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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1992
3/16/92
01 Let The Good Times Roll
3:50
02 Feel Like A Stranger
10:05
03 Friend Of The Devil
9:11
04 CC Rider
5:52
05 It Takes A Lot To Laugh, It Takes A Train To Cry
6:56
06 Black Throated Wind
6:29
07 Ramble On Rose
7:45
08 Let It Grow
13:26
09 Corrina
9:52
10 Scarlet Begonias
10:57
11 Fire On The Mountain
11:00
12 Estimated Prophet
12:37
13 Drums
6:14
14 Space
20:54
15 All Along The Watchtower
9:37
16 Morning Dew
11:09
17 Encore Break
0:54
18 Johnny B Goode
5:09
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:41:57
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1992-03-16.138167.sbd.miller.sbeok.flac16
Source:
SBD > Cassette Master (TDK SA-X100/Tascam Deck)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is shnid 138163 24 > 16
Transferrer: Charlie Miller
2:41:57
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-03-16.138163.sbd.miller.flac24
Source:
SBD > Cassette Master (TDK SA-X100/Tascam Deck)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Transferrer: Kevin Tobin
2:46:17
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1992-03-16.dts.tobin.122040.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b> SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS:
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - dts mixing by Kevin Tobin
Taper Notes:
View NotesSBD 1 Source: shnid = 13571 SBD->DAT->?->Cas->CD->EAC->SHN Dan ([email protected]) AUD1 Source: no shnid LCPM audio from video soundtrack - used for patching only AUD2 Source: shnid = 85338 AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. Notes: - The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 16-SEP-2012 - Trader Little Helper -Tagged 16-SEP-2012 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) About 2 minutes into Drums. 8 minute and 46.682 seconds were added to SBD1 soundtrack from AUD1 in order to match the video. 2) I used the video soundtrack as the timing reference and while the SBD1 was very fast averaging about 2.1 seconds a minute faster than the video, the AUD2 matched the video almost exactly. 3) As video came in 48k 16 bit, I used the 48k 24 bit Andrew F. recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video. Matrix was mixed down to 44.1k 16 bit using rBrain8. ----------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db Matrix Surround Left Channel +1db AUD Right Channel +1db AUD Sub/LFE Mixed to mono -1db Matrix -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:46:17
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1992-03-16.upg-sbd.tobin.122021.flac16
Source:
SBD->DAT->?->Cas->CD->EAC->SHN via Dan - patched and speed corrected version of shnid 13571 by Kevin Tobin
Taper Notes:
View NotesPatched using AUD1 no shnid LCPM audio from video soundtrack - used for patching only --------------------------------------------------------- Audio Patches: 1) About 2 minutes into Drums. 8 minute and 46.682 seconds were added to SBD1 soundtrack from AUD1 in order to match the video. 2) I used the video soundtrack as the timing reference and while the SBD1 was very fast averaging about 2.1 seconds a minute faster than the video, the AUD2 matched the video almost exactly. 3) As video came in 48k 16 bit, I used the 48k 24 bit Andrew F. recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video. Matrix was mixed down to 44.1k 16 bit using rBrain8. Brokedown House Production
Transferrer: Kevin Tobin
2:46:17
SBD
Rating:
6.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1992-03-16.mtx.tobin.122020.flac16
Source:
Matrix 3 Source Mix - SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS:
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin
Taper Notes:
