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Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h65188
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k226
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.3k401
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.3k303
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k468
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.5k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k306
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k142
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k204
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h75283
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k179
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3k362
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k163
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k146
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k178
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.7k536
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k237
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k257
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20.7k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.4k924
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h42945
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.1k942
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.4k813
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.4k306
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k192
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.9k213
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.7k278
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h946128
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13318
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29117
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h422
7d1076
30d59434
2 shows
2 tapes
1992
Sources
Transferrer: Charlie Miller
2:32:47
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1992-03-20.141806.sbd.miller.flac1644
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Some vocal distortion in Brown Eyed Women -- This is a different mix than the official release -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:32:47
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-03-20.141785.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Some vocal distortion in Brown Eyed Women -- This is a different mix than the official release -- Two sets of masters were used to make this show complete
Transferrer: Hunter Seamons
2:41:12
SBD
Rating:
9.00 / 8 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1992-03-20.mtx.seamons.95208.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: SBD>DAT>CDR COMMENTS missing BE Women, Bucket is missing the opening notes, glitch at 2:04 of Mexicali, glitch at 1:09 of Promised Land, glitch in U.S. Blues at 4:40 EAC (secure mode with proper offsets), editing and shn conversion by Tony G ([email protected]) 05/30/2002 [It appears there is at least one (1) cassette generation in the lineage.] ---------------------------------------------------- AUD: FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255 Todd lent his gear to a friend for this evening. He did not tape this himself. based on tapertalk: set one was handheld,; set two he intended to run a stand DAT from collection of Todd Evans - [email protected] DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav a **GEMS** production www.shnflac.net May 2006 Edited Adobe Audition 1.5 Dithered 48/44.1 w/gaussian noise and a slight noise-shaping in r8brain v1.9 Tracked in CDWav Flac Level8 in TLH SBE FREE *Amplitude Attenuated to 96.25% *various pops, glitches and crowd noises required individual hand editing to save your speakers; some remain in ideal of least editing possible, especially in B.E.Women, where nothing i did seemed to better a few of the zips. *bird song patch with shnid 9757; thx to cwagenbach for the source a **GEMS** production www.shnflac.net Finished Sunday, August 13, 2006 **__** --------------------------------------------------- Thank you to Paul and Tony G. for the SBD transfer, and to Todd Evans and the **GEMS** production team for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) October 7, 2008 Notes: 1) Cuts in the SBD between some songs, a momentary cut during Space and at the beginning of Bucket. Approximately two-minute cut in the AUD during the earlier portion of Bird Song. 2) Occasional static, clicks, and/or pops. A loud click in Althea appears sound system related (the click is in both SBD and AUD). 3) SBD source was about 0.8% fast. 4) As there was some bass overload/distortion in the AUD, the low gain of the AUD was decreased a good amount, except in BE Women when only the AUD plays. This optimized the overall quality of the matrix, to my ears, and allowed certain aural dimensions of the sources to shine through better without tonal dissonance. 5) Seamless show
Source 4 of 10
2:23:23
SBD
Rating:
8.47 / 36 ratings
SHNID:
gd92-03-20.sbd.gardner.9757.sbeok.shnf
Source:
SBD>DAT>CDR
Taper Notes:
View NotesSBD>DAT>CDR; Missing Brown Eyed Women; via Paul; Seeded to etree by Tony G
Taper: Recording by Dave Brotman & Jeff Metchick
2:42:53
Taper:
Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 12, 2022
SHNID:
gd1992-03-20.155835.FOBSchoepsMasterDAT.BrotmanMetchickAnonNoel.t-flac1648
Source:
Recording: FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT
Lineage:
Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648
Taper Notes:
View NotesNotes: - Each tape was adjusted electronically & mechanically in the SV3800 to ensure proper play. - None of these Spring '92 tapes have emphasis. - To avoid detection the mics were hidden/muffled during Birdsong, hence the patch. Thanks to; - Dave Brotman & Jeff Metchick for recording the show. - Anon for the transfer, while hiding out away from the Bay Area. - Ted Mattes for organizing this project & seeing it though. - Pete Ebel for the patch source. - Auto Healer for helping me remove the clapper.
Taper: Taped By Clay Brennecke
1:35:55
Taper:
Taped By Clay Brennecke
Transferrer:
Transfers by Pete Ebel March 28, 2020
SHNID:
gd1992-03-20.149525.fob.set2.BK4011.brennecke.varnum.ebel.flac1648
Source:
***Set #2 Only*** Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT
Lineage:
Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
Taper Notes:
View Notes Notes: * All Tracks Are Seamless * Transfer From DAT -> Wav (48k)
Taper: Pete Ebel
2:35:37
Taper:
Pete Ebel
Transferrer:
Pete Ebel
SHNID:
gd1992-03-20.149301.nak300CP4.ebel.flac2496
Source:
TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's)
Lineage:
Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)
Taper Notes:
View Notes Notes: Set #2 Is Seamless
Taper: Alan Schmit
2:47:04
Taper:
Alan Schmit
Transferrer:
Dave Mallick
SHNID:
gd1992-03-20.sonicstudios.schmit.mallick.116465.flac16
Source:
Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 15th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick
Taper Notes:
View NotesNotes: - Occasional level fluctuations in set 2; sounds like partial obstruction at times.
Taper: Keith Litzenberger
2:41:46
Rating:
9.00 / 2 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1992-03-20.sennME80.wklitz.96171.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC
Transferrer: GEMS
2:41:11
Rating:
9.00 / 4 ratings
Transferrer:
GEMS
SHNID:
gd1992-03-20.fob.schoeps.gems.76478.sbeok.flac16
Source:
Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255
Lineage:
DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
Taper Notes:
View NotesOriginal QC Text included in folder for edit spots *Amplitude Attenuated to 96.25% *various pops, glitches and crowd noises required individual hand editing to save your speakers; some remain in ideal of least editing possible, especially in B.E.Women, where nothing i did seemed to better a few of the zips. *bird song patch with shnid 9757; thx to cwagenbach for the source *tracked 48Khz version available sans the editing a **GEMS** production www.shnflac.net Finished Sunday, August 13, 2006 **__**