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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h770107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h64391
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h3.9k518
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.9k359
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.2k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k342
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k374
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k157
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.3k253
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h920102
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k212
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k147
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.6k206
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k223
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k303
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6.1k652
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k289
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.4k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.6k502
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h74876
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.6k595
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k230
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k364
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h43052
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10514
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23618
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1992
3/20/92
Tuning
3:51
Hell In A Bucket
6:19
Althea
7:47
Same Thing
10:24
Brown Eyed Women
7:00
Mexicali Blues ->
4:40
Maggie's Farm
9:24
Bird Song
12:20
Promised Land
4:49
Tuning
2:00
Shakedown Street
12:50
Man Smart (Woman Smarter) ->
10:09
Dark Star ->
14:19
Drums ->
12:50
Space ->
6:49
The Other One ->
10:33
Standing On The Moon ->
9:54
Turn On Your Lovelight
9:54
U.S. Blues
5:20
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:32:47
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1992-03-20.141806.sbd.miller.flac1644
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Some vocal distortion in Brown Eyed Women -- This is a different mix than the official release -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:32:47
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-03-20.141785.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Some vocal distortion in Brown Eyed Women -- This is a different mix than the official release -- Two sets of masters were used to make this show complete
Transferrer: Hunter Seamons
2:41:12
SBD
Rating:
9.00 / 8 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1992-03-20.mtx.seamons.95208.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: SBD>DAT>CDR COMMENTS missing BE Women, Bucket is missing the opening notes, glitch at 2:04 of Mexicali, glitch at 1:09 of Promised Land, glitch in U.S. Blues at 4:40 EAC (secure mode with proper offsets), editing and shn conversion by Tony G ([email protected]) 05/30/2002 [It appears there is at least one (1) cassette generation in the lineage.] ---------------------------------------------------- AUD: FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255 Todd lent his gear to a friend for this evening. He did not tape this himself. based on tapertalk: set one was handheld,; set two he intended to run a stand DAT from collection of Todd Evans - [email protected] DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav a **GEMS** production www.shnflac.net May 2006 Edited Adobe Audition 1.5 Dithered 48/44.1 w/gaussian noise and a slight noise-shaping in r8brain v1.9 Tracked in CDWav Flac Level8 in TLH SBE FREE *Amplitude Attenuated to 96.25% *various pops, glitches and crowd noises required individual hand editing to save your speakers; some remain in ideal of least editing possible, especially in B.E.Women, where nothing i did seemed to better a few of the zips. *bird song patch with shnid 9757; thx to cwagenbach for the source a **GEMS** production www.shnflac.net Finished Sunday, August 13, 2006 **__** --------------------------------------------------- Thank you to Paul and Tony G. for the SBD transfer, and to Todd Evans and the **GEMS** production team for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) October 7, 2008 Notes: 1) Cuts in the SBD between some songs, a momentary cut during Space and at the beginning of Bucket. Approximately two-minute cut in the AUD during the earlier portion of Bird Song. 2) Occasional static, clicks, and/or pops. A loud click in Althea appears sound system related (the click is in both SBD and AUD). 3) SBD source was about 0.8% fast. 4) As there was some bass overload/distortion in the AUD, the low gain of the AUD was decreased a good amount, except in BE Women when only the AUD plays. This optimized the overall quality of the matrix, to my ears, and allowed certain aural dimensions of the sources to shine through better without tonal dissonance. 5) Seamless show
Source 4 of 10
2:23:23
SBD
Rating:
8.47 / 36 ratings
SHNID:
gd92-03-20.sbd.gardner.9757.sbeok.shnf
Source:
SBD>DAT>CDR
Taper Notes:
View NotesSBD>DAT>CDR; Missing Brown Eyed Women; via Paul; Seeded to etree by Tony G
Taper: Recording by Dave Brotman & Jeff Metchick
2:42:53
Taper:
Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 12, 2022
SHNID:
gd1992-03-20.155835.FOBSchoepsMasterDAT.BrotmanMetchickAnonNoel.t-flac1648
Source:
Recording: FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT
Lineage:
Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648
Taper Notes:
View NotesNotes: - Each tape was adjusted electronically & mechanically in the SV3800 to ensure proper play. - None of these Spring '92 tapes have emphasis. - To avoid detection the mics were hidden/muffled during Birdsong, hence the patch. Thanks to; - Dave Brotman & Jeff Metchick for recording the show. - Anon for the transfer, while hiding out away from the Bay Area. - Ted Mattes for organizing this project & seeing it though. - Pete Ebel for the patch source. - Auto Healer for helping me remove the clapper.
Taper: Taped By Clay Brennecke
1:35:55
Taper:
Taped By Clay Brennecke
Transferrer:
Transfers by Pete Ebel March 28, 2020
SHNID:
gd1992-03-20.149525.fob.set2.BK4011.brennecke.varnum.ebel.flac1648
Source:
***Set #2 Only*** Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT
Lineage:
Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
Taper Notes:
View Notes Notes: * All Tracks Are Seamless * Transfer From DAT -> Wav (48k)
Taper: Pete Ebel
2:35:37
Taper:
Pete Ebel
Transferrer:
Pete Ebel
SHNID:
gd1992-03-20.149301.nak300CP4.ebel.flac2496
Source:
TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's)
Lineage:
Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)
Taper Notes:
View Notes Notes: Set #2 Is Seamless
Taper: Alan Schmit
2:47:04
Taper:
Alan Schmit
Transferrer:
Dave Mallick
SHNID:
gd1992-03-20.sonicstudios.schmit.mallick.116465.flac16
Source:
Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 15th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick
Taper Notes:
View NotesNotes: - Occasional level fluctuations in set 2; sounds like partial obstruction at times.
Taper: Keith Litzenberger
2:41:46
Rating:
9.00 / 2 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1992-03-20.sennME80.wklitz.96171.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC
Transferrer: GEMS
2:41:11
Rating:
9.00 / 4 ratings
Transferrer:
GEMS
SHNID:
gd1992-03-20.fob.schoeps.gems.76478.sbeok.flac16
Source:
Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255
Lineage:
DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
Taper Notes:
View NotesOriginal QC Text included in folder for edit spots *Amplitude Attenuated to 96.25% *various pops, glitches and crowd noises required individual hand editing to save your speakers; some remain in ideal of least editing possible, especially in B.E.Women, where nothing i did seemed to better a few of the zips. *bird song patch with shnid 9757; thx to cwagenbach for the source *tracked 48Khz version available sans the editing a **GEMS** production www.shnflac.net Finished Sunday, August 13, 2006 **__**