RELISTENTOTHE Grateful Dead
Re
1987
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Grateful Dead
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Today In History
June 16th
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1987
9/19/87
Mississippi Half-Step Uptown Toodeloo
9:12
It's All Over Now
9:38
High Time
8:37
Mexicali Blues>
5:11
Big River
5:34
When Push Comes To Shove
5:19
Box Of Rain>
5:32
Don't Ease Me In
3:53
E: Black Muddy River
7:04
Crazy Fingers>
8:53
Uncle John's Band>
8:57
Playing In The Band>
18:22
Drums>
6:27
Space>
3:00
I Need A Miracle>
3:37
Maggie's Farm>
6:54
Black Peter>
8:47
Around And Around>
3:50
Turn On Your Lovelight
6:39
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:17:02
SBD
Rating:
2.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-19.134126.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1</b>; MixSBD (shnid=76469) Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 + AUD (shn id 90485) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 02-SEP-2015 - Trader Little Helper - Tagged 02-SEP-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -2db Right Channel SBD -2db Center Mixed to mono -2db SBD Surround Left Channel -1db AUD Right Channel -1db AUD Sub/LFE Mixed to mono -2db SBD --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:17:02
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-19.134125.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=76469) Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 + AUD (shn id 90485) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(48%-SBD/52%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 02-SEP-2015 - Trader Little Helper - Tagged 02-SEP-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -2 AUD -1 SET TWO Stereo Matrix SBD -2 AUD -1 --------------------------------------------------------- Brokedown House Production
Transferrer: Roger Eichorn
2:14:35
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Roger Eichorn
SHNID:
gd1987-09-19.126346.mtx-redo.eichorn.sbeok.t-flac16
Source:
Another Matrix from Source 1: SBD (shnid=76469) SBD>CD>EAC>FLAC; Source 2 (Set 1): AUD (shnid=91977) Taper(s): David Barfield and or David Lane; Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2; ransfer: MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac; and Source 2 (Set 2): AUD (shnid=116065) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged
Taper Notes:
View Notes----------------------------------------- I released a version of this matrix on December 6, 2013. I'm re-releasing it now. Why? Obviously, because I think this release represents a serious improvement over the first. Unlike in the cases of my other re-releases, however, this time I have no good excuse: I simply screwed up the first one. I apologize for inflicting it on the trading community: it's a mess. I was experimenting with new plug-ins, and things got wildly out of hand. I have instituted new quality-control mechanisms to ensure that such botched jobs don't make it into circulation in the future. FRESH LEGS, VOL. 8 (Matrix) www.facebook.com/freshdeadlegs/ General Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - A night of missed cues and half-starts! Jerry tries to jump straight from "Mississippi Half-Step" to "High Time"; Bobby tries to start up "The Other One" after "Maggie's Farm," and then he tries to segue back into "Playin' in the Band" after "Black Peter." Source Notes: - Q: Why do the two sets use different audience sources? A: I initially decided to use the Watson source, which I think has a nice full sound to it. I did all the prep work for the first set before discovering that the second set of the source has speed-and-pitch problems that make is less desirable than the Gidley source, which I nearly decided to use in the first place. Rather than scrapping all the work I'd done on the first set, I decided to keep it and just toss in the Gidley source for the second set. I did what I could to make the sound uniform across the sets; I think the results are pretty good. - I used some crowd-noise from the Gidley AUD in the first set, to fill in some blanks. - I only retain between-song crowd-noise from AUD sources. This means that some 'dead air' was cut from the SBD and some fades were added. - Unfortunately, the SBD is riddled with problems. (1) It repeats a second or so of "High Time," which I cut. (2) There's a hum and hiss throughout, which I couldn't get rid of. It's only really noticeable between songs and on headphones, so don't worry about it too much. (3) There are various anomalies, some of which I couldn't fix. ("Box of Rain" is particularly afflicted.) I did what I could to make them as unobtrusive as possible. (4) I evened-out the levels in the second set. (5) The mix leaves something to be desired in places: Brent is too loud during "Big River"; Bobby's vocals are too loud during "Playin'"; Bobby's guitar is too loud at various places; et al. Obviously, there was little I could do about any of this. Technical Notes: - The sources were remastered and mixed in Logic Pro 9. Clean-up was done using iZotope RX 3 Advanced. SBE's were fixed using Trader's Little Helper. - I speed- and pitch-corrected the SBD using the iZotope Radius algorithm. Fine-tune syncing was done in Logic Pro 9. - I ran the SBD and the Watson AUD through iZotope RX 3's Declip function. - I converted the Gidley source from 24/48 to 16/44.1 using iZotope RX 3. Roger Eichorn www.facebook.com/freshdeadlegs/ December 16, 2013
Transferrer: Roger Eichorn
2:14:36
SBD
Rating:
2.00 / 1 rating
Transferrer:
Roger Eichorn
SHNID:
gd1987-09-19.126284.mtx.eichorn.sbeok.t-flac16
Source:
Matrix from Source 1: SBD (shnid=76469) SBD>CD>EAC>FLAC; Source 2 (Set 1): AUD (shnid=91977) Taper(s): David Barfield and/or David Lane Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2;
Lineage:
MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac; and Source 2 (Set 2): AUD (shnid=116065) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged; Transfer by Andrew F.
