Bands
Featured
Bands
Grateful Dead
Today In History
June 15th
Years
1995
29.8k
PlaybackListensHours
48h1.3k165
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.6k254
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.7k231
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.6k353
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k354
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h4.9k694
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k270
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k138
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.5k557
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h86399
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.2k709
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.4k299
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h938119
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k163
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h1.9k238
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4.1k469
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1.1k152
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k212
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.7k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.1k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h43145
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.1k401
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h3.9k519
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k313
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k161
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k149
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h78195
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12317
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h42926
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1987
Sources
Transferrer: Charlie Miller
2:28:29
SBD
Rating:
7.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-11-07.122203.sbd.miller.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->Samplitude Professional v9.02 -> FLAC/16
Taper Notes:
View NotesNotes: -- Encore on end of 1st Set to fit show on 2 discs -- Encore can be re-joined with 2nd Set seamlessly -- Sound improves during Hey Pocky Way -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:30:18
SBD
Rating:
7.20 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-11-07.sbd.walker-scotton.miller.83998.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: SBD -> PCM -> Sound Forge -> CD (shnid=9242) supplies: Space (0:01 - 0:24) Notes: -- Encore on end of 1st Set to fit show on 2 discs -- Encore can be re-joined with 2nd Set seamlessly -- Sound improves during Hey Pocky Way -- Thanks to Paul Scotton and Joani Walker for the tapes
Taper: PO and Stucco TINA Holmes
2:29:55
SBD
Rating:
8.00 / 1 rating
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell
SHNID:
gd1987-11-07.138156.sbd.GEMS.flac16
Source:
Sbd > ? > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering by Jamie Waddell in Wavelab 7.2.1; Track, FLAC and Pack by Chris James
Taper Notes:
View Notes16 bit 44.1kHz a project **GEMS** Betamania Release, April 20, 2017
Source 4 of 9
2:29:37
SBDREMASTER
Rating:
10.00 / 4 ratings
SHNID:
gd1987-11-07.sbd-pcm.remaster.uhclem.27581.sbeok.flac16
Source:
SBD > PCM > CDR
Lineage:
remaster and edit by uhclem
Taper Notes:
View Notes********************************************************** The following edits were performed by uh_clem (2004-12-16) - the fadeout and fadein between d2t04 and d3t01 was edited out so that these tracks are now seemless. The tracks are split at a very quiet part which creates a natural fade in and fade out when burning to CD. - DC Offset correction was applied to each set - discs 2 & 3 were retracked - resulting WAV files compressed to FLAC (v.1.1.1)
Source 5 of 9
2:29:59
SBD
Rating:
9.08 / 13 ratings
SHNID:
gd87-11-07.sbd.gardner.9242.sbeok.shnf
Source:
SBD > PCM > CDR
Lineage:
PCM SBD -> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5 (editing- see notes)/CD Architect > CDR by Sean Weber-small; CDR > EAC > SHN by Bill Gardner
Taper Notes:
View NotesSBD > PCM > CDR; Transfer: PCM SBD -> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5 (editing- see notes)/CD Architect > CDR by Sean Weber-small; CDR > EAC > SHN by Bill Gardner
Taper: Bob Wagner
2:24:08
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-11-07.166970.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to White and Keo for the audience source which supplies a 3:34 patch in "Drums", as well as the 2nd encore "One More Saturaday Night" - "We Want Phil" chant after "Dupree's Diamond Blues" and before "Box Of Rain" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Bob Wagner
2:24:08
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-11-07.166969.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to White and Keo for the audience source which supplies a 3:34 patch in "Drums", as well as the 2nd encore "One More Saturaday Night" - "We Want Phil" chant after "Dupree's Diamond Blues" and before "Box Of Rain" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Mr. White
2:32:39
Taper:
Mr. White
Transferrer:
Keo
SHNID:
gd1987-11-07.AudUnk.White.Keo.116669.Flac1644
Taper Notes:
View NotesComments:Another Huge thanks to Mr. White for sharing his source tapes and filling another gap in the missing audience sources to circulate. This Source has lots of audience participation, some hiss and a little muddy sounding at times, still there is enough good in it to share till a better source comes along. As always ENJOY!
Taper: Mr. White
2:32:39
Rating:
8.00 / 2 ratings
Taper:
Mr. White
Transferrer:
Keo
SHNID:
gd1987-11-07.AudUnk.White.Keo.116665.Flac2496
Taper Notes:
View NotesComments:Another Huge thanks to Mr. White for sharing his source tapes and filling another gap in the missing audience sources to circulate. This Source has lots of audience participation, some hiss and a little muddy sounding at times, still there is enough good in it to share till a better source comes along. As always ENJOY!