Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
28.8k
PlaybackListensHours
48h1.4k190
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h60185
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6k806
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.2k278
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h4.9k638
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k369
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k404
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k145
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k280
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h84695
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k238
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k187
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.3k178
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k237
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.2k290
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k181
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.5k460
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.3k728
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h86472
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.5k566
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.5k591
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.6k446
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k248
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.6k978
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.5k607
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52564
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13620
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h32124
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1987
Sources
Transferrer: Charlie Miller
2:20:24
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1987-09-18.137535.sbd.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make show complete -- Thanks to Joe B. Jones for his help with the pitch correction 24bit > 16bit with r8brain
Transferrer: Charlie Miller
2:20:23
SBD
Transferrer:
Charlie Miller
SHNID:
gd1987-09-18.137533.sbd.miller.flac24
Source:
SBD > Cassette Master (TDK SA-X90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make show complete -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Kevin Tobin
2:17:19
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-18.134825.sur5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely
Lineage:
SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone + AUD (shnid=90241) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 15-DEC-2015 - Trader Little Helper - Tagged 15-DEC-2015 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:17:20
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-18.134456.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely
Lineage:
SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone + AUD (shnid=90241) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-OCT-2015 - Trader Little Helper - Tagged 12-OCT-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel +1db AUD Right Channel +1db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:17:20
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-18.134455.mtx.tobin.flac16
Source:
Matrix 3 Source Mix - SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely
Lineage:
SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone + AUD (shnid=90241) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 3 Source Mix(48%-SBD/52%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-OCT-2015 - Trader Little Helper - Tagged 12-OCT-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD +1 SET TWO Stereo Matrix SBD 0 AUD +1 --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
48:00
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1987-09-18.134393.set1.sbd.tobin.flac16
Source:
Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin
Taper Notes:
View NotesAudio Source Information SBD: ?? > CD > EAC > .wav > Flac I wish I had more source information than that - 9/18/87 was one of my first video projects and my good friend Lisa Biasi sent me her cds that she had gotten from the band. The first set sounds better than anything then circulating but the 2nd second set was badly clipped and I didn't use it. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-SEP-2015 - Trader Little Helper - Tagged 28-SEP-2015 - Tag&Rename --------------------------------------------------------- Speedwise the soundboard was very close compared to the video and only minor patching at the beginning to match the video. Brokedown House Production
Transferrer: Roger Eichorn
2:17:11
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Roger Eichorn
SHNID:
gd1987-09-18.126165.mtx-redo.eichorn.sbeok.t-flac16
Source:
Matrix from Source 1: SBD (shnid=20025; patched with shnid=21241)
Lineage:
Vault PCM Master->DAT Transfer: AT->ZA2->Soundforge->.wav->mkw->SHN, Source 2: AUD (shnid=105797) Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Taper's section by Jon Pasternak CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors and Source 3: AUD (shnid=112782) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted GidleyTransfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged
Taper Notes:
View Notes----------------------------------------- I released a version of this show on November 2, 2013. I'm released a new version now. Why? Because I decided that at least some of my matrixes have too much AUD in the mix. It's an easy trap to fall into. So I thought it was worth experimenting with some re-releases. (If this one is well-recieved, I may also re-release my 7/8/78 matrix.) I appreciate any and all feedback people have. Do you think this release is an improvement over the earlier one? I know some people prefer AUD-heavy mixes. Personally, I don't. My aim is a clean, 'professional' sound. What do you think? FRESH LEGS, VOL. 7 (Matrix) www.facebook.com/freshdeadlegs/ General Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - This show is one of my personal favorites. In my opinon, it deserves to be on any shortlist of the best shows of the '80s. It's great from start to finish. The particular standouts are: Sugaree, Masterpiece (Jerry is *all over* it!), and (of course) the Morning Dew, which is one for the ages. Other high points include Candyman, All Along the Watchtower, and Knockin' On Heaven's Door. The crowd participation during the first half of Good Lovin' is really great, too (and one of those things you won't notice with the SBD alone). Source Notes: - I