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June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1987
9/9/87
tuning
0:35
Hey Pockey Way
4:48
Jack Straw
6:02
West L.A. Fadeaway
7:29
When I Paint My Masterpiece
4:33
Friend of the Devil
8:43
Cassidy
6:23
Althea
6:58
We want Phil", "Phil says, 'no business'"
0:39
Greatest Story Ever Told ->
3:52
Devil with the Blue Dress ->
2:07
Good Golly Miss Molly ->
0:55
Devil with the Blue Dress
1:00
tuning
1:09
China Cat Sunflower ->
5:30
I Know You Rider ->
4:36
Playing in the Band ->
9:17
China Doll ->
6:31
Drums ->
6:33
Space ->
6:25
The Wheel ->
4:30
Gimme Some Lovin' ->
4:22
Throwing Stones ->
8:46
Not Fade Away
9:45
Not Fade Away ->
1:20
The Mighty Quinn
4:20
FIN
View on archive.org
Sources
Taper: Michael Hessberg
2:14:10
Rating:
2.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-09.151427.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Andrew F. for the Nakamichi 300 source which supplies the first 0:52 of "Hey Pocky Way", as well as a 0:32 patch in the "Drums > Space" transition - Wheel space included in "The Wheel" - Watchtower tease before "Gimme Some Me Lovin'" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Michael Hessberg
2:14:10
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1987-09-09.151426.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Andrew F. for the Nakamichi 300 source which supplies the first 0:52 of "Hey Pocky Way", as well as a 0:32 patch in the "Drums > Space" transition - Wheel space included in "The Wheel" - Watchtower tease before "Gimme Some Me Lovin'" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Ted Carpenter
2:09:59
Taper:
Ted Carpenter
Transferrer:
Ted Carpenter
SHNID:
gd1987-09-09.156740.nak300.carpenter.flac1644
Source:
Nak 300 w/ cp4 Shotguns -> Sony TDC5M ( no dolby )-> TDK-MA 90s
Lineage:
TDK-MA 90s -> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> R8brain (resampled to 16bit 44.1khz ) -> TLH -> analysis,SBE,flac,checksums
Taper Notes:
View NotesNotes: patch samples from Identifier: gd1987-09-09.nak300.andrewf.75532.sbeok.flac16 wheel intro patch from Identifier : gd87-09-09.naks.valis-under.6686.sbeok.shnf All Patch segments re-sampled to 24 bit 48 Khz Special Thanks to Andrew & Valis for helping to complete these sets. Set 1 Fade in at start of show. Added crowd connector to end of Cassidy into Althea at 00:00 to to 00:07 Althea ( track 09) tape flip at end of cassidy modidfied gain by +2 db. fade out end of set Set 2 Fade in begining 2nd set Reduced Gain by .05 to.07 db due to clipping at 04:18 to 04:19 feedback during China Doll, s2t4 03:58 to 03:58 electronic scratching during Drums, s2t5 06:23 Hard Drum clip during Drums, t16 Patched Space from 05:58 to 06:33 for set continuity. Tape flip at end of space s2t5 reduced patch gain by 2db. Fade out end of show
Taper: Thanks to Steve Aserkoff for the discs!
2:09:32
Rating:
10.00 / 1 rating
Taper:
Thanks to Steve Aserkoff for the discs!
Transferrer:
Peter Braverman
SHNID:
gd1987-09-09.aud.braverman.10161.shnf
Source:
Audience (but see note below)
Lineage:
Master Cassette> DAT> CD> SHN (unconfirmed but likely)
Taper Notes:
View NotesThis came to me as a supposed Matrix recording, but this is from an audience source. There is a ton of crowd noise, and there is altogether too much reverb around the vocals to think that Healy put it there (as opposed to the room). Check the first couple lines of "West LA," for instance, or the "inside the coliseum" line from "Masterpiece." The bass is also distant, a hallmark of audience recordings, even good ones. Overall, the issue for me is that the crowd is often louder than the music, especially during the relatively quiet parts (the intro to "FOTD," the nearly inaudible drums in the intro to "Cassidy," "China Doll") -- this is never the case on a true Matrix. Assuming it's an audience recording, it's a very good one, but not outstanding. Stephen Porter's audience cassette supplies the first 1:28 of China Cat Sunflower, which is mostly tuning. It's not clear the world needs another seed of this (the etree db already shows two at this point), but it's a pretty high-energy show. Thanks to Steve Aserkoff for the discs! Tracked, normalized, and seeded by Peter Braverman ([email protected]), June 2002.
Transferrer: Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card >CDWav > Shorten
2:13:25
Rating:
8.80 / 15 ratings
Transferrer:
Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card >CDWav > Shorten
SHNID:
gd87-09-09.sony.dnc.8598.sbeok.shnf
Source:
OTS > Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY
Taper Notes:
View NotesRecorded: Sec: 8, Row: E, Seat: 4 (Taper's Section) Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY Digitizing process: Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card > CD Waves > Cool Edit for putting waves together > CDWav for breaking up wav > Shorten ; via DNC vine