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June 13th
Years
1995
30.1k
PlaybackListensHours
48h53071
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.6k268
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k359
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.2k561
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h4k523
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k395
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3k379
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k173
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8k968
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k126
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.8k210
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.7k655
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k190
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k199
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k235
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.1k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k255
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k277
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.8k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.7k2k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40542
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.1k519
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.4k714
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3k379
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k208
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k221
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k208
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h54368
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h14220
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33224
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h302
7d1037
30d62737
2 shows
2 tapes
1987
12/28/87
Feel Like a Stranger
9:03
Franklin's Tower
8:58
Minglewood Blues
7:38
Row Jimmy
11:19
Far From Me
6:01
When I Paint My Masterpiece
5:39
Sugaree
9:48
Hell in a Bucket
6:35
China Cat Sunflower
6:51
I Know You Rider
6:09
Cumberland Blues
6:55
Man Smart, Woman Smarter
7:05
drums
8:54
space
9:56
The Wheel
5:14
Truckin'
6:47
Smokestack Lightning
2:26
Black Peter
9:17
Sugar Magnolia
8:55
Black Muddy River
6:21
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:34:20
SBD
Rating:
7.33 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-12-28.sbd.walker-scotton.miller.85593.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Major problems with the ultrabox feed in first 3 songs -- Problem solved by switching to pure SBD feed at Minglewood -- Two different SBD Cassette Masters were used to make this seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Source 2 of 9
2:31:04
SBD
Rating:
4.00 / 2 ratings
SHNID:
gd87-12-28.sbd.samaritano.17280.sbeok.shnf
Source:
Master Cassette Soundboard (Gans)->DAT->ZA2->SoundForge->SHN. *No* audience patch. Low generation lineage guaranteed. See info file for details. SHN'd and seeded to etree by Joe Samaritano.
Taper Notes:
View NotesMaster Cassette Soundboard (Gans)->DAT->ZA2->SoundForge->SHN. *No* audience patch. Low generation lineage guaranteed. See info file for details. SHN'd and seeded to etree by Joe Samaritano.
Source 3 of 9
2:29:51
SBD
Rating:
6.67 / 4 ratings
SHNID:
gd87-12-28.sbd-audpatch.braverman.16910.sbeok.shnf
Source:
Ultramatrix (soundboard/audience mix) Master Cassette> DAT> CD> SHN patched with FOB Schoeps
Taper Notes:
View NotesUltramatrix (soundboard/audience mix) Master Cassette> DAT> CD> SHN patched with FOB Schoeps; via Raoul Duke, encoded & patched by Peter Braverman
Taper: Joani Walker
2:31:43
Taper:
Joani Walker
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-12-28.163799.ultramatrix.walker.scotton.miller.clugston.flac2496
Source:
Joani Walker's Master Ultramatrix Soundboard Cassettes (TDK MA-XG90)
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker and Paul Scotton for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Major issues with the ultrabox feed during "Feel Like A Stranger > Franklin's Tower" and "New Minglewood Blues" resulting in severe distortion in the right channel, then turning to just the ambient mics at the end of "Franklin's Tower" and the beginning of "New Minglewood Blues", before switching to a straight soundboard feed for the rest of the show. Since the distortion was relegated to the right channel, the left channel was copied and pasted to the right channel for the ultramatrix soundboard portions until the feed switched to only the ambient mics towards the end of "Franklin's Tower" and beginning of "New Minglewood Blues". All in all, a nice improvement over previous versions and very listenable. - Thanks to Michael Duffy and Curtis Ewing for the Schoeps source which supplies a half second patch when the feed changes from the ambient mics to the straight soundboard in the beginning of "New Minglewood Blues" - Wheel space included in "The Wheel" - Multiple masters were used to make this complete - Pitch corrected Mastered by Scott Clugston February 2023
Taper: Joani Walker
2:31:43
Taper:
Joani Walker
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-12-28.163798.ultramatrix.walker.scotton.miller.clugston.flac1648
Source:
Joani Walker's Master Ultramatrix Soundboard Cassettes (TDK MA-XG90)
