Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1992
Sources
Taper: Don Pearson and Dan Healy
2:45:36
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 6, 2020
SHNID:
gd1992-05-19.150294.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- UltraMatrix DAT used to patch some tunings and tape flips -- The stage loses power for 3 minutes during Drums -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:45:36
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 6, 2020
SHNID:
gd1992-05-19.150040.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- UltraMatrix DAT used to patch some tunings and tape flips -- The stage loses power for 3 minutes during Drums
Taper: Unknown
2:45:57
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-05-19.sbd.miller.92286.sbeok.flac16
Source:
SBD -> Dat (48k)
Lineage:
Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: Tim Wiley
2:39:30
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Tim Wiley
SHNID:
gd1992-05-19.sbd.wiley.20003.sbeok.shnf
Source:
Source A:SBD>DAT>CDR>EAC>Cool Edit>SHN; B:SBD>CM>CDR>EAC>Cool Edit>SHN
Lineage:
See info file
Taper Notes:
View Notes* First time played Both disks are 80 minutes Known Flaws: D1t1 static and drops @ :07 and :22 During tunning not the song D2t2 static @ 10:58 for 2 seconds not that bad D2t7 Source A cuts @ 4:45 during TNK Edit and shn conversion done by Tim Wiley 2/26/02 [email protected] EAC: in secure mode to extract all tracks at 100% quality Cool Edit: Removed D/O's D1t1 @ :07 and :22 I removed (some) of the static on D2t2 @ 10:58 I patched in source B @ D2t7 @ 4:45 to complete the show! shn via mkwact Thanks to Paul Bottiglio for the cds Sector Boundary Errors (SBE's) on d1t1 and d2t7 were fixed with shntool. This also changed d1t1 through d1t6 (end of Set 1, fixed as group)
Source 5 of 10
2:39:30
SBD
Rating:
7.75 / 8 ratings
SHNID:
gd92-05-19.sbd.wiley.7856.sbefail.shnf
Source:
SBD> DAT> CDR
Taper Notes:
View NotesSBD> DAT> CDR; 2nd encore patched w/ SBD> CM> CDR; via Paul Bottiglio; Tim Wiley
Taper: Mike Darby
2:36:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1992-05-19.AKG451.Darby.119815.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this summer GD show!Show starts out sounding a little distant but progress's by the end of the first set.Another excellent share from Mr. Darby and his collection! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:36:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1992-05-19.AKG451.Darby.119814.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this summer GD show!Show starts out sounding a little distant but progress's by the end of the first set.Another excellent share from Mr. Darby and his collection! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Da Weez
2:40:09
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1992-05-19.118736.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Scott Swayne and Carl S.
2:36:17
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1992-05-19.akg460.swayne.86251.flac1648
Source:
AKG 460/CK8s (25-foot split) > Tascam DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)
Taper Notes:
View Notesdigi-snit repaired @ ~5:16 into Black Peter
Taper: Scott Swayne and Carl S.
2:36:16
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1992-05-19.akg.swayne.86238.sbeok.flac16
Source:
AKG 460/CK8s (25-foot split) > Tascam DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
Taper Notes:
View Notes------------------ ABOUT THIS SOURCE ------------------ This is the 44.1k version. The 48k version was also seeded for this source. We ran one mic on either side of the soundboard (I guess that's about 25' feet). There's a little breeze here and there, but nothing significant. Fifteen years later, I must say I was pretty amazed by how clear this recording is, if I do say so myself. Rest In Peace, Vince... digi-snit repaired @ ~5:16 into Black Peter