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - A night of missed cues and half-starts! Jerry tries to jump straight from "Mississippi Half-Step" to "High Time"; Bobby tries to start up "The Other One" after "Maggie's Farm," and then he tries to segue back into "Playin' in the Band" after "Black Peter." Source Notes: - Q: Why do the two sets use different audience sources? A: I initially decided to use the Watson source, which I think has a nice full sound to it. I did all the prep work for the first set before discovering that the second set of the source has speed-and-pitch problems that make is less desirable than the Gidley source, which I nearly decided to use in the first place. Rather than scrapping all the work I'd done on the first set, I decided to keep it and just toss in the Gidley source for the second set. I did what I could to make the sound uniform across the sets; I think the results are pretty good. - I used some crowd-noise from the Gidley AUD in the first set, to fill in some blanks. - I only retain between-song crowd-noise from AUD sources. This means that some 'dead air' was cut from the SBD and some fades were added. - Unfortunately, the SBD is riddled with problems. (1) It repeats a second or so of "High Time," which I cut. (2) There's a hum and hiss throughout, which I couldn't get rid of. It's only really noticeable between songs and on headphones, so don't worry about it too much. (3) There are various anomalies, some of which I couldn't fix. ("Box of Rain" is particularly afflicted.) I did what I could to make them as unobtrusive as possible. (4) I evened-out the levels in the second set. (5) The mix leaves something to be desired in places: Brent is too loud during "Big River"; Bobby's vocals are too loud during "Playin'"; Bobby's guitar is too loud at various places; et al. Obviously, there was little I could do about any of this. Technical Notes: - The sources were remastered and mixed in Logic Pro 9. Clean-up was done using iZotope RX 3 Advanced. SBE's were fixed using Trader's Little Helper. - I speed- and pitch-corrected the SBD using the iZotope Radius algorithm. Fine-tune syncing was done in Logic Pro 9. - I ran the SBD and the Watson AUD through iZotope RX 3's Declip function. - I converted the Gidley source from 24/48 to 16/44.1 using iZotope RX 3. Roger Eichorn www.facebook.com/freshdeadlegs/ December 6, 2013
Taper: bltz
2:14:04
Rating:
8.00 / 1 rating
Taper:
bltz
Transferrer:
bltz
SHNID:
gd1987-09-19.134925.bltz.flac2496
Source:
Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/TDK MA-90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
Taper Notes:
View Notes* Live FarmAid broadcast: "If you've been watching TV today, then nobody has to tell you how bad it is for farmers. You could do something: Give your money or support. Call 1-800-FARM AID." 1st without Dylan. Notes: Maggie's Farm on FarmAid Broadcast. Highly praised show. High energy typical of Madison Square Garden Shows. Lots of great audience action, esp. during the second set, which sounds better (maybe some deck tape-type setting issue?) like the clapping at 12:40 in Uncle John's, and the audience perhaps even driving them faster at 17:19. Perhaps a "best of" High Time, very precise, in general excellent low-end, praise for Jerry's Black Peter solo. Playing Jam: "This may be the most fluid jam emanating from a song's construct so far in 1987." -- jboyaquar, archive.org. Maggie's Farm! Live FarmAid broadcast made timing a bit odd but who cares. "If you've been watching TV today, then nobody has to tell you how bad it is for farmers. You could do something: Give your money or support. Call 1-800-FARM AID." - Bob
Transferrer: Kevin Tobin
2:17:02
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-19.134124.upg-aud.tobin.flac16
Source:
(original shnid = 90485) Master Audience taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 02-SEP-2015 - Trader Little Helper - Tagged 02-SEP-2015 - Tag&Rename --------------------------------------------------------- Only minor patching - 1st set had some additional dead air before When Push Comes to Shove to match soundboard tracks. 2nd set had 1 minutes and 05 seconds added during the end of Drums and 55 seconds before Black Muddy River. Speedwise the audience was kind-of fast compared to other recordings (also checked against circulating video) - about .75 seconds per minute. Brokedown House Production