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker and Paul Scotton for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Major issues with the ultrabox feed during "Feel Like A Stranger > Franklin's Tower" and "New Minglewood Blues" resulting in severe distortion in the right channel, then turning to just the ambient mics at the end of "Franklin's Tower" and the beginning of "New Minglewood Blues", before switching to a straight soundboard feed for the rest of the show. Since the distortion was relegated to the right channel, the left channel was copied and pasted to the right channel for the ultramatrix soundboard portions until the feed switched to only the ambient mics towards the end of "Franklin's Tower" and beginning of "New Minglewood Blues". All in all, a nice improvement over previous versions and very listenable. - Thanks to Michael Duffy and Curtis Ewing for the Schoeps source which supplies a half second patch when the feed changes from the ambient mics to the straight soundboard in the beginning of "New Minglewood Blues" - Wheel space included in "The Wheel" - Multiple masters were used to make this complete - Pitch corrected Mastered by Scott Clugston February 2023
Taper: OldNeumanntapr
2:26:37
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1987-12-28.168488.ec7.ont.flac1644
Source:
OTS; Superscope EC-7 Cardioid Condensers (Near Coincident) >Sony TC-153SD [XLIIS]
Lineage:
Cass Masters Transferred Via Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify By 4.2db, Index Tracks, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips], & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; This, and the previous night, was the second time that I had recorded the Dead at the Oakland Coliseum Arena, the first time being December 17 1986. The first time I was at the Coliseum was another near disaster, similar to my Ventura Fairgrounds 1986 excursion. I had mechanical problems with my '67 VW bus, and I forgot and left the new pack of double A batteries back in the bus and had to buy a pair from another taper. My Superscope EC7s ran on AA batteries. In 1986 the tapers section was on risers between the soundboard area and the front of the balcony. When people stomped their feet the risers shook and the sea of microphone stands swayed back and forth. For this series of Coliseum shows the tapers section was in the actual balcony and we were farther from the stage and closer to the rafters. I think that Bill Graham wanted that space where the risers had been to stage his pre-show volleyball games. These particular masters of mine have never been digitized and I had to borrow a Denon cassette deck from a friend because my decks have all quit working. Tracking the show out in Audacity I am realizing that I had a bad habit of pausing the tape between some songs. I don't remember what my reasoning was for this but I ended up clipping the beginning of some songs and leaving a really disjointed-sounding recording in the process. I guess I was trying to avoid 'dead air' between songs but it didn't work out really well in the long run. The continuity is a little unsettling at times because of the pauses between some songs, but overall I think the sound quality is decent. The vocals sound really upfront and open, as compared to the Nakamichi CM 300 shotgun source. Not bad for a 22 year old who had only been recording live shows for a year and a half. I used the Superscope EC7 cardioid microphones from late 1986 to early 1989 when a friend started letting me borrow his Nakamichi CM 300s. The Superscope's, which were made by Marantz, had a more open sound, especially on the vocals, but they tended to be a bit boomy on the low end, especially at indoor venues. I never tried them in an x/y pattern. Maybe that would have been an improvement. I think the EC7s had similar sound to Sony ECM-22P's, but (I've heard) that the Sonys were a bit better. I think I liked the Kaiser Convention Center better for recording because it was a bit smaller than the Oakland Coliseum and didn't sound as reverberant.
Taper: bltz
2:33:32
Rating:
8.00 / 1 rating
Taper:
bltz
Transferrer:
bltz
SHNID:
gd1987-12-28.135155.bltz.flac2496
Source:
Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MA90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz
Taper Notes:
View NotesPart of my Original Master Rescue Project. Notes: Excellent performance by Brent in particular, under-appreciated show sandwiched between other nights, energetic China-Rider, nice weird stuff in at end of Franklin's, and in space. Lots of quadrophonic effects inside the show which you can kind of hear with good headphones. People who were there had a really good time. Trust me!
Taper: Ted Gidley
2:33:20
Taper:
Ted Gidley
Transferrer:
Andrew F.
SHNID:
gd1987-12-28.nak300.gidley.120467.flac2448
Source:
OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012
Taper Notes:
View NotesNote: Patches from ID-16585, crowd track (after Row Jimmy) 0:11 > 1:14, and The Wheel 0:04 > 0:11.
Source 9 of 9
2:33:53
Rating:
7.33 / 3 ratings
SHNID:
gd87-12-28.schoeps.ewing.16585.sbeok.shnf
Source:
Schoeps FOB->PCM->DAT->CD->CD->WAV->SHN via "M.D." encoded by Curtis Ewing
Taper Notes:
View NotesSchoeps FOB->PCM->DAT->CD->CD->WAV->SHN via "M.D." encoded by Curtis Ewing