Bands
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Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h1k142
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h63591
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.4k857
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k348
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.2k809
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k392
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k419
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k161
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k302
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h922103
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k243
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k180
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k182
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.9k237
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.4k314
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.6k647
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k195
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.9k388
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.9k678
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h81466
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.7k588
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5k654
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k467
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k261
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.5k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.4k581
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h48658
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9815
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h30421
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1987
Sources
Transferrer: Charlie Miller
2:23:47
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-11-06.sbd.miller.122166.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->Samplitude Professional v9.02 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Two SBD Cassette Masters were used to make this show complete -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:25:35
SBD
Transferrer:
Charlie Miller
SHNID:
gd1987-11-06.sbd.walker-scotton.miller.83941.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Two SBD Cassette Masters were used to make this show complete -- Thanks to Paul Scotton and Joani Walker for the tapes
Source 3 of 7
2:24:26
SBD
Rating:
5.50 / 4 ratings
SHNID:
gd87-11-06.sbd.miller.11656.sbeok.shnf
Source:
SBD>Cm>Dat>Samplitude>Cool Edit Pro>CD
Taper Notes:
View NotesSBD>Cm>Dat>Samplitude>Cool Edit Pro>CD; Seeded to etree by Charlie Miller
Taper: Bob Wagner
2:29:29
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-11-06.166968.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to White and Keo for the audience source which supplies a 1:08 patch in "Space" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Bob Wagner
2:29:29
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-11-06.166967.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to White and Keo for the audience source which supplies a 1:08 patch in "Space" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Mr. White
2:26:42
Taper:
Mr. White
Transferrer:
Keo
SHNID:
gd1987-11-06.AudUnk.White.Keo.116460.Flac1644
Taper Notes:
View NotesComments:Another Huge thanks to Mr. White for sharing his source tapes and filling another gap in the missing audience sources to circulate. This Source has lots of audience participation, some hiss and a little muddy sounding at times, still there is enough good in it to share till a better source comes along. As always ENJOY!
Taper: Mr. White
2:26:42
Rating:
4.00 / 1 rating
Taper:
Mr. White
Transferrer:
Keo
SHNID:
gd1987-11-06.AudUnk.White.Keo.116459.Flac2496
Taper Notes:
View NotesComments:Another Huge thanks to Mr. White for sharing his source tapes and filling another gap in the missing audience sources to circulate. This Source has lots of audience participation, some hiss and a little muddy sounding at times, still there is enough good in it to share till a better source comes along. As always ENJOY!