Bands
Featured
Bands
Grateful Dead
Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h764105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h68296
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.8k505
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k363
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.3k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k346
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k372
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k157
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k248
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h932103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k212
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k145
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k203
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k224
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k301
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.3k670
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k184
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k284
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.3k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.7k503
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h80481
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k560
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k603
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k420
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k228
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.3k947
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k360
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h42152
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24318
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h493
7d1026
30d57334
2 shows
2 tapes
1987
Sources
Transferrer: Charlie Miller
2:28:29
SBD
Rating:
7.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-11-07.122203.sbd.miller.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->Samplitude Professional v9.02 -> FLAC/16
Taper Notes:
View NotesNotes: -- Encore on end of 1st Set to fit show on 2 discs -- Encore can be re-joined with 2nd Set seamlessly -- Sound improves during Hey Pocky Way -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:30:18
SBD
Rating:
7.20 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-11-07.sbd.walker-scotton.miller.83998.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: SBD -> PCM -> Sound Forge -> CD (shnid=9242) supplies: Space (0:01 - 0:24) Notes: -- Encore on end of 1st Set to fit show on 2 discs -- Encore can be re-joined with 2nd Set seamlessly -- Sound improves during Hey Pocky Way -- Thanks to Paul Scotton and Joani Walker for the tapes
Taper: PO and Stucco TINA Holmes
2:29:55
SBD
Rating:
8.00 / 1 rating
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jamie Waddell
SHNID:
gd1987-11-07.138156.sbd.GEMS.flac16
Source:
Sbd > ? > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering by Jamie Waddell in Wavelab 7.2.1; Track, FLAC and Pack by Chris James
Taper Notes:
View Notes16 bit 44.1kHz a project **GEMS** Betamania Release, April 20, 2017
Source 4 of 9
2:29:37
SBDREMASTER
Rating:
10.00 / 4 ratings
SHNID:
gd1987-11-07.sbd-pcm.remaster.uhclem.27581.sbeok.flac16
Source:
SBD > PCM > CDR
Lineage:
remaster and edit by uhclem
Taper Notes:
View Notes********************************************************** The following edits were performed by uh_clem (2004-12-16) - the fadeout and fadein between d2t04 and d3t01 was edited out so that these tracks are now seemless. The tracks are split at a very quiet part which creates a natural fade in and fade out when burning to CD. - DC Offset correction was applied to each set - discs 2 & 3 were retracked - resulting WAV files compressed to FLAC (v.1.1.1)
Source 5 of 9
2:29:59
SBD
Rating:
9.08 / 13 ratings
SHNID:
gd87-11-07.sbd.gardner.9242.sbeok.shnf
Source:
SBD > PCM > CDR
Lineage:
PCM SBD -> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5 (editing- see notes)/CD Architect > CDR by Sean Weber-small; CDR > EAC > SHN by Bill Gardner
Taper Notes:
View NotesSBD > PCM > CDR; Transfer: PCM SBD -> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5 (editing- see notes)/CD Architect > CDR by Sean Weber-small; CDR > EAC > SHN by Bill Gardner
Taper: Bob Wagner
2:24:08
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-11-07.166970.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to White and Keo for the audience source which supplies a 3:34 patch in "Drums", as well as the 2nd encore "One More Saturaday Night" - "We Want Phil" chant after "Dupree's Diamond Blues" and before "Box Of Rain" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Bob Wagner
2:24:08
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-11-07.166969.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to White and Keo for the audience source which supplies a 3:34 patch in "Drums", as well as the 2nd encore "One More Saturaday Night" - "We Want Phil" chant after "Dupree's Diamond Blues" and before "Box Of Rain" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Mr. White
2:32:39
Taper:
Mr. White
Transferrer:
Keo
SHNID:
gd1987-11-07.AudUnk.White.Keo.116669.Flac1644
Taper Notes:
View NotesComments:Another Huge thanks to Mr. White for sharing his source tapes and filling another gap in the missing audience sources to circulate. This Source has lots of audience participation, some hiss and a little muddy sounding at times, still there is enough good in it to share till a better source comes along. As always ENJOY!
Taper: Mr. White
2:32:39
Rating:
8.00 / 2 ratings
Taper:
Mr. White
Transferrer:
Keo
SHNID:
gd1987-11-07.AudUnk.White.Keo.116665.Flac2496
Taper Notes:
View NotesComments:Another Huge thanks to Mr. White for sharing his source tapes and filling another gap in the missing audience sources to circulate. This Source has lots of audience participation, some hiss and a little muddy sounding at times, still there is enough good in it to share till a better source comes along. As always ENJOY!