Bands
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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h53271
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k194
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.9k384
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k280
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.4k550
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k947
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.9k351
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k130
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.5k283
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h949107
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k209
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k505
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k173
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k152
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k292
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k258
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k257
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.4k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h18.4k2.4k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h21323
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k487
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k241
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k179
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k164
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h56572
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h46830
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h554
7d895
30d58534
2 shows
2 tapes
1987
Sources
Transferrer: Charlie Miller
2:28:29
SBD
Rating:
7.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-11-07.122203.sbd.miller.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->Samplitude Professional v9.02 -> FLAC/16
Taper Notes:
View NotesNotes: -- Encore on end of 1st Set to fit show on 2 discs -- Encore can be re-joined with 2nd Set seamlessly -- Sound improves during Hey Pocky Way -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:30:18
SBD
Rating:
7.20 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-11-07.sbd.walker-scotton.miller.83998.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: SBD -> PCM -> Sound Forge -> CD (shnid=9242) supplies: Space (0:01 - 0:24) Notes: -- Encore on end of 1st Set to fit show on 2 discs -- Encore can be re-joined with 2nd Set seamlessly -- Sound improves during Hey Pocky Way -- Thanks to Paul Scotton and Joani Walker for the tapes
Taper: PO and Stucco TINA Holmes
2:29:55
SBD
Rating:
8.00 / 1 rating
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell
SHNID:
gd1987-11-07.138156.sbd.GEMS.flac16
Source:
Sbd > ? > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering by Jamie Waddell in Wavelab 7.2.1; Track, FLAC and Pack by Chris James
Taper Notes:
View Notes16 bit 44.1kHz a project **GEMS** Betamania Release, April 20, 2017
Source 4 of 9
2:29:37
SBDREMASTER
Rating:
10.00 / 4 ratings
SHNID:
gd1987-11-07.sbd-pcm.remaster.uhclem.27581.sbeok.flac16
Source:
SBD > PCM > CDR
Lineage:
remaster and edit by uhclem
Taper Notes:
View Notes********************************************************** The following edits were performed by uh_clem (2004-12-16) - the fadeout and fadein between d2t04 and d3t01 was edited out so that these tracks are now seemless. The tracks are split at a very quiet part which creates a natural fade in and fade out when burning to CD. - DC Offset correction was applied to each set - discs 2 & 3 were retracked - resulting WAV files compressed to FLAC (v.1.1.1)
Source 5 of 9
2:29:59
SBD
Rating:
9.08 / 13 ratings
SHNID:
gd87-11-07.sbd.gardner.9242.sbeok.shnf
Source:
SBD > PCM > CDR
Lineage:
PCM SBD -> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5 (editing- see notes)/CD Architect > CDR by Sean Weber-small; CDR > EAC > SHN by Bill Gardner
Taper Notes:
View NotesSBD > PCM > CDR; Transfer: PCM SBD -> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5 (editing- see notes)/CD Architect > CDR by Sean Weber-small; CDR > EAC > SHN by Bill Gardner
Taper: Bob Wagner
2:24:08
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-11-07.166970.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to White and Keo for the audience source which supplies a 3:34 patch in "Drums", as well as the 2nd encore "One More Saturaday Night" - "We Want Phil" chant after "Dupree's Diamond Blues" and before "Box Of Rain" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Bob Wagner
2:24:08
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-11-07.166969.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to White and Keo for the audience source which supplies a 3:34 patch in "Drums", as well as the 2nd encore "One More Saturaday Night" - "We Want Phil" chant after "Dupree's Diamond Blues" and before "Box Of Rain" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Mr. White
2:32:39
Taper:
Mr. White
Transferrer:
Keo
SHNID:
gd1987-11-07.AudUnk.White.Keo.116669.Flac1644
Taper Notes:
View NotesComments:Another Huge thanks to Mr. White for sharing his source tapes and filling another gap in the missing audience sources to circulate. This Source has lots of audience participation, some hiss and a little muddy sounding at times, still there is enough good in it to share till a better source comes along. As always ENJOY!
Taper: Mr. White
2:32:39
Rating:
8.00 / 2 ratings
Taper:
Mr. White
Transferrer:
Keo
SHNID:
gd1987-11-07.AudUnk.White.Keo.116665.Flac2496
Taper Notes:
View NotesComments:Another Huge thanks to Mr. White for sharing his source tapes and filling another gap in the missing audience sources to circulate. This Source has lots of audience participation, some hiss and a little muddy sounding at times, still there is enough good in it to share till a better source comes along. As always ENJOY!