Bands
Featured
Bands
Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h52069
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.4k221
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.8k367
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.5k594
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h4.5k592
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.8k369
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k362
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.4k165
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h7.2k856
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k123
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k203
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h5.1k592
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k183
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.5k185
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k224
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h9.2k1.1k
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k244
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k266
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9.2k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h16.1k2.1k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37238
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.9k497
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k708
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.9k375
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k205
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.7k195
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k194
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h49662
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14720
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h31823
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h171
7d1268
30d63237
2 shows
2 tapes
1992
Sources
Taper: Don Pearson and Dan Healy
2:45:36
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 6, 2020
SHNID:
gd1992-05-19.150294.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- UltraMatrix DAT used to patch some tunings and tape flips -- The stage loses power for 3 minutes during Drums -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:45:36
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 6, 2020
SHNID:
gd1992-05-19.150040.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- UltraMatrix DAT used to patch some tunings and tape flips -- The stage loses power for 3 minutes during Drums
Taper: Unknown
2:45:57
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-05-19.sbd.miller.92286.sbeok.flac16
Source:
SBD -> Dat (48k)
Lineage:
Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: Tim Wiley
2:39:30
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Tim Wiley
SHNID:
gd1992-05-19.sbd.wiley.20003.sbeok.shnf
Source:
Source A:SBD>DAT>CDR>EAC>Cool Edit>SHN; B:SBD>CM>CDR>EAC>Cool Edit>SHN
Lineage:
See info file
Taper Notes:
View Notes* First time played Both disks are 80 minutes Known Flaws: D1t1 static and drops @ :07 and :22 During tunning not the song D2t2 static @ 10:58 for 2 seconds not that bad D2t7 Source A cuts @ 4:45 during TNK Edit and shn conversion done by Tim Wiley 2/26/02 [email protected] EAC: in secure mode to extract all tracks at 100% quality Cool Edit: Removed D/O's D1t1 @ :07 and :22 I removed (some) of the static on D2t2 @ 10:58 I patched in source B @ D2t7 @ 4:45 to complete the show! shn via mkwact Thanks to Paul Bottiglio for the cds Sector Boundary Errors (SBE's) on d1t1 and d2t7 were fixed with shntool. This also changed d1t1 through d1t6 (end of Set 1, fixed as group)
Source 5 of 10
2:39:30
SBD
Rating:
7.75 / 8 ratings
SHNID:
gd92-05-19.sbd.wiley.7856.sbefail.shnf
Source:
SBD> DAT> CDR
Taper Notes:
View NotesSBD> DAT> CDR; 2nd encore patched w/ SBD> CM> CDR; via Paul Bottiglio; Tim Wiley
Taper: Mike Darby
2:36:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1992-05-19.AKG451.Darby.119815.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this summer GD show!Show starts out sounding a little distant but progress's by the end of the first set.Another excellent share from Mr. Darby and his collection! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:36:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1992-05-19.AKG451.Darby.119814.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this summer GD show!Show starts out sounding a little distant but progress's by the end of the first set.Another excellent share from Mr. Darby and his collection! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Da Weez
2:40:09
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1992-05-19.118736.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Scott Swayne and Carl S.
2:36:17
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1992-05-19.akg460.swayne.86251.flac1648
Source:
AKG 460/CK8s (25-foot split) > Tascam DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)
Taper Notes:
View Notesdigi-snit repaired @ ~5:16 into Black Peter
Taper: Scott Swayne and Carl S.
2:36:16
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1992-05-19.akg.swayne.86238.sbeok.flac16
Source:
AKG 460/CK8s (25-foot split) > Tascam DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
Taper Notes:
View Notes------------------ ABOUT THIS SOURCE ------------------ This is the 44.1k version. The 48k version was also seeded for this source. We ran one mic on either side of the soundboard (I guess that's about 25' feet). There's a little breeze here and there, but nothing significant. Fifteen years later, I must say I was pretty amazed by how clear this recording is, if I do say so myself. Rest In Peace, Vince... digi-snit repaired @ ~5:16 into Black Peter