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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1992
6/12/92
01 - Jack Straw
6:26
02 - Sugaree
13:25
03 - Mexicali Blues >
5:44
04 - Maggie's Farm
7:52
05 - Brown Eyed Women
7:04
06 - Black Throated Wind
6:27
07 - New Speedway Boogie >
7:28
08 - Promised Land
4:34
09 - Scarlet Begonias >
11:08
10 - Fire On The Mountain
13:53
11 - Way To Go Home
6:36
12 - Truckin' >
6:18
13 - Smokestack Lightning >
6:55
14 - Drums >
15:51
15 - Space >
11:39
16 - The Last Time >
6:10
17 - China Doll >
5:32
18 - Sugar Magnolia
9:26
19 - Encore Break
2:48
20 - Attics Of My Life
4:53
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:40:09
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 28, 2021
SHNID:
gd1992-06-12.154491.sbd.cm.miller.t.flac16
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- DAT > Cassette transfer by Dick Latvala -- Thanks to Tim Dalton for the patch source -- This is 152725 2448 > 1644
Taper: Don Pearson and Dan Healy
2:40:09
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 28, 2021
SHNID:
gd1992-06-12.152725.sbd.miller.flac2448
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- DAT > Cassette transfer by Dick Latvala -- Thanks to Tim Dalton for the patch source
Transferrer: Charlie Miller
2:40:17
SBD
Rating:
7.71 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-06-12.sbd.miller.90111.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK SA-X100) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View Notes-- Set 2 is seamless
Transferrer: Peter Braverman and Bill Tetzeli
2:37:17
SBD
Transferrer:
Peter Braverman and Bill Tetzeli
SHNID:
gd1992-06-12.sbd.braverman-edited.83901.pitch-corrected.sbeok.flac16
Source:
MSC > cassette > DAT > CoolEdit > CD > Peak edits > SHN (shnid 15821)
Lineage:
SHN > WAV > editing in Cool Edit Pro > CD Wave (patched tracks) > shntool > FLAC
Taper Notes:
View NotesPitch correction of shnid 15821. Main Source: MSC > cassette > DAT > CoolEdit > CD > Peak edits > SHN (shnid 15821) Patch Source: (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3 (shnid 4882) Edit: SHN > WAV > editing in Cool Edit Pro > CD Wave (patched tracks) > shntool > FLAC Main source time/pitch stretched to 104.23% to match FOB, which seems to have an all digi lineage and therefore no pitch issues. FOB patch source used to patch in drums and space. Transition between CDs 2 and 3 is seamless. Thanks to Peter Braverman for supplying the original SBD source, and Mark Fochesato for the AUD (available at LlaMA). Quality Note: The original source had EQ appied to it. There's also a warbly quality to it, whether from the EQ or cassette wow, I don't know. Slowing the speed seems to have actually made it less obvious, rather than more as I was expecting. Go figure. Edited and seeded by Bill Tetzeli ([email protected]) 6:31 PM 4/5/2007
Source 5 of 24
2:13:24
SBD
Rating:
6.44 / 9 ratings
SHNID:
gd92-06-12.sbd.braverman.15821.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Master cassette> cassette> DAT> CoolEdit> CD> Peak edits> SHN
Taper Notes:
View NotesSBD > Master cassette> cassette> DAT> CoolEdit> CD> Peak edits> SHN via Johnny Venus encoded by Peter Braverman
Taper: Dan Rogosa
2:42:27
Taper:
Dan Rogosa
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-12.169061.fixed.165919.mc.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -27.6 dBFS), patch, resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165917. The audio has been pitch corrected to match the DAT. A previous seed of this recording, SHNID 165918, had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After sending my Dragon out for restoration, a better transfer was made. Enjoy! --mhg :: 2023-11-09
Taper: Dan Rogosa
2:42:27
Taper:
Dan Rogosa
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-12.169060.fixed.165918.mc.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -27.6 dBFS), patch) > FLAC 2496
Taper Notes:
View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165917. The audio has been pitch corrected to match the DAT. A previous seed of this recording, SHNID 165918, had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After sending my Dragon out for restoration, a better transfer was made. Enjoy! --mhg :: 2023-11-09
Taper: Tim Dalton
2:44:57
Taper:
Tim Dalton
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1992-06-12.145128.AUD.PCM.Composite.Dalton.Miller.Noel.t-flac1644
Source:
Set I: AKG 451eb/ck3 (FOB) > DAT (Sony D10 Pro) > PCM Set II: Neumann KMi86 (OTS) > DAT (Panasonic SV255) > PCM
Lineage:
Beta PCM (video track) digital output: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k)
Taper: Dan Rogosa
2:43:01
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1992-06-12.165919.me88.mc.rogosa.flac1644
Source:
Source: 2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ, resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThanks to Dan for taping and Charlie Miller for facilitating This file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165917. The audio has been pitch corrected to match the DAT. The cassettes had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After several transfers using different decks and azimuth adjustments, we concluded that this is just how the recordings are. Ozone EQ was used to brighten up the first side of each tape, but the sound quality changes noticeably after Black Throated Wind and at the end of the Drums. Enjoy! --mhg :: 2023-10-09
Taper: Dan Rogosa
2:43:01
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1992-06-12.165918.me88.mc.rogosa.flac2496
Source:
Source: 2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ) > FLAC 2496
Taper Notes:
View NotesThanks to Dan for taping and Charlie Miller for facilitating This file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165917. The audio has been pitch corrected to match the DAT. The cassettes had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After several transfers using different decks and azimuth adjustments, we concluded that this is just how the recordings are. Ozone EQ was used to brighten up the first side of each tape, but the sound quality changes noticeably after Black Throated Wind and at the end of the Drums. Enjoy! --mhg :: 2023-10-09
Taper: Dan Rogosa
2:44:04
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1992-06-12.165917.me88.dat.rogosa.flac1648
