Bands
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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h51970
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2k251
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.1k274
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.3k171
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3k416
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.2k1.1k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k325
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k134
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k240
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h938105
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k196
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.4k629
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.1k148
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k149
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k244
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.4k271
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k220
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.8k247
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h15.1k2k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.7k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h33135
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.7k487
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2k254
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.6k177
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k196
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k156
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h62180
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8213
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h40825
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h584
7d1076
30d59534
2 shows
2 tapes
1992
Sources
Taper: Don Pearson and Dan Healy
2:45:36
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 6, 2020
SHNID:
gd1992-05-19.150294.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- UltraMatrix DAT used to patch some tunings and tape flips -- The stage loses power for 3 minutes during Drums -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:45:36
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 6, 2020
SHNID:
gd1992-05-19.150040.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- UltraMatrix DAT used to patch some tunings and tape flips -- The stage loses power for 3 minutes during Drums
Taper: Unknown
2:45:57
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-05-19.sbd.miller.92286.sbeok.flac16
Source:
SBD -> Dat (48k)
Lineage:
Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: Tim Wiley
2:39:30
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Tim Wiley
SHNID:
gd1992-05-19.sbd.wiley.20003.sbeok.shnf
Source:
Source A:SBD>DAT>CDR>EAC>Cool Edit>SHN; B:SBD>CM>CDR>EAC>Cool Edit>SHN
Lineage:
See info file
Taper Notes:
View Notes* First time played Both disks are 80 minutes Known Flaws: D1t1 static and drops @ :07 and :22 During tunning not the song D2t2 static @ 10:58 for 2 seconds not that bad D2t7 Source A cuts @ 4:45 during TNK Edit and shn conversion done by Tim Wiley 2/26/02 [email protected] EAC: in secure mode to extract all tracks at 100% quality Cool Edit: Removed D/O's D1t1 @ :07 and :22 I removed (some) of the static on D2t2 @ 10:58 I patched in source B @ D2t7 @ 4:45 to complete the show! shn via mkwact Thanks to Paul Bottiglio for the cds Sector Boundary Errors (SBE's) on d1t1 and d2t7 were fixed with shntool. This also changed d1t1 through d1t6 (end of Set 1, fixed as group)
Source 5 of 10
2:39:30
SBD
Rating:
7.75 / 8 ratings
SHNID:
gd92-05-19.sbd.wiley.7856.sbefail.shnf
Source:
SBD> DAT> CDR
Taper Notes:
View NotesSBD> DAT> CDR; 2nd encore patched w/ SBD> CM> CDR; via Paul Bottiglio; Tim Wiley
Taper: Mike Darby
2:36:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1992-05-19.AKG451.Darby.119815.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this summer GD show!Show starts out sounding a little distant but progress's by the end of the first set.Another excellent share from Mr. Darby and his collection! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:36:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1992-05-19.AKG451.Darby.119814.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this summer GD show!Show starts out sounding a little distant but progress's by the end of the first set.Another excellent share from Mr. Darby and his collection! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Da Weez
2:40:09
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1992-05-19.118736.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Scott Swayne and Carl S.
2:36:17
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1992-05-19.akg460.swayne.86251.flac1648
Source:
AKG 460/CK8s (25-foot split) > Tascam DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)
Taper Notes:
View Notesdigi-snit repaired @ ~5:16 into Black Peter
Taper: Scott Swayne and Carl S.
2:36:16
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1992-05-19.akg.swayne.86238.sbeok.flac16
Source:
AKG 460/CK8s (25-foot split) > Tascam DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
Taper Notes:
View Notes------------------ ABOUT THIS SOURCE ------------------ This is the 44.1k version. The 48k version was also seeded for this source. We ran one mic on either side of the soundboard (I guess that's about 25' feet). There's a little breeze here and there, but nothing significant. Fifteen years later, I must say I was pretty amazed by how clear this recording is, if I do say so myself. Rest In Peace, Vince... digi-snit repaired @ ~5:16 into Black Peter