only retain between-song crowd-noise from AUD sources. In this case, that means that I cut from the SBD some of the crowd-noise (a) after "Walkin' Blues," (b) after "Masterpiece," and (c) before "Knockin' On the Heaven's Door." - The SBD is missing (a) the crowd-noise at the beginning of the second set, (b) the very beginning of "Shakedown," and (c) most of "Space." I patched these from the Healy Ultrabox SBD. - The Pasternak AUD is missing the very beginning of "Bird Song." - The Pasternak AUD is missing about 12 seconds of "Space." The Healy Ultrabox SBD, which I used to patch the main SBD, is missing about 24 seconds of "Space." These drop-outs do not overlap: there is always at least two sources going at any given time throughout the second set. Technical Notes: - The sources were remastered and mixed in Logic Pro 9. Clean-up was done using iZotope RX 3 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. - I speed- and pitch-corrected the AUD sources (as well as the Healy SBD) using the iZotope Radius algorithm. Fine-tune syncing was done in Logic Pro 9. - I ran the Samaritano SBD and the Pasternak AUD through iZotope RX 3's Declip function. - I converted the Pasternak source from 16/44.8 to 16/44.1 using iZotope RX 3. - Some imperfections remain (mainly on the SBD), as I couldn't manage to get rid of some without a net loss in sound quality. Roger Eichorn www.facebook.com/freshdeadlegs/ November 22, 2013
Transferrer: Matrix by Roger Eichorn
2:17:15
SBD
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1987-09-18.126038.mtx.eichorn.sbeok.t-flac16
Source:
3 Source Matrix from Source 1: SBD (shnid=20025; patched with shnid=21241);
Lineage:
Vault PCM Master->DAT; Transfer: DAT->ZA2->Soundforge->.wav->mkw->SHN Source 2: AUD (shnid=105797); Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD; Taper's section by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors and Source 3: AUD (shnid=112782); OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Matrix by Roger Eichorn
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - This show is one of my personal favorites. In my opinon, it deserves to be on any shortlist of the best shows of the '80s. It's great from start to finish. The particular standouts are: Sugaree, Masterpiece (Jerry is *all over* it!), and (of course) the Morning Dew, which is one for the ages. Other high points include Candyman, All Along the Watchtower, and Knockin' On Heaven's Door. The crowd participation during the first half of Good Lovin' is really great, too (and one of those things you won't notice with the SBD alone). Source Notes: - I only retain between-song crowd-noise from AUD sources. In this case, that means that I cut from the SBD some of the crowd-noise (a) after "Walkin' Blues," (b) after "Masterpiece," and (c) before "Knockin' On the Heaven's Door." - The SBD is missing (a) the crowd-noise at the beginning of the second set, (b) the very beginning of "Shakedown," and (c) most of "Space." I patched these from the Healy Ultrabox SBD. - The Pasternak AUD is missing the very beginning of "Bird Song." - The Pasternak AUD is missing about 12 seconds of "Space." The Healy Ultrabox SBD, which I used to patch the main SBD, is missing about 24 seconds of "Space." These drop-outs do not overlap: there is always at least two sources going at any given time throughout the second set. Technical Notes: - The sources were remastered and mixed in Logic Pro 9. Clean-up was done using iZotope RX 3 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. - I speed- and pitch-corrected the AUD sources (as well as the Healy SBD) using the iZotope Radius algorithm. Fine-tune syncing was done in Logic Pro 9. - I ran the Samaritano SBD and the Pasternak AUD through iZotope RX 3's Declip function. - I converted the Pasternak source from 16/44.8 to 16/44.1 using iZotope RX 3. - Some imperfections remain (mainly on the SBD), as I couldn't manage to get rid of some without a net loss in sound quality. Roger Eichorn www.facebook.com/freshdeadlegs/ November 2, 2013
Transferrer: Roger Eichorn
2:18:21
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Roger Eichorn
SHNID:
gd1987-09-18.124840.sbd.sbeok.Eichorn.flac16
Source:
shnid=20025 (Vault PCM Master->DAT->ZA2->Soundforge->.wav->mkw->SHN) patched with shnid=21241 (Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN). The following patches were made: (1) The beginning of the second set ('Tuning' and first seconds of 'Shakedown') (2) Most of 'Space.'
Taper Notes:
View NotesThis is shnid=20025 patched with shnid=21241. The following patches were made: (1) The beginning of the second set ('Tuning' and first seconds of 'Shakedown') (2) Most of 'Space.' Patch (1): EQ'ed, levels were altered, channels were swapped, stereo image was shrunk. Patch (2): levels were altered, stereo image was shrunk. Patching, EQ (Waves Q10), and stereo-imaging (Waves S1 Imager) were done in Logic Pro. Resulting files were split using WaveLab. I combined 'Space' into a single track, adding a brief fade-out/fade-in to make the transition less abrupt. (As Samaritano notes, the tracks were split at a tape flip and so are not continuous. It sounds, though, as though very little of 'Space' is missing -- as little as a few seconds.) SBE's were corrected using Trader's Little Helper. Roger Eichorn (03/2013)
Transferrer: hansokolow
2:20:29
SBD
Rating:
10.00 / 1 rating
Transferrer:
hansokolow
SHNID:
gd1987-09-18.mtx.hansokolow.96139.flac16
Source:
Matrix mix (SBD/AUD)
Transferrer: Paioman and dfinney
2:15:52
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Paioman and dfinney
SHNID:
gd1987-09-18.sbd.painoman.76470.sbeok.shnf
Source:
SBD>TAMH*>CD (Most likely lineage: SBD>PCM>DAT>CD)
Taper Notes:
View NotesAudio anomalies may exist. Tools: Dell Inspiron 8200 (Hardware) Windows XP Professional Version 2002 Service Pack 1 (OS) Exact Audio Copy V0.9 Beta 4 (Secure Mode Extraction) Multiquence 2.50 (Cross-fading) CD Wave Audio Editor 1.7 (Tracking) mkw Audio Compression Tool 0.97 Beta 1 (SHN Compression) md5summer v1.1.0.24 (MD5 Generation) SHNTool 1.01 (Sector Boundary Verification) ---------- PainoMan - December 2003-January 2004 USS KITTY HAWK Yokosuka Sagamihara Original SHN files provided by dfinney & Joe Internet. Patch material (D2T01 & D2T05) provided by Kiss The Stone. *Then A Miracle Happened
Transferrer: Mark Lynn
2:14:09
SBD
Transferrer:
Mark Lynn
SHNID:
gd1987-09-18.sbd-pcm.lynn.34707.flac1648
Source:
Master Soundboard PCM->Cassette->DAT @ 48kHz x 4. Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC.
