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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1992
6/6/92
01 Touch Of Grey
6:48
02 Greatest Story Ever Told
5:19
03 Althea
8:21
04 It's All Over Now
8:16
05 Friend Of The Devil
8:52
06 When I Paint My Masterpiece
5:01
07 Take A Step Back
1:41
08 Ramble On Rose
8:32
09 Let It Grow
12:38
10 Iko Iko
6:35
11 Estimated Prophet
13:27
12 The Same Thing
7:04
13 He's Gone
9:12
14 Drums
13:17
15 Space
7:03
16 The Other One
9:10
17 The Wheel
5:11
18 Throwing Stones
9:05
19 One More Saturday Night
4:50
20 Encore Break
2:54
21 Baba O'Riley
3:08
22 Tomorrow Never Knows
3:50
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:40:14
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-06-06.140277.sbd.cm.miller.flac1644
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There is a really cool Spanish Jam in The Other One -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:40:14
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-06-06.140203.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There is a really cool Spanish Jam in The Other One -- Two sets of masters were used to make this show complete
Source 3 of 15
1:35:56
SBD
Rating:
6.00 / 11 ratings
SHNID:
gd92-06-06.set2.sbd.herman.16815.sbeok.shnf
Source:
Soundboard Set 2 Only
Lineage:
set 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (<a href= "http://db.etree.org/shninfo_detail.php?shnid=14042">previous</a> source but with sbe's fixed and made seekable) encoded by Chris Ladner
Taper Notes:
View Notesset 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (<a href="http://db.etree.org/shninfo_detail.php?shnid=14042" rel="ugc nofollow">previous</a> source but with sbe's fixed and made seekable) encoded by Chris Ladner
Transferrer: DAT to CDR by Steve Herman
1:35:55
SBD
Transferrer:
DAT to CDR by Steve Herman
SHNID:
gd1992-06-06.sbd.caroselli.nerman.14042.shnf
Source:
SBD DAT>WAV>CE>CDWAV>CDR & SHN
Taper Notes:
View NotesMade appropriate fades where necessary at the beginning/end of disks & sets only. Provided for an overlap between disks as necessary. It sounds like the tape was recording during the pre set tuning, paused, then started again just as Iko Iko began. Iko Iko and Estimated Prophet are littered with static pops which were left unedited. The pops almost entirely clear up by The Same Thing. The set is hindered by a few band ear PA gestures and some non-so-needed affects by Healy. Significantly reduced 2 nasty dropouts in Iko Iko with only slight remnants of the edits. Significantly reduced a segment of digital noise near the end of Estimate Prophet with only slight remnant of the edit. Removed 2 pops from the beginning of The Wheel. Removed tick from Tomorrow Never Knows.
Taper: Michael Hessberg
2:39:51
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-06.164744.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Mullen for the DAK 5245 + PZM mics matrix source which supplies a 0:25 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Michael Hessberg
2:39:51
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-06.164743.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Mullen for the DAK 5245 + PZM mics matrix source which supplies a 0:25 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Doug Lamarre
2:33:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-06.137752.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Doug Lamarre
2:33:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-06.137751.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Fitzy
2:38:15
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-06.134943.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some light wind picked uo in first set and some high recording levels in masterpiece and also near the end of set 2.All and all another excellent share from the Fitzy collection and the Grateful Dead's Summer 1992 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Fitzy
2:38:15
Rating:
10.00 / 1 rating
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-06.134942.Nak300CP4.Fitzy-Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some light wind picked uo in first set and some high recording levels in masterpiece and also near the end of set 2.All and all another excellent share from the Fitzy collection and the Grateful Dead's Summer 1992 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Todd Evans
2:45:14
Taper:
Todd Evans
Transferrer:
Jamie Waddell ; remastered by eywood
SHNID:
gd1992-06-06.124862.eywood.flac16
Source:
MAD Recording - FOB DFC Audience; 1st Two Songs of Set 1: B&K4011's; Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48; Recorded by Todd Evans; Edited by: Jamie Waddell; EQ and hard limiting, as well as reindexing disc 3 done by }{eywood
Taper Notes:
View NotesFurther EQ and hard limiting, as well as reindexing disc 3 done by }{eywood December 2008
Taper: Robert Mullen
2:37:01
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1992-06-06.119035.aud.mtx.dak5245.pzm.mullen.flac16
Source:
Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette; Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder
Lineage:
Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
Taper Notes:
View NotesHere is our recording of the 92' Buffalo Show. We made it there after not seeing them in 1991. Thought I'd offer this up as we used a 4 Mic configuration that would be a bit unique. The weather was a bit overcast and a little breezy as I recall. This was our first time seeing Vince in the band and we enjoyed the show. Enjoy the recording folks.
Taper: John Bleich
2:41:26
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1992-06-06.nak300.bleich-sirmick.111171.sbeok.flac16
Source:
Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC;
Lineage:
MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
Taper Notes:
View Notespatches: - "Iko Iko" 0:00 - 0:17 - "Space" 3:23 -3:59 patch source: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 (shnid 82444) Lineage: DAT 16/48 > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - other tape flips crossfaded Comments: Steve Miller opened My thanks to John edited and mastered SIRMick December 2010
Taper: Todd Evans
2:44:58
Rating:
6.00 / 3 ratings
Taper:
Todd Evans
Transferrer:
Jamie Waddell
SHNID:
gd1992-06-06.fob.evens.gems.82444.sbeok.flac16
Source:
Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48
Lineage:
DAT 16/48 > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0
Taper Notes:
View NotesMAD Recording - FOB DFC Audience General Admission Show 1st Two Songs of Set 1 - B&K4011's Balance of Show Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 Recorded by Todd Evans Edited by: Jamie Waddell Wavelab 6.0 SBE FREE 16/44.1 A **GEMS** Production www.shnflac.net February 2007
Source 15 of 15
2:41:21
Rating:
7.20 / 10 ratings
SHNID:
gd92-06-06.aud.8242.sbeok.shnf
Source:
AUD > CM > DAT > CDR > WAV > SHN