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June 11th
Years
1995
30.1k
PlaybackListensHours
48h46963
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h1.7k209
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.5k325
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.8k242
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.7k474
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h8.1k1k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.6k316
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k129
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k243
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h908102
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k203
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h4.6k542
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k159
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k145
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2.2k276
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.2k252
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k218
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.8k245
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h11.7k1.6k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h15.8k2.1k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h17819
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.6k472
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h10.3k1.4k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h1.9k242
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.6k179
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k191
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k153
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h54970
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h7512
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42928
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h624
7d1076
30d59534
2 shows
2 tapes
1987
9/23/87
Tune Up
2:56
Feel Like A Stranger
7:08
Franklin's Tower
9:36
Walkin' Blues
6:32
Friend Of The Devil
9:03
Tons Of Steel
4:58
Desolation Row
10:33
Big Railroad Blues
5:06
The Music Never Stopped
7:50
Bertha->
7:28
Cumberland Blues->
5:16
Playin' In The Band->
7:24
Uncle John's Band->
8:57
Playin' In The Band Jam-> Drums->
10:29
Jam->
7:27
I Need A Miracle->
4:02
Dear Mr. Fantasy->
5:56
Around & Around->
3:54
Good Lovin'->
4:47
La Bamba->
1:59
Good Lovin'
2:11
U.S. Blues
5:25
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:27:17
SBD
Rating:
8.67 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-09-23.137420.sbd.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This source has a fixed Walkin' Blues -- Two sets of masters were used to make show complete -- Thanks to Joe B. Jones for his help with the pitch correction **This fileset is 16bits @ 44.1** 137412 fixed 24bit > 16bit with r8brain
Transferrer: Charlie Miller
1:33:39
SBD
Transferrer:
Charlie Miller
SHNID:
gd1987-09-23.137412.fixed.sbd.miller.flac24
Source:
SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This source has a fixed Walkin' Blues -- Two sets of masters were used to make show complete -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Kevin Tobin
2:23:04
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-23.137231.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes.
Lineage:
MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-NOV-2016 - Trader Little Helper - Tagged 11-NOV-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:23:04
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-23.137230.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes.
Lineage:
MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-NOV-2016 - Trader Little Helper - Tagged 11-NOV-2016 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:23:04
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-23.137228.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid = 30887)Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes.
Lineage:
MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-NOV-2016 - Trader Little Helper - Tagged 11-NOV-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:23:04
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-23.137226.upg-sbd.tobin.flac16
Source:
(original shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes.
Lineage:
MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected soundboard --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-NOV-2016 - Trader Little Helper - Tagged 11-NOV-2016 - Tag&Rename --------------------------------------------------------- Only minor patching needed except 54 seconds during drums. Speedwise the audience was very fast when compared to other recordings - 1.500 seconds per minute. Brokedown House Production
Transferrer: Chris Ladner
2:24:39
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Chris Ladner
SHNID:
gd87-09-23.sbd.ladner.30887.sbeok.flacf
Source:
Soundboard
Lineage:
Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV > Nakamichi DR2 (MSC) > Audiophile 2496 > Wavelab 5 (24/48) > Waves L3 Multimaximizer (resample/dither) > CD Wave > FLAC16
Taper Notes:
View NotesSource: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Last performances of "Tons of Steel" and "La Bamba". Thanks to the provider of the MSCs who for various reasons wishes to remain anonymous. Overall this recording has a lot more high end than the source listed on the archive as being a MSC >DAT transfer. This is likely the MSC that was used on that DAT transfer as the "Healy Weirdness" described during Desolation Row corresponds to a poorly patched tape flip. There are no dropouts in La Bamba on this recording. Flaws- This recording has the nasty digital static at the beginning of the show (Stranger) coming through with what sounds like Bob's vocal mic as his voice is all distorted while you can hear Jerry and Brent's ok. Tape flip during the first verse of Desolation Row patched from a similar sounding performance (no drums, just guitars/voices) on 5/10/87 using Wavelab. Tape flip durin Space was very short and crossfaded into near-imperceptiblity.
Source 8 of 13
2:21:54
SBD
Rating:
8.57 / 14 ratings
SHNID:
gd87-09-23.sbd.willy.15207.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MC > DAT > CD
Taper Notes:
View NotesSBD>MC>DAT>CD; Terrible static first 1:12 Stranger; See info file for details; EAC/SHN by Willy
Taper: Michael Hessberg
2:26:31
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-23.154372.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joe D'Amico for the Nakamichi 304 source which supplies a 0:44 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Michael Hessberg
2:26:31
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-23.154371.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joe D'Amico for the Nakamichi 304 source which supplies a 0:44 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2020
Transferrer: Kevin Tobin
2:23:04
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-23.137225.upg-aud.tobin.flac16
Source:
(original shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 11-NOV-2016 - Trader Little Helper - Tagged 11-NOV-2016 - Tag&Rename --------------------------------------------------------- Only minor patching needed except 38 seconds during drums. Speedwise the audience was fast when compared to other recordings - 1.000 seconds per minute. Brokedown House Production
Taper: Jon Pasternak
2:18:57
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1987-09-23.133606.NakCM100-Spectrum.pasternak.flac16
Source:
Source / Lineage : Taper section nakamichi CM 100 / CP-4s > Marantz PMD 420, Master Cassette > CD, Transfered on a Nakamichi DR-2 > Tascom CDRW 2000 > me >EAC > TLH level 8 > flac 16 > you > enjoyTape and Transfer By Jon Pasternak
Taper: Joe D'Amico
2:21:29
Rating:
10.00 / 2 ratings
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1987-09-23.nak300.damico.90559.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D