Taper Notes:
View NotesThe first set is missing the levitation trick and starts abruptly with Hell In A Bucket. There is a small cut in space at 46:49. This appears to be from a different lineage than the other sources listed in the db. This is a 48khz recording (and cannot be streamed)
Source 13 of 24
2:17:34
SBD
Rating:
8.40 / 5 ratings
SHNID:
gd87-09-18.sbd-healy-ultra-box.samaritano.21241.sbeok.shnf
Source:
Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano
Taper Notes:
View NotesSoundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano
Source 14 of 24
2:11:33
SBD
Rating:
9.37 / 78 ratings
SHNID:
gd87-09-18.sbd.samaritano.20025.sbeok.shnf
Source:
Vault PCM Master->DAT.DAT->ZA2->Soundforge->.wav->mkw->SHN.Transfer and SHN by Joe Samaritano.
Taper Notes:
View NotesVault PCM Master->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano.
Source 15 of 24
2:17:54
SBDREMASTER
Rating:
9.48 / 46 ratings
SHNID:
gd87-09-18.sbd-remaster.cole.19002.sbeok.shnf
Source:
MattMan remaster of <A HREF= "http://db.etree.org/shninfo_detail.php?shnid=10536">shnid=10536</a>
Taper Notes:
View NotesMattMan remaster of <a href="http://db.etree.org/shninfo_detail.php?shnid=10536" rel="ugc nofollow">shnid=10536</a>; SBD PCM> DATx3> WAV> SHN, with alterrnate-source SBD patches (see notes)
Transferrer: Dr. Goodseeds
4:36:10
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Dr. Goodseeds
SHNID:
gd1987-09-18.sbd.bobh.10536.sbeok.shnf
Source:
sbd PCM > Dat x3 > wav > shn
Taper Notes:
View Notespatch in space (1:18- 7:28) is sbd PCM > Cass > Dat > wav patch for beginning of Shakedown (up to :52) is sbd >C > C? > dat > wav Although the patch in space provides the majority of what was missing in the commonly circulating version, there is a splice @ 4:34 on this one.
Transferrer: D. Finney
2:24:35
SBD
Rating:
9.67 / 6 ratings
Transferrer:
D. Finney
SHNID:
gd1987-09-18.sbd.finney.394.shnf
Source:
Soundboard
Taper: Michael Hessberg
2:21:58
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-18.154310.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joe D'Amico for the Nakamichi 304 source which supplies a 0:15 patch in "Space" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Michael Hessberg
2:21:58
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-18.154309.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joe D'Amico for the Nakamichi 304 source which supplies a 0:15 patch in "Space" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: M.Laurentus
2:16:05
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1987-09-18.125735.AT835.flac16
Source:
Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 13; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
Taper: Ted Gidley
2:16:52
Rating:
10.00 / 3 ratings
Taper:
Ted Gidley
Transferrer:
AndrewF
SHNID:
gd1987-09-18.nak300.gidley.116004.flac2448
Source:
OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011
Taper Notes:
View NotesNote: Patch from next in line MAC covers tape flip in Space. ID-90241 provides ten seconds of crowd noise after Birdsong.
Taper: Jon Pasternak
2:15:19
Rating:
10.00 / 1 rating
Taper:
Jon Pasternak
Transferrer:
Dave Mallick
SHNID:
gd1987-09-18.nak300.pasternak.mallick.105497.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),
Lineage:
Nak DR-2>Tascam CDRW2000>CD >xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Joe D'Amico
2:14:43
Rating:
9.50 / 8 ratings
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1987-09-18.nak300.damico.90241.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Tony Suraci
2:12:31
Rating:
8.00 / 2 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1987-09-18.nakcm304.suraci.82359.sbeok.flac16
Source:
Nak CM304's>Sony D5M
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes>one track Notes: This is the 16Bit version. 24 Bit is archived on DVDA.