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 by Dan Rogosa
Lineage:
Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, levels, remove DC offset) > FLAC 1648
Taper Notes:
View NotesThanks to Dan for taping and Charlie Miller for facilitating
Taper: Doug Lamarre
2:38:40
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-12.137824.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Doug Lamarre
2:38:40
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-12.137823.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Dave Boedicker
2:41:21
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1992-06-12.137492.boedicker.flac16
Source:
Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck(Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal; Tapes, 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section
Taper: Fitzy
2:39:24
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-12.134968.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! There is a short second or so of tape warble at the end of Sugar Magnoila, a couple small bits missing from Drums and Attic's Of My Life.All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Summer 1992 Tour!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Fitzy
2:39:24
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-12.134967.Nak300CP4.Fitzy.Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! There is a short second or so of tape warble at the end of Sugar Magnoila, a couple small bits missing from Drums and Attic's Of My Life.All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Summer 1992 Tour!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Bob Crupi
2:37:07
Taper:
Bob Crupi
Transferrer:
Bob Crupi
SHNID:
gd1992-06-12.123682.crupi.flac16
Source:
Source: OTS/DFC/Audix shotguns > Sony WM-D6 (Set 1: 90 min Denon HD8; Set 2: 100 min Denon HD8 type II/NR: on);
Lineage:
Nakamichi BX300 (Analog master/NR: off) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/44.1) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (convert 16 bit, tracking, added fades and normalize) > TLH (flac@8/ffp/sbe); Recorded, transferred and seeded by Bob Crupi
Taper: Dave Boedicker
2:43:26
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1992-06-12.116279.naks.boedicker.flac16
Source:
Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boudaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, 1st Row Taper Section.
Taper Notes:
View NotesNotes: 1)Tape Flip After"Brown Eyed Woman"(No Music Missed On Next Song "Black Throated Wind") 2)Tape Flip After Drums 3)Quality IS A For The Most Part(Subjective Of Course)>Nice Crisp And Clear Sound. Enjoy!!!!
Taper: Baker
2:41:19
Taper:
Baker
Transferrer:
Keo and SIRMick
SHNID:
gd1992-06-12.nak300.baker-keo.sirmick.111080.sbeok.flac16
Source:
Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (Maxell MX, 1x90, 1x100);
Lineage:
MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo
Taper Notes:
View Notespatches: - "Jack Straw" tape problem - "Brown Eyed Women" tape flip - "Black Throated Wind" tape flip - "Drums" tape flip 3:38 - 4:27 - crowd/tuning after "Sunshine Daydream" tape paused 0:03 - 1:07 - "Attics Of My Mind" start - 0:11 patch source: Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Lineage: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC - there is a small patch of static ? during "Sugaree" and "Brown Eyed Women" - seamless transition between discs 2 and 3 Comments: Thanks again to Mr. Baker for lending me his masters to transfer. Another awesome capture of another awesome show that I attended! Thanks also to St. Alan for the means to get this show to SIRMick to work on and to SIRMick for his DEADication and love for the music, ENJOY! Keo My thanks to the usual suspects. edited and mastered SIRMick December 2010
Taper: Baker
2:41:14
Taper:
Baker
Transferrer:
Keo and SIRMick
SHNID:
gd1992-06-12.nak300.baker-keo.sirmick.111079.flac24
Source:
Source: Master Audience > Nakamichi CM300 with CP4 caps > Sony D6 > (Maxell MX, 1x90, 1x100);
Lineage:
MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24; taped by Baker and transferred by Keo
Taper Notes:
View Notespatches: - "Jack Straw" tape problem - "Brown Eyed Women" tape flip - "Black Throated Wind" tape flip - "Drums" tape flip 3:38 - 4:27 - crowd/tuning after "Sunshine Daydream" tape paused 0:03 - 1:07 - "Attics Of My Mind" start - 0:11 patch source: Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Lineage: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC - there is a small patch of static ? during "Sugaree" and "Brown Eyed Women" Comments: Thanks again to Mr. Baker for lending me his masters to transfer.Another awesome capture of another awesome show that I attended!Thanks also to St. Alan for the means to get this show to SIRMick to work on and to SIRMick for his DEADication and love for the music, ENJOY! Keo My thanks to the usual suspects. edited and mastered SIRMick December 2010
Taper: Keith Litzenberger
2:47:24
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1992-06-12.sennME80.wklitz.96095.flac16
Source:
Sennheiser MD421's>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades,Sample Rate Conversion)>CDWAV>FLAC
Taper: Andrew F.
2:46:04
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1992-06-12.aud.andrewf.86096.flac1648
Source:
Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS.%0DSet Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7
Lineage:
MAD/Clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - 2nd Set tape failed at show, set cloned after the show. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums. - Taped and transferred (June 2007) by Andrew F.
Taper: Andrew F
2:46:04
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1992-06-12.aud.andrewf.86095.sbeok.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7.
Lineage:
1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC
Taper Notes:
View NotesNotes: - 2nd Set tape failed at show, set cloned after the show. - Break between d2t07 and d3t01 is seamless. - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, & making checksums. - Taped and transferred (June 2007) by Andrew F.
Source 24 of 24
2:42:02
Rating:
9.25 / 8 ratings
SHNID:
gd92-06-12.bk4011.Fochesato.4882.sbeok.shnf
Source:
(FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3
Taper Notes:
View Notes(FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3; via Scott Agne