 ratings
SHNID:
gd92-05-19.sbd.wiley.7856.sbefail.shnf
Source:
SBD> DAT> CDR
Taper Notes:
View NotesSBD> DAT> CDR; 2nd encore patched w/ SBD> CM> CDR; via Paul Bottiglio; Tim Wiley
Taper: Mike Darby
2:36:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1992-05-19.AKG451.Darby.119815.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this summer GD show!Show starts out sounding a little distant but progress's by the end of the first set.Another excellent share from Mr. Darby and his collection! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:36:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1992-05-19.AKG451.Darby.119814.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this summer GD show!Show starts out sounding a little distant but progress's by the end of the first set.Another excellent share from Mr. Darby and his collection! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Da Weez
2:40:09
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1992-05-19.118736.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Scott Swayne and Carl S.
2:36:17
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1992-05-19.akg460.swayne.86251.flac1648
Source:
AKG 460/CK8s (25-foot split) > Tascam DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)
Taper Notes:
View Notesdigi-snit repaired @ ~5:16 into Black Peter
Taper: Scott Swayne and Carl S.
2:36:16
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1992-05-19.akg.swayne.86238.sbeok.flac16
Source:
AKG 460/CK8s (25-foot split) > Tascam DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
Taper Notes:
View Notes------------------ ABOUT THIS SOURCE ------------------ This is the 44.1k version. The 48k version was also seeded for this source. We ran one mic on either side of the soundboard (I guess that's about 25' feet). There's a little breeze here and there, but nothing significant. Fifteen years later, I must say I was pretty amazed by how clear this recording is, if I do say so myself. Rest In Peace, Vince... digi-snit repaired @ ~5:16 into Black Peter