View NotesAudio Source Information SBD + AUD Matrix 3 Source Mix (45%-AUD/55%-SBD) SBD 1 Source: shnid = 13571 SBD->DAT->?->Cas->CD->EAC->SHN Dan ([email protected]) AUD1 Source: no shnid LCPM audio from video soundtrack - used for patching only AUD2 Source: shnid = 85338 AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. Notes: - The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 16-SEP-2012 - Trader Little Helper -Tagged 16-SEP-2012 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD +1 AUD +1 SET TWO Stereo Matrix SBD +1 AUD +1 --------------------------------------------------------- Audio Patches: 1) About 2 minutes into Drums. 8 minute and 46.682 seconds were added to SBD1 soundtrack from AUD1 in order to match the video. 2) I used the video soundtrack as the timing reference and while the SBD1 was very fast averaging about 2.1 seconds a minute faster than the video, the AUD2 matched the video almost exactly. 3) As video came in 48k 16 bit, I used the 48k 24 bit Andrew F. recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video. Matrix was mixed down to 44.1k 16 bit using rBrain8. Brokedown House Production
Source 6 of 15
2:31:34
SBD
Rating:
7.09 / 11 ratings
SHNID:
gd92-03-16.sbd.13571.sbefail.shnf
Source:
SBD->DAT->?->Cas->CD->EAC->SHN via Dan
Taper Notes:
View NotesSBD->DAT->?->Cas->CD->EAC->SHN via Dan
Taper: Jim Wise
2:52:41
Taper:
Jim Wise
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1992-03-16.139653.fob.akg.414.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the master fob source DAT Transfer by Charlie Miller Mastered by Scott Clugston 10/31/17
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:46:26
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1992-03-16.156985.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 06-JUN-2022 - Trader Little Helper -Tagged 06-JUN-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Recording by Dave Brotman & Jeff Metchick
2:53:22
Taper:
Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 17, 2022
SHNID:
gd1992-03-16.155832.FOBSchoepsMasterDAT.BrotmanMetchickAnonNoel.t-flac1648
Source:
Recording info (Set I): FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT > clone Recording info (Set II): FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT Location: 18th Row Center
Lineage:
Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648
Taper Notes:
View NotesNotes: - Each tape was adjusted electronically & mechanically in the SV3800 to ensure proper play. - None of these tapes have emphasis. Thanks to; - Dave Brotman & Jeff Metchick for recording the show. - Anon for the transfer, while hiding out away from the Bay Area. - Ted Mattes, for organizing this project & seeing it though.
Transferrer: Pete Ebel
2:55:09
Transferrer:
Pete Ebel
SHNID:
gd1992-03-16.149240.fob.bk4011.ebel.fixed.flac16
Source:
FOB B&K 4011-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and December 18, 2019 Notes: ***This Version Fixes Digital Noise during Scarlet Begonias (shn ID #148530) - The housekeeping files are new. All other FLAC files are the same. Set #2 is Seamless
Transferrer: Pete Ebel
2:55:06
Transferrer:
Pete Ebel
SHNID:
gd1992-03-16.148530.fob.BK4011.ebel.fixed.flac16
Source:
FOB B&K 4011-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and November 25, 2019 Notes: ***This Version Fixes Digital Noise during Corrina - The housekeeping files are new. All other FLAC files are the same. Set #2 is Seamless
Transferrer: Pete Ebel
2:55:06
Transferrer:
Pete Ebel
SHNID:
gd1992-03-16.148408.fob.BK4011.ebel.flac16
Source:
FOB B&K 4011-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and November 25, 2019 Notes: Set #2 is Seamless
Taper: Dave Boedicker
2:47:05
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1992-03-16.147757.nak300.Boedicker.flac1644
Source:
Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes(Sony MX-90 Minute 1st Set,MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)> Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector BoundariesAligned Using Traders Little Helper.
Taper Notes:
View NotesNotes: 1)Tape Flip After "Train To Cry"(No Music Missed On Next Song "Black Throated Wind" 2)Tape Flip During Drums. Warts And All. Enjoy!!!
Taper: Andrew F.
2:50:38
Rating:
7.33 / 3 ratings
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1992-03-16.schoeps.andrewf.85423.sbeok.flac16
Source:
Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS.
Lineage:
Master DAT > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View Notes- The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - Discs two and three can be rejoined seamlessly onto longer media.
Taper: Andrew F.
2:50:38
Rating:
10.00 / 1 rating
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1992-03-16.schoeps.andrewf.85338.flac1648
Source:
Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums.