Bands
Featured
Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1992
Sources
Taper: Don Pearson and Dan Healy
2:45:36
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 6, 2020
SHNID:
gd1992-05-19.150294.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- UltraMatrix DAT used to patch some tunings and tape flips -- The stage loses power for 3 minutes during Drums -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:45:36
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 6, 2020
SHNID:
gd1992-05-19.150040.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- UltraMatrix DAT used to patch some tunings and tape flips -- The stage loses power for 3 minutes during Drums
Taper: Unknown
2:45:57
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-05-19.sbd.miller.92286.sbeok.flac16
Source:
SBD -> Dat (48k)
Lineage:
Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: Tim Wiley
2:39:30
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Tim Wiley
SHNID:
gd1992-05-19.sbd.wiley.20003.sbeok.shnf
Source:
Source A:SBD>DAT>CDR>EAC>Cool Edit>SHN; B:SBD>CM>CDR>EAC>Cool Edit>SHN
Lineage:
See info file
Taper Notes:
View Notes* First time played Both disks are 80 minutes Known Flaws: D1t1 static and drops @ :07 and :22 During tunning not the song D2t2 static @ 10:58 for 2 seconds not that bad D2t7 Source A cuts @ 4:45 during TNK Edit and shn conversion done by Tim Wiley 2/26/02 [email protected] EAC: in secure mode to extract all tracks at 100% quality Cool Edit: Removed D/O's D1t1 @ :07 and :22 I removed (some) of the static on D2t2 @ 10:58 I patched in source B @ D2t7 @ 4:45 to complete the show! shn via mkwact Thanks to Paul Bottiglio for the cds Sector Boundary Errors (SBE's) on d1t1 and d2t7 were fixed with shntool. This also changed d1t1 through d1t6 (end of Set 1, fixed as group)
Source 5 of 10
2:39:30
SBD
Rating:
7.75 / 8 ratings
SHNID:
gd92-05-19.sbd.wiley.7856.sbefail.shnf
Source:
SBD> DAT> CDR
Taper Notes:
View NotesSBD> DAT> CDR; 2nd encore patched w/ SBD> CM> CDR; via Paul Bottiglio; Tim Wiley
Taper: Mike Darby
2:36:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1992-05-19.AKG451.Darby.119815.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this summer GD show!Show starts out sounding a little distant but progress's by the end of the first set.Another excellent share from Mr. Darby and his collection! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:36:29
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1992-05-19.AKG451.Darby.119814.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this summer GD show!Show starts out sounding a little distant but progress's by the end of the first set.Another excellent share from Mr. Darby and his collection! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Da Weez
2:40:09
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1992-05-19.118736.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Scott Swayne and Carl S.
2:36:17
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1992-05-19.akg460.swayne.86251.flac1648
Source:
AKG 460/CK8s (25-foot split) > Tascam DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)
Taper Notes:
View Notesdigi-snit repaired @ ~5:16 into Black Peter
Taper: Scott Swayne and Carl S.
2:36:16
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1992-05-19.akg.swayne.86238.sbeok.flac16
Source:
AKG 460/CK8s (25-foot split) > Tascam DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
Taper Notes:
View Notes------------------ ABOUT THIS SOURCE ------------------ This is the 44.1k version. The 48k version was also seeded for this source. We ran one mic on either side of the soundboard (I guess that's about 25' feet). There's a little breeze here and there, but nothing significant. Fifteen years later, I must say I was pretty amazed by how clear this recording is, if I do say so myself. Rest In Peace, Vince... digi-snit repaired @ ~5:16 into Black Peter