Bands
Featured
Bands
Grateful Dead
Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h1.1k136
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h1.7k273
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h1.7k224
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k308
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.7k348
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h4.1k570
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.1k265
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.1k129
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h4.9k612
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h82294
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h5.1k588
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h2.8k339
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h912116
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.3k163
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.7k215
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h4.5k520
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1k148
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.5k198
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h7.8k1.1k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h13.4k1.8k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37338
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h2.9k369
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h3.9k513
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.4k298
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.3k145
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.3k157
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.5k240
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h76593
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10515
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32320
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h372
7d1128
30d63237
2 shows
2 tapes
1987
Sources
Transferrer: Charlie Miller
2:23:47
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-11-06.sbd.miller.122166.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->Samplitude Professional v9.02 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Two SBD Cassette Masters were used to make this show complete -- Thanks to Paul Scotton and Joani Walker for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:25:35
SBD
Transferrer:
Charlie Miller
SHNID:
gd1987-11-06.sbd.walker-scotton.miller.83941.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Two SBD Cassette Masters were used to make this show complete -- Thanks to Paul Scotton and Joani Walker for the tapes
Source 3 of 7
2:24:26
SBD
Rating:
5.50 / 4 ratings
SHNID:
gd87-11-06.sbd.miller.11656.sbeok.shnf
Source:
SBD>Cm>Dat>Samplitude>Cool Edit Pro>CD
Taper Notes:
View NotesSBD>Cm>Dat>Samplitude>Cool Edit Pro>CD; Seeded to etree by Charlie Miller
Taper: Bob Wagner
2:29:29
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-11-06.166968.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to White and Keo for the audience source which supplies a 1:08 patch in "Space" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Bob Wagner
2:29:29
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1987-11-06.166967.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to White and Keo for the audience source which supplies a 1:08 patch in "Space" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston February 2024
Taper: Mr. White
2:26:42
Taper:
Mr. White
Transferrer:
Keo
SHNID:
gd1987-11-06.AudUnk.White.Keo.116460.Flac1644
Taper Notes:
View NotesComments:Another Huge thanks to Mr. White for sharing his source tapes and filling another gap in the missing audience sources to circulate. This Source has lots of audience participation, some hiss and a little muddy sounding at times, still there is enough good in it to share till a better source comes along. As always ENJOY!
Taper: Mr. White
2:26:42
Rating:
4.00 / 1 rating
Taper:
Mr. White
Transferrer:
Keo
SHNID:
gd1987-11-06.AudUnk.White.Keo.116459.Flac2496
Taper Notes:
View NotesComments:Another Huge thanks to Mr. White for sharing his source tapes and filling another gap in the missing audience sources to circulate. This Source has lots of audience participation, some hiss and a little muddy sounding at times, still there is enough good in it to share till a better source comes along. As always ENJOY!